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The history of the emergence of pottery figures in Pueblo art and the cultural significance of these creations.
"This first documentation of the Storyteller phenomenon contains a wealth of information for scholars, collectors, and general readers. Barbara Babcock's text links the invention of the Storyteller to Pueblo figurative tradition, traces the revival of figurative ceramics, makes stylistic comparisons, and discusses the artistic contributions of individual artists and Pueblos. The book is impressively illustrated and features a large section of color plates by award-winning photographer GuyMonthan. Photographs of Storytellers are enhanced by descriptive captions and quotations from the artists compiled by Doris Monthan, who has also provided biographical charts of the artists. Her listing of 233 potters who make Storytellers and related figures--in addition to 146 family members who are also potters--constitutes one of the most extensive documentations of Southwest Indian potters available in a single volume."--From front cover flap.
The comprehensive book on Indian petroglyphs in the Southwest.
The Tom & Charlotte Mittler Collection
Native American pottery of the U.S. southwest has long been considered collectible and today can fetch many thousands of dollars per piece. Authors, collectors, and dealers Carol and Allen Hayes provide readers with a concise overview of the pottery of the southwest, from its origins in the Bastketmaker period (around 400 AD) to the Spanish entrada (1540 AD-1879 AD) to today's new masters. Readers will find dozens of color images depicting pottery from the Zuni, Hopi, Anasazi, and many other peoples. Maps help readers identify where these master potters and their peoples lived (i.e. the Pueblo a tribal group or area). Pottery of the Southwest will serve as a useful introduction as well as a lovely guide for enthusiasts.
Po'pay: Leader of the First American Revolution is the story of the visionary leader of the Pueblo Revolt of 1680, which drove the Spanish conquerors out of New Mexico for twelve years. This enabled the Pueblos to continue their languages, traditions and religion on their own ancestral lands, thus helping to create the multicultural tradition that continues to this day in the "Land of Enchantment." The book is the first history of these events from a Pueblo perspective. Edited by Joe S. Sando, a historian from Jemez Pueblo, and Herman Agoyo, a tribal leader from San Juan Pueblo, it draws upon the Pueblos' rich oral history as well as early Spanish records. It also provides the most comprehensive account available of Po'pay the man, revered by his people but largely unknown to other historians. Finally, the book describes the successful effort to honor Po'pay by installing a seven-foot-tall likeness of him as one of New Mexico's two statues in the National Statuary Hall in Washington, D.C. This magnificent statue, carved in marble by Pueblo sculptor Cliff Fragua, is a fitting tribute to a most remarkable man.
One of the few bright spots in the conduct of government toward the native people of North America.
In 1964, Helen Cordero of Cochiti pueblo created the first storyteller, a clay image of her grandfather with five children clinging to him. Here the reader will find the most extensive collection of storytellers ever gathered in print. Over 400 pieces by nearly 150 artists are shown in full color, and organized by pueblo.
Highly regarded by Native Americans as well as Anglo and Hispanic historians, Sando's book covers the origins and development of Pueblo civilization, the Spanish conquest, the Pueblo Revolt, the influence of the United States government in Pueblo history, and the issues of land and water rights so vital to the survival of Pueblo people today.
This photographic journey spans a thousand years picturing the usual array of beautiful jars and figurines, along with unique pieces including mermaids, pickup trucks, dinosaurs, teddy bears, and a wedding vase shaped like a duck.