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Julian Budden, one of the world's foremost scholars of Italian opera, here offers music lovers a major biography of Giacomo Puccini--a volume in the esteemed Master Musicians series. Blending astute musical analysis with a colorful account of Puccini's life, Budden providess an illuminating look at some of the most popular operas in the repertoire, including Manon Lescaut, La Boheme, Tosca, Madama Butterfly, and Turandot. Budden also paints an intriguing portrait of Puccini the man--talented but modest, a man who had friends from every walk of life: shopkeepers, priests, wealthy landowners, fellow artists.
Giacomo Puccini, composer of some of the world's most popular operas, including La Boheme, Tosca, and Madama Butterfly, was also a highly literary person who based his librettos on existing works of literature. This work explores that literary inheritance in an effort to enhance the listener's appreciation of the operatic experience. The author argues that the majority of Puccini's operas compose a grand cycle that finds its roots in the romance genre of 12th century France, serving to celebrate the strong, independent heroine. Via a close examination of the source works, the librettos, and the scores, this book offers fresh perspective on Puccini's legacy.
A comprehensive guide to Puccini's MADAMA BUTTERFLY, featuring insightful and in depth Commentary and Analysis, a complete, newly translated Libretto with Italian/English side-by side, and over 20 music highlight examples.
The book, which was published early this year and is available unbundled from the CD-ROM for $69.95, contains information on more than 800 composers and examines some 1,500 operas in detail. Each composer's musical career is outlined, with an assessment of his or her overall contribution to opera. Opera entries include cast lists and orchestral forces, a commentary on the background of the work, a synopsis of the plot, and a musical analysis identifying musical highlights and points of interest. Recording and edition information is included. For those who don't like to turn pages, prefer to read from the screen, or just like the click-click of the mouse, the CD-ROM provides computer access via Windows to the information and pictures (small black and whites) of the book. The CD-ROM holds some enhancements: notably, three hours of music excerpts (unheard by this reviewer who lacks the needed 16-bit sound card; some, according to the press release, are as long as three to five minutes). Annotation copyright by Book News, Inc., Portland, OR
Scholarly recognition of Giacomo Puccini's achievements as a musical dramatist has been growing steadily for more than 75 years. This useful volume surveys and evaluates close to 700 books and articles about the composer, written in English, Italian, German, French and Spanish. Additional features include an essay on the evolution of Puccini studies, an annotated discography/videography, a guide to manuscript materials, and a list of organizations devoted to Puccini. This useful volume surveys and evaluates close to 700 books and articles about the composer, written in English, Italian, German, French and Spanish. Additional features include an essay on the evolution of Puccini studies, an annotated discography/videography, a guide to manuscript materials, and a list of organizations devoted to Puccini.
Exploring the many dimensions of Giacomo Puccini's historical legacy and significance, this book situates the much-loved opera composer within the cultural, social, political, and aesthetic contexts of his time and demonstrates how political concerns shape the way we approach and interpret his works in the present day.
Giacomo Puccini is one of the most frequently performed and best loved of all operatic composers. In Il Trittico, Turandot, and Puccini's Late Style, Andrew Davis takes on the subject of Puccini's last two works to better understand how the composer creates meaning through the juxtaposition of the conventional and the unfamiliar -- situating Puccini in past operatic traditions and modern European musical theater. Davis asserts that hearing Puccini's late works within the context of la solita forma allows listeners to interpret the composer's expressive strategies. He examines Puccini's compositional language, with insightful analyses of melody, orchestration, harmony, voice-leading, and rhythm and meter.
Providing the most complete record possible of texts by Italian writers active after 1900, this annotated bibliography covers over 4,800 distinct editions of writings by some 1,700 Italian authors. Many entries are accompanied by useful notes that provide information on the authors, works, translators, and the reception of the translations. This book includes the works of Pirandello, Calvino, Eco, and more recently, Andrea Camilleri and Valerio Manfredi. Together with Robin Healey’s Italian Literature before 1900 in English Translation, also published by University of Toronto Press in 2011, this volume makes comprehensive information on translations from Italian accessible for schools, libraries, and those interested in comparative literature.
The Girl of the Golden West is a theatrical play written, produced and directed by David Belasco, set in the California Gold Rush. The four-act melodrama opened at the old Belasco Theatre in New York on November 14, 1905 and ran for 224 performances. Blanche Bates originated the role of The Girl, Robert C. Hilliard played Dick Johnson, and Frank Keenan played Jack Rance. Bates was joined by Charles Millward and Cuyler Hastings for two-week Broadway runs in 1907 and 1908.[1] William Furst composed the play's incidental music. The play toured throughout the US for several years.
This superb vocal collection features 15 of the world's best-loved arias from the Baroque era through the 21st Century, presented with comprehensive historical information, accurate translations, IPA pronunciation guides, and performance suggestions designed to enhance and educate developing vocalists. Available in Medium High and Medium Low editions, with optional piano accompaniment CDs. Songs include: Domine Deus (Vivaldi) * Gioite al canto mio (Peri) * I Attempt from Love's Sickness (Purcell) * I Got Plenty O' Nuttin' (Gershwin) * La donna è mobile (Verdi) * Non siate ritrosi (Mozart) * O mio babbino caro (Puccini) * O Rest in the Lord (Mendelssohn) * Ombra mai fù (Handel) * Sheep May Safely Graze (Bach) * Sorry Her Lot (Gilbert & Sullivan) * Time To Say Goodbye (Sartori) * Voi che sapete (Mozart) * Where'er You Walk (Handel) * You Raise Me Up (Løvland).