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This volume explores the effects of the Roman censorial mark (nota censoria) and the influence of censorial regulations on the development of written law in ancient Rome. The censor was one of the most fascinating legal institutions of Republican Rome. One of the most colourful and anecdotal areas of censorial activities was in the upkeep of public morals (regimen morum) through which censors controlled private, even intimate, aspects of Roman life. Although the office of the censor has been studied by various scholars from prosopographical, historical, and social perspectives, there has been no comprehensive study of its impact on the development of written law. This book aims to full the gap by providing an overview of the applications of the nota censoria to demonstrate its impact on the development of numerous regulations in the field of private and public laws during the Republican and Imperial periods. This book explores the relationship between magistrate law (ius honorarium) and regimen morum, and how the activities of the censors in this area influenced the formation of praetorian edicts and later legislation during the Principate period, most notably the marriage laws of Augustus. By examining the influence of the censor and the censorial nota in these spheres, readers will gain a new understanding of the overall significance of the censor's office in shaping the Roman legal order. The Censors as Guardians of Public and Family Life in the Roman Republic will be of interest to students and scholars of Roman law in both the Republican and Imperial periods, as well as to those interested in Roman moral attitudes and society more broadly.
Love of home life, the intimate moments a family peacefully enjoyed in seclusion, had long been considered a hallmark of English character even before the Victorian era. But the Victorians attached unprecedented importance to domesticity, romanticizing the family in every medium from novels to government reports, to the point where actual families felt anxious and the public developed a fierce appetite for scandal. Here Karen Chase and Michael Levenson explore how intimacy became a spectacle and how this paradox energized Victorian culture between 1835 and 1865. They tell a story of a society continually perfecting the forms of private pleasure and yet forever finding its secrets exposed to view. The friction between the two conditions sparks insightful discussions of authority and sentiment, empire and middle-class politics. The book recovers neglected episodes of this mid-century drama: the adultery trial of Caroline Norton and the Prime Minister, Lord Melbourne; the Bedchamber Crisis of the young Queen Victoria; the Bloomer craze of the 1850s; and Robert Kerr's influential treatise, celebrating the ideal of the English Gentleman's House. The literary representation of household life--in Dickens, Tennyson, Ellis, and Oliphant, among others--is placed in relation to such public spectacles as the Deceased Wife's Sister Bill of 1848, the controversy over divorce in the years 1854-1857, and the triumphant return of Florence Nightingale from the Crimea. These colorful incidents create a telling new portrait of Victorian family life, one that demands a fundamental rethinking of the relation between public and private spheres.