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Orphan Warble Mildew has successfully managed to get herself expelled from school. She becomes a waitress and learns how to make the best cream pie around, attracting the attention of the wealthy Mr Petticoat. Winning over his heart with her pies, Warble soon becomes Mrs Petticoat and has to learn how to adjust to her new surroundings and position in life, with often hilarious consequences. Carolyn Wells’ ‘Ptomaine Street’ is widely regarded to have been a parody of the hugely successful novel ‘Main Street’ by Sinclair Lewis, published a year earlier. Carolyn Wells (1862-1942) was a prolific American novelist and poet, best known for her children’s literature, mystery novels and humorous verse. Following school in New Jersey, Wells worked as a librarian, where she developed her love of reading. It was during 1896 that Wells' first book ‘At the Sign of the Sphinx’ was published. From 1900 she dedicated herself to her literary career, writing over 170 novels in total across a range of genres. Some of her most loved works include the ‘Patty Fairfield’ and ‘Marjorie Maynard’ series for girls, as well as the ‘Fleming Stone’ mystery series for adults. Wells is also well-known for her humorous nonsense verse, and was a frequent contributor of verse to magazines. She published an autobiography ‘The Rest of my Life’ in 1937. Wells died in New York City in 1942.
"Ptomaine Street: The Tale of Warble Petticoat" by Carolyn Wells. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
The second collection of Carolyn Wells work presents several mysteries, a non-fiction study of the art of the detective story, and a good selection of her young adult series novels. Included are: A CAROLYN WELLS BIBLIOGRAPHY THE DEEP LAKE MYSTERY FACE CARDS (1925) THE TECHNIQUE OF THE MYSTERY STORY (1913) PTOMAINE STREET (1920) THE STAYING GUEST (1904) MARJORIE’S VACATION (1907) MARJORIE’S BUSY DAYS (1908) MARJORIE’S NEW FRIEND (1909) MARJORIE’S MAYTIME (1911) MARJORIE AT SEACOTE (1912) PATTY FAIRFIELD (1901) PATTY AT HOME (1904) PATTY’S SUMMER DAYS (1906) PATTY IN PARIS (1907) PATTY’S FRIENDS (1908) PATTY’S SUCCESS (1910) PATTY’S BUTTERFLY DAYS (1912) PATTY’S SOCIAL SEASON (1913) PATTY’S SUCCESS (1910) PATTY’S SUITORS (1914) PATTY BLOSSOM (1917) THE JINGLE BOOK (1899) If you enjoy this book, search your favorite ebook store for "Wildside Press Megapack" to see the more than 100 other entries in the series, covering science fiction, modern authors, mysteries, westerns, classics, adventure stories, and much, much more! (Sort by publication date to see the most recent releases.)
"Teachers' bulletin", vol. 4- issued as part of v. 23, no. 9-
Contemporary reception study has developed a diversity of approaches and methods, including the institutional, textual, historical, authorial, and reader-response, which, to a greater or lesser extent, acknowledge the various ways in which readers have found texts-- literature, television shows, movies, and newspapers--meaningful. This collection emphasizes that new diversity, examining movies, newspapers, fans, television shows, and traditional American as well as modern Hispanic, Black, and Women's literature. The essays on literature include James Machor on Melville's short fiction, Kenneth Roemer on Edward Bellamy's utopian work Looking Backward, Amy Blair on the popularity of Sinclair Lewis's Main Street, Marcial Gonzalez on Danny Santiago and his Hispanic novel Famous All Over Town, and Leonard Diepeveen on modernist fiction and criticism. The theoretical essays on reader-oriented criticism include Patsy Schweickart on interpretation and the ethics of careand Jack Bratich on active audiences. Media versions of response criticism include Andrea Press and Camille Johnson's ethnographic analysis of fans of the Oprah Winfrey Show, Janet Staiger on Robert Aldrich's film version of Mickey Spillane's Kiss Me Deadly, and Rhiannon Bury on the fans of the HBO television show Six Feet Under. History-of-the-book versions include Barbara Hochman on the popularity of the 1890s editions of Harriet Beecher Stowe's Uncle Tom's Cabin, Ellen Garvey on nineteenth-century scrapbooks of newspaper, and David Nord on early twentieth-century newspapers' relations to audience charges of bias and unfairness. Poststructuralist studies include Philip Goldstein on Richard Wright's Native Son, Steve Mailloux on Reading Lolita in Tehran, and Tony Bennett on the cultural analyses of Pierre Bourdieu. The collection concludes with essays by Janice Radway on the limits of these methods and on the possibility of new forms of sociological and anthropological reception study and byToby Miller on the "reception deception" in relation to the worldwide distribution and reception of movies and television shows.