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Subtitled `The interaction between Greek and Egyptian traditions', this thesis aims to establish a chronology for developments in the portrayal of the Ptolemaic royal family.
As archaeologists recover the lost treasures of Alexandria, the modern world is marveling at the latter-day glory of ancient Egypt and the Greeks who ruled it from the ascension of Ptolemy I in 306 B.C. to the death of Cleopatra the Great in 30 B.C. The abundance and magnificence of royal sculptures from this period testify to the power of the Ptolemaic dynasty and its influence on Egyptian artistic traditions that even then were more than two thousand years old. In this book, Paul Edmund Stanwick undertakes the first complete study of Egyptian-style portraits of the Ptolemies. Examining one hundred and fifty sculptures from the vantage points of literary evidence, archaeology, history, religion, and stylistic development, he fully explores how they meld Egyptian and Greek cultural traditions and evoke surrounding social developments and political events. To do this, he develops a "visual vocabulary" for reading royal portraiture and discusses how the portraits helped legitimate the Ptolemies and advance their ideology. Stanwick also sheds new light on the chronology of the sculptures, giving dates to many previously undated ones and showing that others belong outside the Ptolemaic period.
The aim of this book is to approach Ptolemaic and Imperial royal sculpture in Egypt dating between 300 BC and AD 220 from a contextual point of view. To collect together the statuary items that are identifiably royal and have a secure archaeological context, within Egypt.
With its emphasis on the dynasty's concern for control of the sea – both the Mediterranean and the Red Sea – and the Nile, this book offers a new and original perspective on Ptolemaic power in a key period of Hellenistic history. Within the developing Aegean empire of the Ptolemies, the role of the navy is examined together with that of its admirals. Egypt's close relationship to Rhodes is subjected to scrutiny, as is the constant threat of piracy to the transport of goods on the Nile and by sea. Along with the trade in grain came the exchange of other products. Ptolemaic kings used their wealth for luxury ships and the dissemination of royal portraiture was accompanied by royal cult. Alexandria, the new capital of Egypt, attracted poets, scholars and even philosophers; geographical exploration by sea was a feature of the period and observations of the time enjoyed a long afterlife.
The Hellenistic period—the nearly three centuries between the death of Alexander the Great, in 323 B.C., and the suicide of the Egyptian queen Kleopatra VII (the famous "Cleopatra"), in 30 B.C.—is one of the most complex and exciting epochs of ancient Greek art. The unprecedented geographic sweep of Alexander's conquests changed the face of the ancient world forever, forging diverse cultural connections and exposing Greek artists to a host of new influences and artistic styles. This beautifully illustrated volume examines the rich diversity of art forms that arose through the patronage of the royal courts of the Hellenistic kingdoms, placing special emphasis on Pergamon, capital of the Attalid dynasty, which ruled over large parts of Asia Minor. With its long history of German-led excavations, Pergamon provides a superb paradigm of a Hellenistic capital, appointed with important civic institutions—a great library, theater, gymnasium, temples, and healing center—that we recognize today as central features of modern urban life. The military triumphs of Alexander and his successors led to the expansion of Greek culture out from the traditional Greek heartland to the Indus River Valley in the east and as far west as the Strait of Gibraltar. These newly established Hellenistic kingdoms concentrated wealth and power, resulting in an unparalleled burst of creativity in all the arts, from architecture and sculpture to seal engraving and glass production. Pergamon and the Hellenistic Kingdoms of the Ancient World brings together the insights of a team of internationally renowned scholars, who reveal how the art of Classical Greece was transformed during this period, melding with predominantly Eastern cultural traditions to yield new standards and conventions in taste and style.
Egyptian bronze statuary has proven particularly intractable to chronological investigations. This study exploits clues offered by bronze royal statuettes to make identifications or stylistic assignments. A fuller understanding of the artistic milieu and role of small royal bronze statuary results.
A collection of 17 papers by graduate students, taken from a symposium held at Oxford in 2000, presenting new and on-going research on a variety of aspects of Egytptian society, art, culture and history.
The last of the Ptolemaic monarchs who ruled Egypt for 300 years, Cleopatra is the most famous of the Ptolemaic queens. But what of her predecessors? The Last Queens of Egypt examines the roles played by the Ptolemaic royal women and explores their part in religion, politics and court intrigue. Explaining their propensity for incest, murder and power, Sally Ann Ashton shows the extent of the power they enjoyed, the price they paid, and how they shaped Cleopatra's reign.
In September 2002, a second workshop on the theme of the social context of technological change was held at the McDonald Institute for Archaeological Research, University of Cambridge. Discussion has been the core of these meetings so far, with the aim being to relate the results of the specialist investigator to broad historical questions concerning the nature and development of ancient societies. The papers presented here address a wider context: geographically, with the inclusion of the Aegean and thematically, with papers on natural products and raw materials. The time frame remains the same in covering the Late Bronze Age/New Kingdom. The majority of the papers draw on Egyptian evidence, and illustrate a multiplicity of approaches to the problems set by ancient technologies: modelling, methodology of art history and archaeology applied to a problematic group of artefacts, integration of archaeological and textual sources, and the application of the results of scientific analysis to illuminate ancient technology.
This book offers a new thematic, contextualized, and richly illustrated approach to art of the Hellenistic world (c.330-30 BC).