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"An anthology of the first and second PsyCop books."
Troubled medium Vic and his boyfriend Jacob try to find a home they can move into that's not infested-with either cockroaches, or ghosts. A deceased junkie with a bone to pick leads Victor on a wild chase that ends in a basement full of horrors. Then, Jacob's on a case that has him stretched to the breaking point, and Victor's old partner Lisa needs him to help her work through an ethical psychic dilemma.
Among the living: Victor is a PsyCop, also know as a member of the Paranormal Investigation Team. He's not popular with the living, as most people consider him a little odd, but the ghosts of violent crimes can't wait to tell him all about their deaths. His new case pairs him with Jacob, a non-psychic who works in sex crimes, Victor and Jacob have a history, and as they work together to solve a set of serial crimes, they begin to explore the possibilities of a future together.
Everyone enjoys peace and tranquility, and Victor Bayne is no exception. He goes to great lengths to maintain a harmonious home with his partner, Jacob. Although the cannery is huge, it's grown difficult to avoid the elephant in the room...the elephant with the letters FPMP scrawled on its hide. Once Jacob surrendered his PsyCop badge, he infiltrated the Federal Psychic Monitoring Program. In his typical restrained fashion, he hasn't been sharing much about what he actually does behind its vigilantly guarded doors. And true to form, Vic hasn't asked. In fact, he would prefer not to think about the FPMP at all, since he's owed Director Dreyfuss an exorcism since their private flight to PsyTrain. While Vic has successfully avoided FPMP entanglement for several months, now his debt has finally come due.
Victor Bayne, the psychic half a PsyCop team, is a gay medium who's more concerned with flying under the radar than in making waves. He hooks up with Jacob Marks, a non-psychic (or "Stiff") from an adjacent precinct and it seems like his dubious luck has improved, when a serial killer with a gruesome M.O. surfaces--and no one agrees what he looks like. Explicit gay content.
In The Gay Male Sleuth in Print and Film (2005), scholar Drewey Wayne Gunn examined the history of gay detectives beginning with the first recognized gay novel, The Heart in Exile, which appeared in 1953. In the years since the original edition's publication, hundreds of novels and short stories in this sub-genre have been produced, and Gunn has unearthed many additional representations previously unrecorded. In this new edition, Gunn provides an overview of milestones in the development of gay detectives over the last several decades. Also included in this volume is an annotated list of novels, short stories, plays, graphic novels, comic strips, films, and television series with gay detectives, gay sleuths of secondary importance, and non-sleuthing gay policemen. The most complete listing available--including the only listing of early gay pulp novels, present-day male-to-male romances, and erotic films--this new edition brings the work up to date with publications missed in the first edition, particularly cross-genre mysteries, early pulps, and some hard-to-find volumes. The Gay Male Sleuth in Print and Film: A History and Annotated Bibliography lists all printed works in English (including translations) presently known to include gay detectives (such as amateur sleuths, police detectives, private investigators, and investigative reporters), from the 1929 play Rope until the present day. It includes all films in English, subtitled or dubbed, from the screen version of Rope in 1948 and the launch of the independent film Spy on the Fly in 1966 through the end of 2011. Complete with two appendices--a bibliography of sources and a list of Lambda Literary Awards--and indexes of titles, detectives, and actors, this extensively revised and updated reference will prove invaluable to mystery collectors, researchers, aficionados of the subgenre, and those devoted to GLBTQ studies.
For the past dozen years, Victor Bayne has solved numerous murders by interrogating witnesses only he can see-dead witnesses. But when his best friend Lisa goes missing from the sunny California campus of PsyTrain, the last thing he wants to find there is her spirit. Disappearing without a trace in a school full of psychics? That's some trick. But somehow both Lisa and her roommate have vanished into thin air. A group of fanatics called Five Faith has been sniffing around, and Lisa's email is compromised. Time is running out, and with no ghosts to cross-examine, Vic can't afford to turn down any offers of help. An old enemy can provide an innovative way to track Vic's missing friend, and he enters into an uneasy alliance-even though its ultimate cost will ensnare him in a debt he may never manage to settle. The PsyCop series: PsyCop Partners (contains Among the Living and Criss Cross) PsyCop: Property (contains Body & Soul and Secrets) Camp Hell GhosTV
FBI agent Rain, who fell from grace after a paranormal sighting, and his ex, cold-case detective Daniel, pursue a case determined to go nowhere. Is their second chance at romance headed the same way?
The Mark of Cain makes available for the first time the accumulated psychoanalytic understanding of the psychopathic mind. Editor Reid Meloy, a leading authority on the psychology of the psychopath, has brought together in a single collection the most historically important psychoanalytic papers on the psychopath and delineted their continuing relevance to contemporary understanding. According to Meloy, two theoretical traditions flow into the psychoanalytic understanding of psychopathy. The first tributary focuses on the early development of the psychopath in order to illuminate how a profound alteration in self-regard leads both to a denigration of the other and to an impulsive search for gratification in the present. The second tributary seeks to locate the psychopathic miscarriage of human potentiality within analytic theories of personality structure and clinically grounded differential diagnosis. Meloy presents the major contributions associated with both of these traditions. Included within this body of literature are the original formulations of concepts that have long since become part of the psychoanalytic nomenclature: the "affectionless" juvenile offender, the diagnostic significance of "affect hunger," the behavioral consequences of "superego lacunae," the recourse to promiscuous identification in "the impostor," and the paradoxically lethal lure of "malignant narcissism." Of special interest are Meloy's historical notes to each chapter and two section introductions, the latter major essays in their own right. The explosion of empirical research on psychopathy over the past two decades masks the fact that much contemporary work in this area is grounded in the clinical formulations of leading psychoanalysts of the twentieth century. The Mark of Cain rescues this intimate understanding of the inner world of the psychopath and thereby contributes to clinical realism in the face of deception, manipulation, exploitation, and even frank dangerousness.
#4 in the PARTNERS IN CRIME SERIES! Lovers and Other Strangers by Josh Lanyon Recovering from a near fatal accident, artist Finn Barret returns to Seal Island in Maine to rest and recuperate. But Seal Island is haunted with memories, some sweet, some sad; three years ago Finn found his lover in the arms of Fitch, Finn's twin brother. Since that day, Finn has seen neither Conlan nor Fitch. In fact, no one has seen Fitch. What happened to him? Did Fitch run away, as everyone believes? Or did he meet a more sinister fate? To put the past to rest - and see if there's any chance of a future with Con - Finn must discover the truth. But the deeper he digs, the more reason he has to fear Con is the only one who knows what truly happened to Fitch... Body Art by Jordan Castillo Price His lover has betrayed and swindled Ray Carlucci out of everything he valued, including a tattoo business. Hounded by creditors, weary of heart, he accepts the job of chauffeur and body man for the dying owner of a remote estate. The island, minus its wealthy summer colony, is colorless in winter and Ray thinks he understands why staff on the estate periodically desert. But, he's baffled by, then drawn to, Anton, the eccentric artist who haunts the forest, bringing strange life to bizarre and disquieting sculptures amidst the ice and trees. When the body of a man who once held Ray's job rises from the frosty earth, Ray wonders what part Anton's wildness has in the escalating violence.