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Experience of maternal absence manifests in a variety of ways and this book explores a selection of its emotional, psychical, and somatic consequences as they relate to an individual’s relationship with their body, psychic-emotional internal life, and intimate relationships. This book is not about mothers, but how individuals handle the trauma of mothers they have not had. Spanning backgrounds such as the collective child-rearing method of the kibbutz in Israel through to the possible difficulties of children who are parented by single parents, born out of sperm or egg donation, and adults who have suffered chronic sexual abuse, Shapira-Berman observes the precarious position of the analyst and the tension between the acts of witnessing and participating in client interventions. Espousing the values of authenticity and creativity, this text concludes with a reconfiguration of the roles of faith and trust within psychoanalysis and offers hope to those on their therapeutic journeys. This book will be a valuable resource for psychotherapists, as well as for various undergraduate and postgraduate studies in object relations, childhood trauma, sexual trauma and clinical therapy.
The New York Times–bestselling graphic memoir about Alison Bechdel, author of Fun Home, becoming the artist her mother wanted to be. Alison Bechdel’s Fun Home was a pop culture and literary phenomenon. Now, a second thrilling tale of filial sleuthery, this time about her mother: voracious reader, music lover, passionate amateur actor. Also a woman, unhappily married to a closeted gay man, whose artistic aspirations simmered under the surface of Bechdel's childhood…and who stopped touching or kissing her daughter good night, forever, when she was seven. Poignantly, hilariously, Bechdel embarks on a quest for answers concerning the mother-daughter gulf. It's a richly layered search that leads readers from the fascinating life and work of the iconic twentieth-century psychoanalyst Donald Winnicott, to one explosively illuminating Dr. Seuss illustration, to Bechdel’s own (serially monogamous) adult love life. And, finally, back to Mother—to a truce, fragile and real-time, that will move and astonish all adult children of gifted mothers. A New York Times, USA Today, Time, Slate, and Barnes & Noble Best Book of the Year “As complicated, brainy, inventive and satisfying as the finest prose memoirs.”—New York Times Book Review “A work of the most humane kind of genius, bravely going right to the heart of things: why we are who we are. It's also incredibly funny. And visually stunning. And page-turningly addictive. And heartbreaking.”—Jonathan Safran Foer “Many of us are living out the unlived lives of our mothers. Alison Bechdel has written a graphic novel about this; sort of like a comic book by Virginia Woolf. You won't believe it until you read it—and you must!”—Gloria Steinem
The rise of the novel and of the ideal nuclear family was no mere coincidence, argues Susan C. Greenfield in this fascinating look at the construction of modern maternity. The rise of the novel and of the ideal nuclear family was no mere coincidence, argues Susan C. Greenfield in this fascinating look at the construction of modern maternity. Many historians maintain that the eighteenth century witnessed the idealization of the caring, loving mother. Here Greenfield charts how the newly emerging novels of the period, in their increasing feminization, responded to and helped shape that image, often infusing it with more nuance and flexibility. By the end of the eighteenth century, she notes, novels by women about missing mothers and their suffering daughters abounded. Even as the political implications of the novels vary, the books uniformly insist on the tenacity of the mother-daughter bond despite the mother's absence. Exploring the historically contingent assumptions about maternal care that informed writers during this period, Greenfield argues that women's novels helped construct the story of mother love and loss that psychoanalysis would soon inherit.
This text had a major impact on both feminists and psychoanalysts when it was first published, and it continues to shape the thinking of analysts and feminists today.
This delightful book presents a selection of D. W. Winnicott's best writing about children. The remarkable, enduring essays from Babies and Their Mothers and Talking to Parents are here combined with several hard-to-find gems of insight into the world of the child. Each piece was written for a wide audience of parents, childcare professionals, and teachers. In his empathic and witty way, Winnicott ranges over such timeless topics as the mother/infant relationship, trust, instilling a sense of security, negativism, jealousy and moral development. Now, in one volume, anyone who cares about children can enjoy the wisdom of a man many consider to be the most important psychoanalyst since Freud.A Merloyd Lawrence Book
The author occupies a unique position in psychoanalysis today, and his work represents a synthesis of the traditions of Lacan, Winnicott and Bion. This volume collects fourteen of his papers together with a substantial introduction. The papers range widely across clinical and theoretical issues including borderline states, the true and false self, and narcissism. On Private Madness has achieved the status of a modern psychoanalytic classic, and this new impression will be welcomed by all those admirers of the author who wish to have these seminal papers collected together.
In this book, Alison Stone develops a feminist approach to maternal subjectivity. Stone argues that in the West the self has often been understood in opposition to the maternal body, so that one must separate oneself from the mother and maternal care-givers on whom one depended in childhood to become a self or, in modernity, an autonomous subject. These assumptions make it difficult to be a mother and a subject, an autonomous creator of meaning. Insofar as mothers nonetheless strive to regain their subjectivity when their motherhood seems to have compromised it, theirs cannot be the usual kind of subjectivity premised on separation from the maternal body. Mothers are subjects of a new kind, who generate meanings and acquire agency from their position of re-immersion in the realm of maternal body relations, of bodily intimacy and dependency. Thus Stone interprets maternal subjectivity as a specific form of subjectivity that is continuous with the maternal body. Stone analyzes this form of subjectivity in terms of how the mother typically reproduces with her child her history of bodily relations with her own mother, leading to a distinctive maternal and cyclical form of lived time.
Brings together theoretical interpretations of shame with clinical studies and integrates major concepts from psychoanalysis, Jungian analysis, developmental psychology and anthropology.
In this book, Yael Pilowsky Bankirer reads into Freud's writings with the unique prism of circumcision as a marker for both the formation of masculine identity, and for matricide, the disappearance of the mother. Pilowsky Bankirer uses Freud’s idea of circumcision within a text as a Leitfossil: a key-fossil through which an unresolved unconscious conflict can be traced. She conducts a close reading of Freud’s texts – including Little Hans, The Wolf Man, Totem and Taboo and Moses and Monotheism – to illuminate and uncover the textual unconscious, deconstruct the explicit narrative and open alternative psychoanalytic possibilities inherent to the encounter with the maternal realm. Throughout the volume, Pilowsky Bankirer informs her analysis by considering the work of Freud in tandem with that of Lacan, Kristeva, Irigaray, Derrida, Benjamin, Butler and more. Psychoanalytic Explorations of the Masculine and the Maternal: Uncovering the Image of Circumcision in Freud’s Works will be of interest to scholars of psychoanalysis and practising analysts alike, particularly those interested in the intersection of gender studies and psychoanalysis.
The Dead Mother brings together original essays in honour of André Green. Written by distinguished psychoanalysts, the collection develops the theme of his most famous paper of the same title, and describes the value of the dead mother to other areas of clinical interest: psychic reality, borderline phenomena, passions and identification. The concept of the 'dead mother' describes a clinical phenomenon, sometimes difficult to identify, but always present in a substantial number of patients. It describes a process by which the image of a living and loving mother is transformed into a distant figure; a toneless, practically inanimate, dead parent. In reality, the mother remains alive, but she has psychically 'died' for the child. This produces a depression in the child, who carries these feelings within him into adult life, as the experience of the loss of the mother's love is followed by the loss of meaning in life. Nothing makes sense any more for the child, but life seems to continue under the appearance of normality. The Dead Mother is a valuable contribution to literature on psychoanalytic and psychotheraputic approaches to grief, loss and depression.