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Prudentius’ Crown of Martyrs offers an English translation, with introduction and commentary, of the Liber Peristephanon, Prudentius’ vivid collection of lyric hymns in honor of Christian martyrs. To render Prudentius’ metrically varied lines for twenty-first-century readers, Len Krisak relies on the inherent iambic nature of English. The introduction offers insight into social, political, and literary features of the fourth century, the life of Prudentius, the poet’s other works, his Latinity and mastery of ancient meters, and the manuscript tradition and the reception of Prudentius in the Middle Ages and beyond. Given Prudentius’ central place in the history of Latin poetry, this translation is a welcome resource for general readers interested in Western literary history. It will also find a home with scholarly audiences working on Late Antique and Early Christian literature and culture, in a wide variety of college classrooms and in academic libraries.
Focusing on major figures such as St. Augustine and Gregory of Nyssa, as well as a host of less well known thinkers, Robert Wilken (the author of The First Thousand Years: A Global History of Christianity) chronicles the emergence of a specifically Christian intellectual tradition. He provides an introduction to early Christian thought on topics including early Christian worship, Christian poetry and the spiritual life, the Trinity, Christ, the Bible, and icons, and shows that the energy and vitality of early Christianity arose from within the life of the Church. While early Christian thinkers drew on the philosophical and rhetorical traditions of the ancient world, it was the versatile vocabulary of the Bible that loosened their tongues and minds and allowed them to construct the world anew, intellectually and spiritually. These thinkers were not seeking to invent a world of ideas, Wilken shows, but rather to win the hearts of men and women and to change their lives. Early Christian thinkers set in place a foundation that has endured. Their writings are an irreplaceable inheritance, and Wilken shows that they can still be heard as living voices within contemporary culture.
Martyrdom, Murder, and Magic: Child Saints and Their Cults in Medieval Europe is a comprehensive history of child saints and their cults from late Antiquity to the end of the fifteenth century. The child martyrs of the persecutions, including the Holy Innocents, were the first child saints recognized by the Church and their cults spread throughout Europe in the early Middle Ages. Alongside these cults, medieval society also venerated child «martyrs», victims of political or domestic violence. The increasing role of the papacy in the canonization process after the tenth century resulted in the veneration of saintly child confessors in the high Middle Ages, but from the end of the twelfth century, most children worshipped as saints were the alleged victims of ritual murder by Jews. This book considers the formation and transformation of child saints and their cults in the context of popular belief and the history of childhood.
This new translation brings to life Prudentius' Psychomachia, one of the most widely read poems in western Europe from Late Antiquity through the Renaissance. With accompanying notes and introduction, this volume provides a fresh exploration of its themes and influence. The Psychomachia of Prudentius (348–c. 405), an allegorical epic poem of nearly 1,000 lines about the battle between the virtues and the vices for possession of the human soul, led early modern scholars to refer to the late antique poet as "the Christian Vergil." Combining depictions of violent, single combats with allusions to pagan epic poetry, biblical scenes, and Christian doctrine, the poem captures the dynamism of the later Roman Empire in which the pagan world was giving way to a new, Christian Europe. In this volume, the introduction sets the historical and literary context and illuminates the Psychomachia’s prominent role in western literary history. Mastrangelo’s translation aims to capture the rhetorical power of the author’s Roman Christian Latin for the 21st-century reader. The notes provide the reader with in-depth information on Prudentius’ Latinity, the Roman epic tradition, and Christian doctrine. This volume is directed at students and scholars across the disciplines of comparative literature, classics, religion, and ancient and medieval studies, as well as any reader interested in the history and development of literature in the West.
In the third century CE, Emperor Septimius Severus unleashed a shocking and severe persecution against the Christian church. Witnessing the fear and confusion in his congregations, the presbyter Hippolytus crafted his Commentary on Daniel to encourage Christians confronted with the reality of martyrdom and persecution. In a work which comes to us as the earliest orthodox Christian commentary on scripture, Hippolytus interprets the text through allegory, typology, theodicy, paraenesis, and reflection to create a motif of martyrdom. By doing so, Hippolytus guides Christians iin their communities as they stand heroically before the tribunal of Caesar, like the Danielic characters stood before authorities in Babylon. His purpose in the commentary is clearly pastoral, arising from his role as presbyter: to exhort his Christian congregations to prepare to be martyred for Christ amidst Roman persecution.
Sex, Violence, and Early Christian Texts examines instances of sexual violence within a diversity of early Christian texts carefully, ethically, and with an eye toward shining a light on the scourge of sexual violence that is so often manifest in both ancient and contemporary Christian communities.
This anthology of readings related to Western art history explains specific works of art illustrated in Janson's History of Art and De la Croix and Tansey's Gardner's Art Through the Ages in terms of the ideas, beliefs, and concerns of the people and cultures who created the art. It brings a new understanding of art because it shows the social and cultural basis of major works of art through history. The ten sections are Ancient Near East; Egyptian; Aegean; Greek; Etruscan; Roman; early Christian, Byzantine, and Islamic; early Medieval; Romanesque; and Gothic. The readings have been drawn from many areas of intellectual and social history, including religion, philosophy, literature, science, economics, and law. Each selection is preceded by an introductory note, which discusses the readings in terms of its subject and theme, its source and usage, and its relevance to the study of the work of art.
This book demonstrates that living martyrdom was an important spiritual aspiration in the late antique Latin west and argues that, consequently, attempts to define, study, or locate martyrdom must move away from conceptualizations that require or center on death. After an introduction that traces the persistence of "living martyrs" as real objects of spiritual devotion and emulation across the span of Christian history and discusses why such martyrs have been overlooked, the book focuses on three significant authors from the late ancient Latin west for whom martyrdom did not require death: the Spanish poet Prudentius (c. 348–413), the senator-turned-ascetic Paulinus of Nola (353–431), and the influential North African bishop Augustine of Hippo (354–430). Through historically and literarily contextualized close readings of their work, this book shows that each of these three authors attempted to create a new paradigm of martyrdom focused on living, rather than dying, for God. By focusing on these living martyrs, we are able to see more clearly the aspirations and agendas of those who promoted them as martyrs and how their martyrological discourse illuminates the variety of ways that martyrdom is and can be mobilized (in any era) to construct new, community-creating worldviews. Living Martyrs in Late Antiquity and Beyond is an important resource for historians of Christianity, scholars of religious studies, and anyone interested in exploring or understanding martyrological discourse. The Introduction of this book is available for free in PDF format as Open Access from the individual product page at www.routledge.com. It has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
Capitalizing upon the enduring fascination with decapitation in European culture, this collection examines--through a variety of critical lenses--the recurring "roles/rolls" of severed human heads in the medieval and early modern imagination.
Making Women Martyrs in Tudor England examines the portrayal of Protestant women martyrs in Tudor martyrology, focusing mainly on John Foxe's Book of Martyrs . Foxe's women martyrs often defy not just ecclesiastically and politically powerful men; they often defy their husbands by chastising them, disobeying them, and even leaving them altogether. While by marrying his female martyrs to Christ Foxe mitigates their subversion of patriarchy, under his pen his heroic women challenge the foundations of social and political order, offering an accessible model for resistance to antichristian rule.