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A ground-breaking study that looks at why European nations sent troops to take part in Hitler's invasion of the Soviet Union.
Comparative study of the writings and strategies of European women in two colonies, French Algeria and British Kenya, during the twentieth century. Its central theme is women's discursive contribution to the construction of colonial nostalgia.
This book brings into focus the synergistic interaction between analysis and geometry by examining a variety of topics in function theory, real analysis, harmonic analysis, several complex variables, and group actions. Krantz's approach is motivated by examples, both classical and modern, which highlight the symbiotic relationship between analysis and geometry. Creating a synthesis among a host of different topics, this book is useful to researchers in geometry and analysis and may be of interest to physicists, astronomers, and engineers in certain areas. The book is based on lectures presented at an NSF-CBMS Regional Conference held in May 1992.
As one of the greatest of the military orders that were generated in the Church, the Order of the Hospital of St John was a major landowner and a significant political presence in most European states. It was also a leading player in the settlements established in the Levant in the wake of the crusades. It survives today. In this source-based and up-to-date account of its activities and internal history in the first two centuries of its existence, attention is particularly paid to the lives of the brothers and sisters who made up its membership and were professed religious. Themes in the book relate to the tension that always existed between the Hospital's roles as both a hospitaller and a military order and its performance as an institution that was at the same time a religious order and a great international corporation.
A social and cultural history of the Grateful Dead, America's greatest folk/rock institution, by a "National Book Critics Circle Award"-winning author. 8-page photo insert.
"A magical novel on the theme of androgyny. Funny, subtle, poignant..." - Nadine Sautel, Magazine littéraire "Jacqueline Harpman drags us into one of those sexual phantasmagorias that are her own secret. She displays incredible confidence in juggling identities and meshing together yearnings and phobias, fantasies and frustrations" - T G, L'Express How would it be to jump into the skin of another? To be both a man and a woman at once? And what would happen if you found yourself attracted to yourself? Beneath a mousy exterior, 35-year-old college lecturer Aline seethes with frustration. Sick of being bullied by her mother and treated like a piece of furniture by Albert, her live-in lover, one day Aline leaps from her own skin into the far more attractive body of Lucien, whom she spots in a café at the Gare du Nord. From here this brilliantly imaginative story runs on parallel lines. While Aline sensibly catches the train back to her orderly life, Aline-Lucien - or Orlanda, as her bold new composite self is called in homage to Virginia Woolf - follows, dragging chaos in his wake. Jacqueline Harpman, herself once a psychoanalyst, revels in the confusion, as ego falls for alter ego and mothers, sisters and lovers begin to ask awkward questions in this unusual perceptive comedy of double selves and bisexuality. "Undoubtedly this is a novel to breathe life into characters through the unfettered use of the imagination. It offers a pretext for a great deal of humour and fantasy that stirs up the old myths' - André Brincourt, Figaro Winner of the Prix Médicis.