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Artists have always been drawn to Provence, seduced by its outstanding natural beauty its fields of lavender, vineyards and olive trees. In this lavishly illustrated book, Julia Droste-Hennings presents over twenty Provençal gardens styled by the adept minds and hands of artists. Their gardens take many forms, from imposing sculpture parks to delicate assemblages and spaces that take inspiration from Italian classical gardens. Evocative and inspiring, this sumptuous book is an exciting showcase and an original source of gardening inspiration.
The spectacular transformation of Paris during the 19th century into a city of tree-lined boulevards and public parks both redesigned the capital and inspired the era’s great Impressionist artists. The renewed landscape gave crowded, displaced urban dwellers green spaces to enjoy, while suburbanites and country-dwellers began cultivating their own flower gardens. As public engagement with gardening grew, artists increasingly featured flowers and parks in their work. Public Parks, Private Gardens includes masterworks by artists such as Bonnard, Cassatt, Cézanne, Corot, Daumier, Van Gogh, Manet, Matisse, Monet, and Seurat. Many of these artists were themselves avid gardeners, and they painted parks and gardens as the distinctive scenery of contemporary life. Writing from the perspective of both a distinguished art historian and a trained landscape designer, Colta Ives provides new insights not only into these essential works, but also into this extraordinarily creative period in France’s history.
The Artist’s Garden will feature up to 20 gardens that have inspired and been home to some of the greatest painters of history. These gardens not only supplied the inspiration for creative works but also illuminate the professional motivation and private life of the artists themselves – from Cezanne’s house in the south of France to Childe Hassam at Celia Thaxter’s garden off the coast off Maine. Flowers and gardens have often been the first choice for artists looking for a subject. A garden close to the artist’s studio is not only convenient for daily material and ideas, but also has the advantage of changing through the seasons and over time. Claude Monet’s Giverny was the catalyst for hundreds of great paintings (by Monet and other artists), each one different from the one before. Sometimes a whole village becomes the focus for a colony of artists as at Gerberoy in Picardy and Skagen on the northernmost tip of Denmark. This book is about the real homes and gardens that inspired these great artists – gardens that can still be visited today. The relationship between artist and garden is a complex one. A few artists, including Pierre Bonnard and his neighbour Monet were keen gardeners, as much in love with their plants as their work, while for others like Sorolla in Madrid, his courtyard home was both a sanctuary and a source of ideas.
Garden-makers from all over the world are redefining Mediterranean style in harmony with international trends. From the smallest city courtyard to the largest landscape projects, these creations set off the famous Provençal landscapes in a hundred different ways.
A beautifully produced gift book for gardeners and art lovers everywhere: a selection of Vincent van Gogh’s garden and flower paintings and drawings. Vincent van Gogh never owned a garden, but throughout his career he painted and drew outdoor spaces and natural objects frequently, both fascinated and stimulated by each location’s unique character. In this book Ralph Skea surveys the gardens that were most dear to Van Gogh—from the domestic havens of parsonage gardens in the Netherlands to the romance of Parisian city parks, from the blazing flower beds of Provence to the asylum gardens that provided the artist with seclusion and calm in his final months. Whether joyous paintings of plants in bloom or the intensely beautiful studies of lilacs, roses, irises, and pine trees that he produced in the asylum at Saint-Rémy, all the oils and sketches included here are monuments to the artist’s originality and poetic sensibility.
Looks at Provencal decor, the private homes and gardens of artists and collectors, and Provencal traditions.
From cities to quaint towns and everything in between, Provence has something for everyone. Swim in the crystal clear waters of the Calanque de Sormiou in Marseille. Drive with the top down through fields of lavender in Valensole. Experience a bite of just-out-of-the-oven fougasse, a Provençal classic. Stand in awe of the beautiful, white Camargue horses native to the area. Located in the South of France, Provence is uniquely positioned to be a cultural blend of the Mediterranean. Roman landmarks still prevail from the 1st century AD alongside châteaus from medieval times—a varied legacy brightened by the indigenous mimosas and cypresses.
Provençal houses are true homes. Warm shades of ochre glow from the walls and roofs, weathered doors shine, and reflections glance off glazed ceramics and strike printed cotton tablecloths. This volume showcases the architectural diversity of Provençal houses and their interiors, gardens, and decorative art traditions. Images of gold-hued walls, iron balustrades, leafy terraces, and painted shutters inspire thoughts of balmy days in the sun. Aromatic lavender in terracotta pots and almond trees casting shade over cobbled courtyards evoke the magic of Provence-style living. The reader wanders up a stone staircase, past brightly painted walls and across tiled floors, through a variety of rooms ranging from a sun dappled kitchen to an ornate drawing room and shaded bedroom. From plain rustic benches and beds to delicate walnut armchairs and elaborate dressers, all the painted and polished accoutrements of a Provençal home are featured. From tableware to what lies beneath, to traditional flowerprint fabrics and intricate quilted textiles, the decorative florishes of Provence provide boundless inspiration for the home.
Newly updated edition of the first book in French and English devoted to Nicole de Vésian and her work After a career as a designer working for the great design houses, especially Hermès, Nicole de Vésian (1916-1996) moved to Provence and created her first garden. Her green and grey tapestry-gardens soon inspired gardeners and landscapers around the world. Today, few gardens have been imitated as readily as those of Nicole de Vésian, because, writes Louisa Jones, 'she has a feeling for space like musicians have a feeling for music.' Her finest work was La Louve, her own garden in Bonnieux, a hilltop village in the Luberon area of Provence. On the narrow terraces around her Bonnieux home, Nicole de Vésian created her own very personal garden in a minimal but far from austere style, composed mainly of heath-land plants (varieties of thyme, lavender, rosemary, rockrose and box tree), in which she pruned all her plants to cushion shapes of varying, yet superbly proportioned sizes. Nicole de Vésian advises us to 'learn to listen to the soil.' Her plant sculptures are always somehow a reference to the wild hills of the surrounding countryside, reflecting an age-old Mediterranean landscape mindset, with a distinctly modern twist. The work is also a tribute to Nicole de Vésian and her life. Her close friend, Louisa Jones, shares her own thoughts on the work of this atypical creator, accompanied by accounts from her friends and pupils: Christian Lacroix, the nursery owner Jean-Marie Rey, the landscape artists Arnaud Maurières, Éric Ossart and Marc Nucera, as well as the garden historians Roy Strong and John Brookes.
"This superbly illustrated book traces van Gogh's development as a painter of trees, from the distinctive pollard willows of his home province of North Brabant to the cypress and olive trees of Provence to the parks of Paris. Ralph Skea discusses van Gogh's early life in the Netherlands; his first tree studies in the Dutch landscape; his paintings of trees within townscapes; his particular fascination with orchards, which led to some of his best-known and most loved paintings; and the works he completed in rural Provence"--Amazon.com.