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A survey of previous literature about the provenance of the song in Deuteronomy 32 and a discussion of its text and poetic structure. The author concludes that the song dates from the pre-exilic period.
This study offers an extensive survey of previous literature dealing with the provenance of the song in Deuteronomy 32, a renewed discussion of its text and language as well as an analysis of its poetic structure with the help of a new method. The author tests the tenability of older theories and proposes a new theory based on systematic research into the intertextual links with other parts of the Hebrew Bible and extra-biblical literature of the Ancient Near East. Separate sections are dedicated to the song's descriptions of the relationship between YHWH and the gods and to the identity of the hostile people to which the song refers. The author concludes that a pre-exilic date is extremely likely for the song in its entirety.
Deuteronomy (Sources for Bibical and Theological Study 3).
The remarkable poem in Deut 32:1-43 is enshrouded in vagueness and ambiguity, and scholars have pondered its origins, function, meaning, and message. This book plunges into the debate.
This volume reexamines and reconstructs the relationship between the Deuteronomistic History and the book of Chronicles, building on recent developments such as the Persian -period dating of the Deuteronomistic History, the contribution of oral traditional studies to understanding the production of biblical texts, and the reassessment of Standard Biblical Hebrew and Late Biblical Hebrew. These new perspectives challenge widely held understandings of the relationship between the two scribal works and strongly suggest that they were competing historiographies during the Persian period that nevertheless descended from a common source. This new reconstruction leads to new readings of the literature.
For the last two hundred years, a taxonomical view of genre has dominated the field of biblical studies and contributed to the unhelpful emphasis on historicism. This project advances on the work of Dr. Will Kynes by articulating an intertextual view of genre. The first chapter advances this view of genre in contrast with alternative proposals and the standard taxonomical view. In this chapter, I first summarize the inadequacy of the taxonomical view of genre followed by an analysis of competing proposals. Finally, I explain the intertextual view. In the second chapter, I provide a brief survey of the history of interpretation of The Song with an emphasis on genre designations. The chapter starts with a focus on ancient interpretation and then covers interpretation in the modern era. In the final chapter, I applied the intertextual view of genre to one of the more difficult texts in the Old Testament from a genre perspective. The result of the inquiry is an illustration and confirmation of the effectiveness of the intertextual view of genre in bringing forward the meaning in Deuteronomy 32.