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A Guide to Early Printed Books and Manuscripts provides an introduction to the language and concepts employed in bibliographical studies and textual scholarship as they pertain to early modern manuscripts and printed texts Winner, Honourable Mention for Literature, Language and Linguistics, American Publishers Prose Awards, 2010 Based almost exclusively on new primary research Explains the complex process of viewing documents as artefacts, showing readers how to describe documents properly and how to read their physical properties Demonstrates how to use the information gleaned as a tool for studying the transmission of literary documents Makes clear why such matters are important and the purposes to which such information is put Features illustrations that are carefully chosen for their unfamiliarity in order to keep the discussion fresh
The papers collected in this volume discuss descriptive methods and present conclusions relevant for the history of the book production and reception. Books printed in Europe in the 15th and 16th century still had much in common with manuscripts. They are not mere textual sources, but also material objects whose physical make-up and individual features need to be taken into account in library projects for cataloguing and digitization.
First full-scale guide to the origins and development of the early printed book, and the issues associated with it.
The Renaissance in Scotland is a collection of original essays on a wide range of topics concerning the cultural history of Scotland. The period concerned extends from the late fifteenth through to the early seventeenth century. The individual studies take various aspects of culture as their starting-points: literature; the history of manuscripts and printed books; libraries; the law; the universities; music; education; social, political and ecclesiastical history. The essays, however, all take full account of the larger context provided by the age of humanism and reform, as this was manifested in Scotland. The Renaissance in Scotland contains an abundance of new information and offers many challenging new insights and interpretations. It will be of interest to all those concerned with the cultural and intellectual history of Scotland and of northern Europe in general. Contributors include: Peter W. Asplin, Priscilla Bawcutt, T.A. Birrell, Alexander Broadie, Ian B. Cowan, I.C. Cunningham, Mark Dilworth, Robert Donaldson, Kenneth Elliott, William Gillies, Theo van Heijnsbergen, Brian Hillyard, James Kirk, Mark Loughlin, Michael Lynch, A.A. MacDonald, Leslie J. Macfarlane, Hector MacQueen, Sally Mapstone, Stephen Rawles, Allan White, and Michael Yellowlees.
In this book, Joseph Dane critiques the use of material evidence in studies of manuscript and printed books by delving into accepted notions about the study of print culture. He questions the institutional and ideological presuppositions that govern medieval studies, descriptive bibliography, and library science. Dane begins by asking what is the relation between material evidence and the abstract statements made about the evidence; ultimately he asks how evidence is to be defined. The goal of this book is to show that evidence from texts and written objects often becomes twisted to support pre-existing arguments; and that generations of bibliographers have created narratives of authorship, printing, reading, and editing that reflect romantic notions of identity, growth, and development. The first part of the book is dedicated to medieval texts and authorship: materials include Everyman, Chaucer's Legend of Good Women, the Anglo-Norman Le Seint Resurrection, and Adam de la Helle's Le Jeu de Robin et Marion. The second half of the book is concerned with abstract notions about books and scholarly definitions about what a book actually is: chapters include studies of basic bibliographical concepts ("Ideal Copy") and the application of such a notion in early editions of Chaucer, the combination of manuscript and printing in the books of Colard Mansion, and finally, examples of the organization of books by an early nineteenth-century book-collector Leander Van Ess. This study is an important contribution to debates about the nature of bibliography and the critical institutions that have shaped its current practice.
"A bibliography of poetry composed in what is now the United States of America and printed in the form of books or pamphlets before 1821"--Provided by publisher.
Essays about the creation, circulation, and collection of medieval manuscripts. The essays collected here celebrate the work of Barbara Shailor, the distinguished scholar of medieval manuscripts. They explore various aspects of their provenance. The subjects addressed range from studies of the history of individual manuscripts, to the evidence afforded by the understanding of their textual traditions, to the significance of the identification of fragments, to the roles of individual scholars and collectors. As a whole the volume contributes to a wider understanding of how the history and ownership of medieval manuscripts can be fruitfully examined, a flourishing area of interest in the field.