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Autobiographical narrative is seldom viewed as a catalyst for the social and political upheavals of mid-seventeenth-century England and its colonies. Protestant Autobiography in the Seventeenth-Century Anglophone World argues that it should be. Focusing on the inward search for signs of election as a powerful stimulus for new, written forms of self-identification, this study directs critical attention toward the collective processes through which 'truthful' texts of spiritual experience were constructed, validated, and endorsed. This new analysis of the rhetoric of authentic selfhood emphasizes the ways in which personal accounts of religious awakening became another opportunity to conceptualize experience as an authorizing principle. A broad spectrum of Protestant life-writing is explored, from Augustine's Confessions, first translated into English in 1620, through John Bunyan's Grace Abounding to the Chief of Sinners (1666) and Richard Baxter's Reliquiae Baxterianae (1696). The forms in which these landmark texts were circulated and the interests that those circulations served are examined in such a way as to put canonical texts back into conversation with the outpouring of individual life writings that dates from the middle of the 17th century on. As the first new historicized account of the seventeenth-century Protestant conversion narrative in a generation, Protestant Autobiography in the Seventeenth-Century Anglophone World contributes to the reintegration of the scholarly fields of literature, religion, and politics. It revitalizes the study of proto-literary forms which, while devotional in nature, were deeply political in their consequences, contributing as they did to the emerging discourse of personal liberties.
This book provides a new view of the historical conditions and methods by which godly communities turned personal experience into an authorizing principle. A broad range of life-writing is explored, including Augustine's Confessions, John Bunyan's Grace Abounding to the Chief of Sinners, and Richard Baxter's Reliquiae Baxterianae.
This History explores the genealogy of autobiographical writing in England from the medieval period to the digital era.
What is meant by the Puritan literary tradition, and when did the idea of Puritan literature, as distinct from Puritan beliefs and practices, come into being? The answer is not straightforward. This volume addresses these questions by bringing together new research on a wide range of established and emerging literary subjects that help to articulate the Puritan literary tradition, including: political polemic and the performing arts; conversion and New-World narratives; individual and corporate life-writings; histories of exile and womens history; book history and the translation and circulation of Puritan literature abroad; Puritan epistolary networks; discourses of Puritan friendship; the historiography of Puritanism defined through editing and publishing; doctrinal controversy; and the history of emotions. This essay collection proposes that a Puritan literary tradition existed that was distinct from broader conceptions of early modern English and Protestant traditions and offers a nuanced account of the distinct and variegated contribution that Puritanism has made to the construction of literature as a concept in English. It ranges from the late sixteenth through to the nineteenth century, and spans British, European, and American Puritan cultures. It offers new analyses of well-known Puritan writers such as Anne Bradstreet, John Bunyan, Richard Baxter, and John Milton, as well as less familiar figures, such as Mary Rowlandson and Joseph Hussey, and writers less often associated with Puritanism, such as Andrew Marvell and Aphra Behn.
A study of the fragmented nature of post-Reformation English Protestentism and the Dissenters who offered theological alternatives to Anglican traditions through Presbyterianism, Baptism, and Quakerism. This book explains the spread of these Dissenting traditions and the adoption of religious pluralism as a result of Protestant nonconformity.
Scholars have associated Calvinism with print and literary cultures, with republican, liberal, and participatory political cultures, with cultures of violence and vandalism, enlightened cultures, cultures of social discipline, secular cultures, and with the emergence of capitalism. Reflecting on these arguments, the essays in this volume recognize that Reformed Protestantism did not develop as a uniform tradition but varied across space and time. The authors demonstrate that multiple iterations of Calvinism developed and impacted upon differing European communities that were experiencing social and cultural transition. They show how these different forms of Calvinism were shaped by their adherents and opponents, and by the divergent political and social contexts in which they were articulated and performed. Recognizing that Reformed Protestantism developed in a variety of cultural settings, this volume analyzes the ways in which it related to the multi-confessional cultural environment that prevailed in Europe after the Reformation.
This rhetorical study of the persuasive practice of English Puritan preachers and writers demonstrates how they appeal to both reason and imagination in order to persuade their hearers and readers towards conversion, assurance of salvation and godly living. Examining works from a diverse range of preacher-writers such as William Perkins, Richard Sibbes, Richard Baxter and John Bunyan, this book maps out continuities and contrasts in the theory and practice of persuasion. Tracing the emergence of Puritan allegory as an alternative, imaginative mode of rhetoric, it sheds new light on the paradoxical question of how allegories such as John Bunyan's The Pilgrim's Progress came to be among the most significant contributions of Puritanism to the English literary canon, despite the suspicions of allegory and imagination that were endemic in Puritan culture. Concluding with reflections on how Milton deploys similar strategies to persuade his readers towards his idiosyncratic brand of godly faith, this book makes an original contribution to current scholarly conversations around the textual culture of Puritanism, the history of rhetoric, and the rhetorical character of theology.
This volume freshly illuminates the diversity of early modern religious beliefs, practices and issues, and their representation in Shakespeare's plays.
An exploration of emotional life in the West, considering the varieties, transformations and constants of human emotions over eleven centuries.
The Oxford Handbook of Daniel Defoe is the most comprehensive overview available of the author's life, times, writings, and reception. Daniel Defoe (1660-1731) is a major author in world literature, renowned for a succession of novels including Robinson Crusoe, Moll Flanders, and A Journal of the Plague Year, but more famous in his lifetime as a poet, journalist, and political agent. Across his vast oeuvre, which includes books, pamphlets, and periodicals, Defoe commented on virtually every development and issue of his lifetime, a turbulent and transformative period in British and global history. Defoe has proven challenging to position--in some respects he is a traditional and conservative thinker, but in other ways he is a progressive and innovative writer. He therefore benefits from the range of critical appraisals offered in this Handbook. The Handbook ranges from concerns of gender, class, and race to those of politics, religion, and economics. In accessible but learned chapters, contributors explore salient contexts in ways that show how they overlap and intersect, such as in chapters on science, environment, and empire. The Handbook provides both a thorough introduction to Defoe and to early eighteenth-century society, culture, and literature more broadly. Thirty-six chapters by leading literary scholars and historians explore the various genres in which Defoe wrote; the sociocultural contexts that inform his works; his writings on different locales, from the local to the global; and the posthumous reception and creative responses to his works.