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This social history of protest movements in 1960s Germany places the protests within the wider contexts of social change and international events. It makes extensive use of archival material to reconstruct a historical narrative.
Using previously classified documents and original interviews, The Other Alliance examines the channels of cooperation between American and West German student movements throughout the 1960s and early 1970s, and the reactions these relationships provoked from the U.S. government. Revising the standard narratives of American and West German social mobilization, Martin Klimke demonstrates the strong transnational connections between New Left groups on both sides of the Atlantic. Klimke shows that the cold war partnership of the American and German governments was mirrored by a coalition of rebelling counterelites, whose common political origins and opposition to the Vietnam War played a vital role in generating dissent in the United States and Europe. American protest techniques such as the "sit-in" or "teach-in" became crucial components of the main organization driving student activism in West Germany--the German Socialist Student League--and motivated American and German student activists to construct networks against global imperialism. Klimke traces the impact that Black Power and Germany's unresolved National Socialist past had on the German student movement; he investigates how U.S. government agencies, such as the State Department's Interagency Youth Committee, advised American policymakers on confrontations with student unrest abroad; and he highlights the challenges student protesters posed to cold war alliances. Exploring the catalysts of cross-pollination between student protest movements on two continents, The Other Alliance is a pioneering work of transnational history.
A captivating time, the 60s and 70s now draw more attention than ever. The first substantial work by historians has appeared only in the last few years, and this volume offers an important contribution. These meticulously researched essays offer new perspectives on the Cold War and global relations in the 1960s and 70s through the perspective of the youth movements that shook the U.S., Western Europe, and beyond. These movements led to the transformation of diplomatic relations and domestic political cultures, as well as ideas about democracy and who best understood and promoted it. Bringing together scholars of several countries and many disciplines, this volume also uniquely features the reflections of former activists.
Roger Karapin examines protest movements of all shades to understand why they became influential & also why different forms of protest come to be used in different circumstances.
The year 1968 has widely been viewed as the only major watershed moment during the latter half of the twentieth century. Rethinking Social Movements after ’68 takes on this conventional approach, exploring the spaces, practices, organization, ideas and agendas of numerous activists and movements across the 1970s and 1980s. From the Maoist Communist League to the women’s movement, youth center movement, and gay liberation movement, established and emerging scholars across Europe and North America shed new light on the development of modern European popular politics and social change.
The German protest song from the 1960s through the 1990s and how it carried forth traditions of earlier periods. The modern German political song is a hybrid of high and low culture. With its roots in the birth of mass culture in the 1920s, it employs communicative strategies of popular song. Yet its tendencies toward philosophical, poetic,and musical sophistication reveal intellectual aspirations. This volume looks at the influence of revolutionary artistic traditions in the lyrics and music of the Liedermacher of east and west Germany: the rediscovery of the revolutionary songs of 1848 by the 1960s West German folk revival, the use of the profane "carnivalesque" street-ballad tradition by Wolf Biermann and the GDR duo Wenzel & Mensching, the influence of 1920s artistic experimentation on Liedermacher such as Konstantin Wecker, and the legacy of Hanns Eisler's revolutionary song theory. The book also provides an insider perspective on the countercultural scenes of the two Germanys, examining the conditions in which political songs were written and performed. In view of the decline of the political song form since the fall of communism, the book ends with a look at German avant-garde techno's attempt to create a music that challenges conventional cultural perceptions and attitudes. Contributors: David Robb, Eckard Holler, Annette Blühdorn, Peter Thompson David Robb is Senior Lecturer in German Studies at the Queen's University of Belfast.
The book is a new, revisionist account of Sixties protest movements in West Germany. It challenges established narratives centring male intellectuals by foregrounding families, private lives, women, and old people. Worked from a wealth of new archival sources, the book argues that '1968' was just as much about gender conflict as it was about generational conflict--even if the former was often erased from public memory. The narrative follows three generations of Germans living in the provincial town of Bonn through the turbulent years of the late 1960s. It offers a genuine social history of the period, decentring the story of West Germany's 68 socially, geographically, and generationally. The five chapters cover the Shah of Iran's visit to Bonn and Berlin, the role of the Nazi past in framing generational differences, experiences of old people around '1968', the female dimension of the protests, and the sexual revolution. The book situates the West German case within the global and West European Sixties and engages with recent controversies on the role of female '68ers, the origins of new feminist movements, and the sexual revolution. Originally published in German in 2018 by C. H. Beck (titled Das andere Achtundsechzig: Gesellschaftsgeschichte einer Revolte, 978-3406719714), it has been translated into English by Rachel Ward.
The 1960s protest movements marked an astonishing moment for West Germany. They developed a political critique, but are above all distinctive for their overwhelming emphasis on culture and the symbolic. In particular, reading and writing had unique prestige for protesters, who produced an extraordinary textual culture which was by turns polemical, witty, provocative, reflective and offensive. The avant-garde roots of anti-authoritarianism are often as palpable within it as a debt to high literature; but due to its sometimes (apparently) vehemently anti-literary tone, it is frequently overlooked by traditional criticism. This volume outlines an anti-authoritarian poetics by presenting close readings of some emblematic texts, many of them forgotten, others better known. The study embeds its analyses in historical, cultural, political and aesthetic contexts, in order to illuminate some representative moments and preoccupations in protest writing, and it argues that this prolific textual culture exists in a complex tension between utopian impulses and the shadows of the past.
Reveals the relationship between the rise of political violence in West Germany to the unprecedented growth of consumption
Foreign Front describes the activism that took place in West Germany in the 1960s when more than 10,000 students from Asia, Latin America, and Africa were enrolled in universities there. They served as a spark for local West German students to mobilize and protest the injustices that were occurring wordwide.