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Francis Bret Harte was born on August 25, 1836 in Albany New York. As a young boy Harte developed an early love of books and reading. He first published at the tender age of 11; a satirical poem titled "Autumn Musings." Expecting praise he encountered anything but and was later to write "Such a shock was their ridicule to me that I wonder that I ever wrote another line of verse." By age 13 his formal education was at an end and four years later, in 1853, the family moved to California. Here the young man worked in a variety of capacities; miner, teacher, messenger, and journalist. But it was also here on the West coast that he found the stories and inspiration for the works that would endure his fame across the literary world. He championed the early writings of Mark Twain. He was instrumental in propelling the short story genre forward and brought tales of the Old West and the Gold Rush to a greater audience. At the height of his fame we would entertain staggering monetary offers to write for monthly magazines. His talents extended to poetry, plays, lectures, book reviews, editorials, and magazine sketches. As he moved location initially further east to New York and then through Consular appointments to Europe and finally to settle in England his audience diminished but he continued to experiment, to write and to publish. Bret Harte died of throat cancer on May 5th 1902 and is buried in St Peter's Church in Frimley, Surrey, England. Here we publish another very fine collection of his short stories; "A Protegee of Jack Hamlin & Other Stories."
"With its forays into ecocriticism and cultural studies and the welcome inclusion of Western genre writing in a serious study of American literary history, Traces of Gold will appeal to students and scholars of American literature, American studies, and western history."--BOOK JACKET.
Excerpt from The Luck of Roaring Camp and Other Stories: Including Earlier Papers, Spanish and American Legends, Tales of the Argonauts, Etc Horace clenches this idea. (and what better testimony can there be to the reception or perception of its truth, than in the fact that every grammar-school boy, and every who has enjoyed a decent classical education, instinct goes back to his Horace for a good and telling line whe Wants to point a moral, or to shoot folly as it shaft tipped with Wit 1) About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
"In 1919, having recently accepted the publishing contract of a new publisher, Dreiser proposed to publish a "book of characters" that would collect twelve biographical sketches of individuals who were major influences on Dreiser, both as a man and as a writer. The resulting narratives combine the best attributes of the character sketch, the autobiography, and the short story into miniature masterpieces of prose. The men profiled in Twelve Men are a diverse and colorful group: from Dreiser's equally famous brother, the song-writer Paul Dreiser's ("My Brother Paul"), to the entirely obscure railroad foreman Michael Burke ("The Mighty Rourke"), on whose work crew Dreiser had labored in 1903. The twelve narratives are compelling portraits of the men portrayed, but they also reveal many insights into Dreiser's own life and work."--Goodreads website.
In Music as Cultural Practice, Lawrence Kramer adapts the resources of contemporary literary theory to forge a genuinely new discourse about music. Rethinking fundamental questions of meaning and expression, he demonstrates how European music of the nineteenth century collaborates on equal terms with textual and sociocultural practices in the constitution of self and society. In Kramer's analysis, compositional processes usually understood in formal or emotive terms reappear as active forces in the work of cultural formation. Thus Beethoven's last piano sonata, Op. 111, forms both a realization and a critique of Romantic utopianism; Liszt's Faust Symphony takes bourgeois gender ideology into a troubled embrace; Wagner's Tristan und Isolde articulates a basic change in the cultural construction of sexuality. Through such readings, Kramer works toward the larger conclusion that nineteenth-century European music is concerned as much to challenge as to exemplify an ideology of organic unity and subjective wholeness. Anyone interested in music, literary criticism, or nineteenth-century culture will find this book pertinent and provocative.
Drawing on letters, interviews, speeches, and reminiscences, looks at the life and career of the American novelist.
Garland's coming-of-age autobiography that established him as a master of American realism.
"Originally commenced as a pastime, and to please a circle of friends alone, success, in any degree, can only be hoped for, because of my vantage ground as an intimate and close friend of Mr. Lincoln, and because, by reason of such intimacy, of the novelty of some of the facts and deductions, and not, in any sense, by reason, but in spite of, its literary style or, rather, the lack thereof."--Preface.