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The following book is a collection of written works by Thomas Davis. He was an Irish writer; with Charles Gavan Duffy and John Blake Dillon, a founding editor of The Nation, the weekly organ of what came to be known as the Young Ireland movement. While embracing the common cause of a representative, national government for Ireland, Davis took issue with the nationalist leader Daniel O'Connell by arguing for the common ("mixed") education of Catholics and Protestants and by advocating for Irish as the national language. In this book, one can find the following poem titles written by Davis: 'The Boatman of Kinsale', 'Love and War', and 'The Right Road'.
Thomas Davis, Selections from his Prose and Poetry by Thomas Osborne Davis In the present edition of Thomas Davis it is designed to offer a selection of his writings more fully representative than has hitherto appeared in one volume. The book opens with the best of his historical studies-his masterly vindication of the much-maligned Irish Parliament of James II. Next follows a selection of his literary, historical and political articles from The Nation and other sources, and, finally, we present a selection from his poems, containing, it is hoped, everything of high and permanent value which he wrote in that medium. The "Address to the Historical Society" and the essay on "Udalism and Feudalism," which were reprinted in the edition of Davis's Prose Writings published by Walter Scott in 1890, are here omitted-the former because it seemed possible to fill with more valuable and mature work the space it would have taken, and the latter because the cause which it was written to support has in our day been practically won; Udalism will inevitably be the universal type of land-tenure in Ireland, and the real problem which we have before us is not how to win but how to make use of the institution, a matter with which Davis, in this essay, does not concern himself. The life of Thomas Davis has been written by his friend and colleague, Sir Charles Gavan Duffy, and an excellent abridgment of it appears as a volume in the "New Irish Library." In the latter easily available form it may be hoped that there are few Irishmen who have not made themselves acquainted with it. It is not, therefore, necessary to deal with it here in much detail. Davis was born in Mallow on October 14th, 1814. His father, who came of a family originally Welsh, but long settled in Buckinghamshire, had been a surgeon in the Royal Artillery. His mother, Mary Atkins, came of a Cromwellian family settled in the County Cork. It does not seem an altogether hopeful kind of ancestry for an Irish Nationalist, and his family were, as a matter of fact, altogether of the other way of thinking. But the fact that his great-grandmother, on the maternal side, was a daughter of The O'Sullivan Beare may have had a counteracting influence, if not through the physical channel of heredity, at least through the poet's imagination. As a child, Davis was delicate in health, sensitive, dreamy, awkward, and passed for a dunce. It was not until he had entered Trinity College that the passion for study possessed him. This passion had manifestly been kindled, in the first instance, by the flame of patriotism, but how and when he first came to break loose from the traditional politics of his family we have no means of knowing, unless a gleam of light is thrown on the matter by a saying of his from a speech at Conciliation Hall: -"I was brought up in a mixed seminary, where I learned to know, and knowing to love, my countrymen." We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
His first biography, written by his friend and collaborator Duffy, was published in 1890, and is an invaluable source for Davis's life and his part in the Irish nationalist struggle. Duffy's work was as well a eulogy, presenting Davis in so favorable a light that he seems at times unreal. To provide a more thorough, objective portrait of Davis, historian Helen F. Mulvey here presents a scholarly examination of Davis's life and thoughts.".
Reproduction of the original: Selections from his Prose and Poetry by Thomas Davis
The Gaelic Revival has long fascinated scholars of political history, nationalism, literature, and theater history, yet studies of the period have neglected a significant dimension of Ireland's evolution into nationhood: the cultural crusades mounted by those who believed in the centrality of the Irish language to the emergent Irish state. This book attempts to remedy that deficiency and to present the lively debates within the language movement in their full complexity, citing documents such as editorials, columns, speeches, letters, and literary works that were influential at the time but all too often were published only in Irish or were difficult to access. Cautiously employing the terms "nativist" and "progressive" for the turnings inward and toward the European continent manifested in different authors, this study examines the strengths and weaknesses of contrasting positions on the major issues confronting the language movement. Moving from the early collecting or retelling of folklore through the search for heroes in early Irish history to the reworking of ancient Irish literary materials by retelling it in modern vernacular Irish, O'Leary addresses the many debates and questions concerning Irish writing of the period. His study is a model for inquiries into the kind of linguistic-literary movement that arises during intense nationalism.
Edward Thomas can be seen as the most important poetry critic in the early twentieth century. Thomas was a prose-writer before he was a poet. The Selected Edition of his prose, and especially this volume, shows that he was also a critic before he was a poet. His unusual literary career opens up key questions about the relation between poetry and criticism, as well as between poetry and prose. Thomas wrote books about poetry, but his criticism mainly took the form of reviews. He reviewed collections, editions, and studies of poetry, most regularly, for the Daily Chronicle and the Morning Post. These reviews amount to a unique commentary on the state of poetry and of poetry criticism after 1900. Since reviewing provided Thomas's main income, he also reviewed other kinds of book. Hence the sheer mass of his reviews, the stress he suffered as a literary journalist. Yet his criticism maintains an astonishingly high standard. Thomas's response to contemporary poetry intersects with his readings of older poetry. No critic or poet of the time was so deeply acquainted with the traditions of English-language poetry or so alert to new poetic movements in Ireland and America. Edward Thomas's writings on poetry have a double importance. Besides suggesting the hidden evolution of his own aesthetic, they constitute a lost history and critique of poetry before the Great War. They change our assumptions about that period. Thomas's perspectives on poets such as Yeats, Hardy, Frost, Lawrence, and Pound illuminate the making of modern poetry.