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A searching account of nineteenth-century salvage anthropology, an effort to preserve the culture of ÒvanishingÓ Indigenous peoples through dispossession of the very communities it was meant to protect. In the late nineteenth century, anthropologists, linguists, archaeologists, and other chroniclers began amassing Indigenous cultural objectsÑcrafts, clothing, images, song recordingsÑby the millions. Convinced that Indigenous peoples were doomed to disappear, collectors donated these objects to museums and universities that would preserve and exhibit them. Samuel Redman dives into the archive to understand what the collectors deemed the tradition of the Òvanishing IndianÓ and what we can learn from the complex legacy of salvage anthropology. The salvage catalog betrays a vision of Native cultures clouded by racist assumptionsÑa vision that had lasting consequences. The collecting practice became an engine of the American museum and significantly shaped public education and preservation, as well as popular ideas about Indigenous cultures. Prophets and Ghosts teases out the moral challenges inherent in the salvage project. Preservationists successfully maintained an important human inheritance, sometimes through collaboration with Indigenous people, but collectorsÕ methods also included outright theft. The resulting portrait of Indigenous culture reinforced the publicÕs confidence in the hierarchies of superiority and inferiority invented by ÒscientificÓ racism. Today the same salvaged objects are sources of invaluable knowledge for researchers and museum visitors. But the question of what should be done with such collections is nonetheless urgent. Redman interviews Indigenous artists and curators, who offer fresh perspectives on the history and impact of cultural salvage, pointing to new ideas on how we might contend with a challenging inheritance.
This is the first major study of the Nuer based on primary research since Evans-Pritchard's classic Nuer Religion. It is also the first full-length historical study of indigenous African prophets operating outside the context of the world's main religions, and as such builds on Evans-Pritchard's pioneering work in promoting collaboration and dialogue between the disciplines of anthropology and history. Prophets first emerged as significant figures among the Nuer in the nineteenth century. They fashioned the religious idiom of prophecy from a range of spiritual ideas, and enunciated the social principles which broadened and sustained a moral community across political and ethnic boundaries. Douglas Johnson argues that, contrary to the standard anthropological interpretation, the major prophets' lasting contribution was their vision of peace, not their role in war. This vision is particularly relevant today, and the book concludes with a detailed discussion of events in the Sudan since independence in 1956, describing how modern Nuer, and many other southern Sudanese, still find the message of the nineteenth-century prophets relevant to their experiences in the current civil war.
Although the 19 books contained within this text were included in the Holy Bible for thousands of years, they were removed a little over 200 years ago. Its now time to reclaim these treasured scriptures and get further insight into God's word. This book contains: 1 Esdras, 2 Esdras, The Book of Tobit, The Book of Susanna, Additions to Esther, The Book of Judith, Wisdom of Solomon, Ecclesiasticus, Baruch, The Epistle of Jeremiah, The Prayer of Azariah, Bel and the Dragon, Prayer of Manasses, 1 Maccabees, 2 Maccabees, Book of Enoch, Book of Jubilees, Gospel of Philip, and the Gospel of Mary. It also includes the ancient Hebrew alphabet with common Hebrew words as a study source.
Prophets of the Past is the first book to examine in depth how modern Jewish historians have interpreted Jewish history. Michael Brenner reveals that perhaps no other national or religious group has used their shared history for so many different ideological and political purposes as the Jews. He deftly traces the master narratives of Jewish history from the beginnings of the scholarly study of Jews and Judaism in nineteenth-century Germany; to eastern European approaches by Simon Dubnow, the interwar school of Polish-Jewish historians, and the short-lived efforts of Soviet-Jewish historians; to the work of British and American scholars such as Cecil Roth and Salo Baron; and to Zionist and post-Zionist interpretations of Jewish history. He also unravels the distortions of Jewish history writing, including antisemitic Nazi research into the "Jewish question," the Soviet portrayal of Jewish history as class struggle, and Orthodox Jewish interpretations of history as divinely inspired. History proved to be a uniquely powerful weapon for modern Jewish scholars during a period when they had no nation or army to fight for their ideological and political objectives, whether the goal was Jewish emancipation, diasporic autonomy, or the creation of a Jewish state. As Brenner demonstrates in this illuminating and incisive book, these historians often found legitimacy for these struggles in the Jewish past.
Maori prophetic movements from the late 19th century are widely known. Men such as Te Whiti, Te Kooti and Rua Kenana led their people through periods of despair and challenge.
Print culture expanded significantly in the nineteenth century due to new print technologies and more efficient distribution methods, providing literary critics, who were alternately celebrated and reviled, with an ever-increasing number of venues to publish their work. Adam Gordon embraces the multiplicity of critique in the period from 1830 to 1860 by exploring the critical forms that emerged. Prophets, Publicists, and Parasites is organized around these sometimes chaotic and often generative forms and their most famous practitioners: Edgar Allan Poe and the magazine review; Ralph Waldo Emerson and the quarterly essay; Rufus Wilmot Griswold and the literary anthology; Margaret Fuller and the newspaper book review; and Frederick Douglass's editorial repurposing of criticism from other sources. Revealing the many and frequently competing uses of criticism beyond evaluation and aesthetics, this insightful study offers a new vision of antebellum criticism, a new model of critical history, and a powerful argument for the centrality of literary criticism to modern life.
Six Minor Prophets Through the Centuries is the work of highly respected biblical scholars, Richard Coggins and Jin H. Han. The volume explores the rich and complex reception history of the last six Minor Prophets in Jewish and Christian exegesis, theology, worship, and arts. This text is the work of two highly respected biblical scholars It explores the rich and complex reception history of the last six Minor Prophets in Jewish and Christian theology and exegesis