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This ideal form of democracy Eichelberger calls "recognition," and she maintains that each novel champions it at least implicitly by employing actions and social structures that accord the characters an inherent value rather than requiring them to attain relative value within the social hierarchy."--BOOK JACKET.
A Study Guide for Ralph Waldo Ellison's "Juneteenth," excerpted from Gale's acclaimed Novels for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs.
“This superb [essay] collection enables readers of Invisible Man to appreciate the subtleties of its cultural and political commentary.” —Journal of American Studies An important collection of original essays that examine how Ellison’s landmark novel, Invisible Man (1952), addresses the social, cultural, political, economic, and racial contradictions of America. Commenting on the significance of Mark Twain’s writings, Ralph Ellison wrote that “a novel could be fashioned as a raft of hope, perception and entertainment that might help keep us afloat as we tried to negotiate the snags and whirlpools that mark our nation’s vacillating course toward and away from the democratic ideal.” Ellison believed it was the contradiction between America’s “noble ideals and the actualities of our conduct” that inspired the most profound literature?”the American novel at its best.” Drawing from the fields of literature, politics, law, and history, the contributors make visible the political and ethical terms of Invisible Man , while also illuminating Ellison’s understanding of democracy and art. Ralph Ellison and the Raft of Hope uniquely demonstrates why Invisible Man stands as a premier literary meditation on American democracy. “Essential reading for anyone interested in understanding Ellison’s political thought.” —Lawrence Jackson, author of Ralph Ellison: Emergence of Genius “Outstanding. . . . Provides an interdisciplinary perspective of the politics of the book.” —Lexington Herald-Leader “These essays . . . demonstrate that a great work of art has the capacity to renew itself across generations.” —Pamela K. Jensen, Kenyon College “This careful study of Ellison’s great novel is highly recommended for all serious students of American and African American literature.” —African American Review
This book demonstrates the complexity of Bellow's work by emphasizing the ways in which it reflects the changing conditions of American identity.
Presents a collection of critical essays on the works of Ralph Ellison.
Now available in paperback for the first time, Jewish Writers of the Twentieth Century is both a comprehensive reference resource and a springboard for further study. This volume: examines canonical Jewish writers, less well-known authors of Yiddish and Hebrew, and emerging Israeli writers includes entries on figures as diverse as Marcel Proust, Franz Kafka, Tristan Tzara, Eugene Ionesco, Harold Pinter, Tom Stoppard, Arthur Miller, Saul Bellow, Nadine Gordimer, and Woody Allen contains introductory essays on Jewish-American writing, Holocaust literature and memoirs, Yiddish writing, and Anglo-Jewish literature provides a chronology of twentieth-century Jewish writers. Compiled by expert contributors, this book contains over 330 entries on individual authors, each consisting of a biography, a list of selected publications, a scholarly essay on their work and suggestions for further reading.
Contributions by Jacob Agner, Sarah Gilbreath Ford, Katie Berry Frye, Michael Kreyling, Andrew B. Leiter, Rebecca Mark, Suzanne Marrs, Tom Nolan, Michael Pickard, Harriet Pollack, and Victoria Richard Eudora Welty’s ingenious play with readers’ expectations made her a cunning writer, a paramount modernist, a short story artist of the first rank, and a remarkable literary innovator. In her signature puzzle-texts, she habitually engages with familiar genres and then delights readers with her transformations and nonfulfillment of conventions. Eudora Welty and Mystery: Hidden in Plain Sight reveals how often that play is with mystery, crime, and detective fiction genres, popular fiction forms often condescended to in literary studies, but unabashedly beloved by Welty throughout her lifetime. Put another way, Welty often creates her stories’ secrets by both evoking and displacing crime fiction conventions. Instead of restoring order with a culminating reveal, her story-puzzles characteristically allow mystery to linger and thicken. The mystery pursued becomes mystery elsewhere. The essays in this collection shift attention from narratives, characters, and plots as they have previously been understood by unearthing enigmas hidden within those constructions. Some of these new readings continue Welty’s investigation of hegemonic whiteness and southern narratives of race—outlining these in chalk as outright crime stories. Other essays show how Welty anticipated the regendering of the form now so characteristic of contemporary women mystery writers. Her tender and widely ranging personal correspondence with the hard-boiled American crime writer Ross Macdonald is also discussed. Together these essays make the case that across her career, Eudora Welty was arguably one of the genre’s greatest double agents, and, to apply the titles of Macdonald’s novels to her inventiveness with the form, she is its “underground woman,” its unexpected “sleeping beauty.”
This Concise Companion is a guide to the creative output of the United States in the postwar period, in its diverse energies, shapes and forms. Embraces diversity, covering Vietnam literature, gay and lesbian literature, American Jewish fiction, Italian American literature, Irish American writing, emergent ethnic literatures, African American writing, jazz, film, drama and more. Shows how different genres and approaches opened up creative possibilities and interacted in the postwar period. Portrays the postwar United States split by differences of wealth and position, by ethnicity and race, and by agendas of left and right, but united in the intensity of its creative drive.
Salman Rushdie once observed that William Faulkner was the writer most frequently cited by third world authors as their major influence. Inspired by the unexpected lines of influence and sympathy that Rushdie’s statement implied, this book seeks to understand connections between American and global experience as discernible in twentieth-century fiction. The worldwide imprint of modern American experience has, of late, invited reappraisals of canonical writers and classic national themes from globalist perspectives. Advancing this line of critical inquiry, this book argues that the work of Salman Rushdie, Ralph Ellison, and William Faulkner reveals a century-long transformation of how American identity and experience have been imagined, and that these transformations have been provoked by new forms of immigration and by unanticipated mixings of cultures and ethnic groups. This book makes two innovations: first, it places a contemporary world writer’s fiction in an American context; second, it places two modern American writers’ novels in a world context. Works discussed include Rushdie’s The Ground Beneath Her Feet and Satanic Verses; Ellison’s Invisible Man and Juneteenth; and Faulkner’s The Sound and the Fury and Light in August. The scholarly materials range from U.S. immigration history and critical race theory to contemporary studies of cultural and economic globalization.