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This volume seeks to guide students in religious or literary studies or other interested readers toward understanding and appreciation of biblical prophetic poetry. Each of the three sections of the book includes a chapter examining one of the literary features with brief examples from prophetic texts, followed by another chapter of applied criticism of a full prophetic poem (Joel 2 on parallelism, Jeremiah 4 on voice, and Isaiah 24 on design). Among the distinct features of the book are diagrams of parallel lines, promoting two-dimensional, “binocular” reading of the poems. Of all the literature of the Bible, prophetic poetry has probably been least accessible to the modern reader. Language is dense, images are obscure, and logical development of ideas seems almost inaccessible. Reading Prophetic Poetry seeks to help readers appreciate the luminous beauty of the language and the austere power and surprising relevance of the ideas in these relatively obscure biblical texts. It introduces an accessible approach to prophetic poetry which invites readers to turn to the biblical texts on their own with new ideas for appreciating the riches of these ancient poems.
In this challenging and enlightening treatment, Brueggemann traces the lines from the radical vision of Moses to the solidification of royal power in Solomon to the prophetic critique of that power with a new vision of freedom in the prophets. Here he traces the broad sweep from Exodus to Kings to Jeremiah to Jesus. He highlights that the prophetic vision and not only embraces the pain of the people but creates an energy and amazement based on the new thing that God is doing. In this new edition, Brueggemann has completely revised the text, updated the notes, and added a new preface.
This carefully crafted ebook: "Europe A Prophecy (Illuminated Manuscript with the Original Illustrations of William Blake)" is formatted for your eReader with a functional and detailed table of contents. Blake's illuminated books, produced from 1783-1795, are remarkable examples of complex syntheses: of form - poetry and painting; and of subject - the real with the mythical. Blake created his own mythological creations to populate his poems and paintings: concepts and ideas became personified into universal representations. He used these mythological characters to explain and act out his singular view of history. Blake divided the nature of man into four personified elements: "Los, the imagination and eventual source of redemption; Urizen, the reason and vengeful Jehovah of the Old Testament as opposed to the merciful Christ of the New; Luvah, the senses; and Tharmas, the emotions". Each of these characters has an emanation, or female "offshoot", who is commonly a negative character attempting to dominate her male counterpart. "William Blake (1757 – 1827) was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age.
This poetry becomes an agent of transformation in offering a new direction for our lives. It provokes a little holy agitation by tossing poems like pebbles into placid pools of water to cause some waves. Such poetry gives us prophetic alerts to pay attention to things that matter, like peace not war, like economic and immigrant justice, like an earthy passion for life more than death. This book of poems describes a link between poets and peacemakers: Maybe peacemakers are like insurgent poets, Irrelevant, dissident, disregarding the status quo, Imagining a vision of a world that gets along This poetry--too dangerous for right wing religion--will offer a resource for church activists and for taking the next step of courage. It will be a companion for marching to a different drummer and hearing the still voice of God amplified through ordinary occasions.
Several of my poems have been inspired by God and Jesus, and I have compiled a selection of my favorites that I have written over the years. I am here to give a message for all that have eyes and ears that you may see and hear this warning. I hope this book finds you well and healthy. I hope it brings upon you blessings of love, health, and wisdom from God, our Creator. Amen!
The book discusses the image of the prophet and the role of prophecy in Modern Hebrew Poetry. The first part of the book presents the prophetic archetypal biographies of prophets, heroes and artists in Hebrew and European mythologies. It also examines the historical facts which lead to the departure of the prophet from Hebrew literature following the destruction of the second temple. Finally, it addresses the necessity of reappearance of the prophet in the 18th and 19th centuries in Hebrew thought and literature and provides a short history of that reappearance in Haskala literature. The second part focuses upon three major “prophets poets”: Haim N. Bialik, Avraham Shlonski and Uri Z. Greenberg. The book may be of interest to scholars of Literature, Judaism, Philosophy, Science of Religion, Anthropology, Folklore and Rhetoric.
“Rejoice, readers, as you receive the generosity of Luci Shaw's 76 new grace-infused parable poems. Autobiography once more merges with theology as these poems illuminate in splendored natural detail how the seasons of creation parallel and explain the seasons of her life as a poet. Again and again, these poems shower us with glorious epiphanies from the natural world as it reflects God's generosity at work such as “spring's impossible news of green.” These poems confirm that in poetry as in faith “ripeness is all.” Like Wordsworth, Luci is celebrated for being a highly gifted landscape poet whose works are rich in imagery from the physical world—meadows filled with seeds, flowers, and also poems which are like "shoots" in Luci's writing life. Animals, too, great and small (beetles, cricket, and voles to bears and whales) play a major role in Luci's poetics of creation; God is likened to a great bear who leaves paw tracks for us to follow. In their deep faith and vibrant colors and designs, the poems in Generosity might be considered Luci's Book of Kells. We need to be like Luci's father who carried her poems in his briefcase to show his friends.” —Philip C. Kolin, Author, Reaching Forever: Poems; Distinguished Professor of English (Emeritus), University of Southern Mississippi
A book of poetic essays written in English, Kahlil Gibran's The Prophet is full of religious inspirations. With the twelve illustrations drawn by the author himself, the book took more than eleven years to be formulated and perfected and is Gibran's best-known work. It represents the height of his literary career as he came to be noted as ‘the Bard of Washington Street.’ Captivating and vivified with feeling, The Prophet has been translated into forty languages throughout the world, and is considered the most widely read book of the twentieth century. Its first edition of 1300 copies sold out within a month.