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This book challenges our current critical understanding of the relations between gender, genre, and literary authority in this period.
Originally published in 1975. The French Revolution generated a wave of popular piety and religious excitement in both France and England, where millenarians—prophets of the millennium—attempted to interpret the Revolution as the fulfillment of the predictions of Daniel and St. John the Divine. This study discusses the millenarian ideal in the context of the intellectual and religious attitudes of the time. Rejecting interpretations of millenarianism that chalk it up to class struggle or mass hysteria, Garrett stresses the interaction between politics and religion, viewing the phenomenon as the interpretation, by a varied assortment of individuals, of coincident political events in eschatological terms. Faced with a change as significant as the French Revolution, people found in the prophetic books of the Bible an understanding of what was happening to them. If the Revolution was God's will, if its development had been foretold, then surely the final outcome would be beneficial, at least for the faithful. Political events became eschatological events, and dangers and misfortunes became simply the chastisements that a fallen world must undergo before the Second Coming of Jesus Christ can redeem it. Although some of the beliefs may now seem bizarre, Garrett shows that, at the time, they attracted many followers for whom these ideas were both reasonable and respectable. Focusing on the careers of three millenarians—Suzette Labrousse, Catherine Théot, and Richard Brothers—Garrett tries to understand these prophets as persons rather than dismiss them as fanatics. Their prominence resulted from their success in transmitting a new political consciousness through familiar religious imagery. While the Revolution gave urgency and tangible reality to millenarian convictions, Labrousse, Théot, and others were convinced, well before the Revolution, that they were the bearers of divine revelations and thus welcomed the Revolution as confirmation of their own missions.
The interrelationship of the ideas of apocalypse and millennium is a dominant concern of British Romanticism. The Book of Revelation provides a model of history in which apocalypse is followed by millennium, but in their various ways the major Romantic poets - Blake, Wordsworth, Coleridge, Byron, Keats, and Shelley - question and even at times undermine the possibility of a successful secularization of this model. No matter how confidently the sequence of apocalypse and millennium seems to be affirmed in some of the major works of the period, the issue is always in doubt: the fear that millennium may not ensue emerges as a significant, if often repressed, theme in the great works of the period. Related to it is the tension in Romantic poetry between conflicting models of history itself: history as teleology, developing towards end time and millennium, and history as purposeless cycle. This subject-matter is traced through a selection of works by the major poets, partly through an exposition of their underlying intellectual traditions, and partly through a close examination of the poems themselves.
Containing scientific abstracts of important and interesting works, published in English; a general account of such as are of less consequence, with short characters; notices, or reviews of valuable foreign books; criticisms on new pieces of music and works of art; and the literary intelligence of Europe, &c.
Containing scientific abstracts of important and interesting works, published in English; a general account of such as are of less consequence, with short characters, notices, or reviews of valuable foreign books; criticisms on new pieces of music and works of art; and the literary intelligence of Europe, etc.
This book sheds light on the role of religion in the American Revolution and surveys an important facet of the intellectual history of the early Republic.