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I find connectedness through various forms (poetry, painting, music) by insisting on spontaneity. An image that I paint could very well become a chorus in a song. Paying close attention to my dreams and the soft voices inside my imagination, and allowing these to shape within my being's center (an emanation of my heart), this is the affirmation of the symbolic through faith. An invisible loving which manifests itself through patience and is never controlled- the hidden becoming known. My work will always seek an affirmation or communion while creating a liberation of the ordinary. A visionary poetic journey of almost twenty years, Project End Of Days is a celebration of "heartsongs" that will inspire.
Covering religious traditions ranging from Buddhism to Christianity to Zoroastrianism and modern apocalyptic movements such as Arun Shinrikyo and the Branch Davidians, this book addresses prophesied end of days from a breadth of perspectives and includes material on often-neglected themes and genres. End of Days: An Encyclopedia of the Apocalypse in World Religions describes apocalyptic writings in the world's major religious traditions, including Judaism, Christianity, Islam, Hinduism, and Buddhism. The cross-referenced entries address ancient traditions—Zoroastrianism, as one example—as well as modern apocalyptic movements, such as Arun Shinrikyo, the Branch Davidians, and the Order of the Solar Temple. This book's broad scope offers coverage of overlooked traditions, such as Mayan Apocalyptic, Norse Apocalyptic, Native American eschatological literatures, and the Tibetan Book of the Dead. Readers seeking detailed information on the eschatological and apocalyptic movements and proponents of End Times can reference entries about individuals such as Harold Camping, Jerry Falwell, David Koresh of the Brand Davidians, and James Jones and the People's Temple. This single-volume encyclopedia also contains numerous historical entries on subjects such as the Great Disappointment, the Great Awakening periods of religious revival, Joachim of Flora, the Maccabean Revolt, and the Plymouth Brethren. The influence of apocalyptic ideas far outside the realm of religion itself is documented through entries on film, including well-known modern movies such as The Hunger Games and Apocalypse Now, literature by writers such as Dante, and works of fine art like Wagner's Götterdämmerung. The inclusion of entries related to literature, film, and other art forms further attests to the wide-ranging social influence of belief in the end of days.
I find connectedness through various forms(poetry, painting, music) by insisting on spontaneity. An image that I paint could very well become a chorus in a song. Paying close attention to my dreams and the soft voices inside my imagination, and allowing these to shape within my being's center(an emanation of my heart), this is the affirmation of the symbolic through faith. An invisible loving which manifests itself through patience and is never controlled. The hidden becoming known. My work will always seek an affirmation or communion while creating a liberation of the ordinary. A visionary poetic journey of almost twenty years, Project End Of Days is a celebration of "heartsongs" that will inspire.
For 4 million slaves, emancipation was a liberation and resurrection story of biblical proportion, both the clearest example of God's intervention in human history and a sign of the end of days. In this book, Matthew Harper demonstrates how black southerners' theology, in particular their understanding of the end times, influenced nearly every major economic and political decision they made in the aftermath of emancipation. From considering what demands to make in early Reconstruction to deciding whether or not to migrate west, African American Protestants consistently inserted themselves into biblical narratives as a way of seeing the importance of their own struggle in God's greater plan for humanity. Phrases like "jubilee," "Zion," "valley of dry bones," and the "New Jerusalem" in black-authored political documents invoked different stories from the Bible to argue for different political strategies. This study offers new ways of understanding the intersections between black political and religious thought of this era. Until now, scholarship on black religion has not highlighted how pervasive or contested these beliefs were. This narrative, however, tracks how these ideas governed particular political moments as African Americans sought to define and defend their freedom in the forty years following emancipation.
As the use of project management to accomplish organisational goals continues to grow, skills related to understanding human behavior, evaluating organisational issues, and using quantitative methods are all necessary for successful project management. Meredith and Mantel have drawn from experiences in the workplace to develop a text that teaches the student how to build skills necessary for selecting, initiating, operating, and controlling all types of projects.
A successfully managed project is a carefully planned and organized effort. A critical and essential skill for any art service manager is project management—the ability to organize resources--labor, budgets, materials-- and handle constraints so that a project’s goals are successfully accomplished. Fine Art Movement and Storage: Project Management for the Visual Arts is a practical handbook for developing and managing multi-faceted projects from the project manager’s point of view, including estate moves, exhibition planning for preparators, storage setup, planning and maintenance, storage movement and planning, collection relocations, traveling exhibitions, art fairs, and the prioritizing of overlapping projects. It covers complex and advanced project management issues such as: Identifying your stake holders and foreseeing potential stake holder conflicts, Identifying the project’s goals and parameters, Outlining goals for initial and follow-up site visits, Guidelines for conducting a site visit, Planning for art and material staging, Estimating and quoting time, labor, and materials, Understanding and estimating hard and soft costs in your budget, Planning for contingencies, Developing budgets and timelines, Scheduling overlapping tasks, Creating daily goal sheets and project punch lists, Training and staffing your crew, Assigning crew leaders, Delegating project responsibilities, Managing quality control and industry standards, Understanding project completion, post completion, and follow up, and Managing multiple projects. Over 50 graphics help to make this a book you’ll use every day. Every art institution, art service company and individual that manages projects or anticipates a project will need and want to have access to this book as a resource, as a reference and as a training tool.
Identifies and describes specific government assistance opportunities such as loans, grants, counseling, and procurement contracts available under many agencies and programs.
Most of the chapters from the previous edition remain but another nine chapters have been added to this fourth edition, as well as new illustrations. The focus is still on a painstaking and logical approach to the structural aspects of managing projects.