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"Largely regarded as one of the most important movements of American architecture and design, the Prairie School helped move America into the modern age. Signaling a departure from nineteenth-century formality, its practitioners sought to create buildings that were organic and would facilitate a new, progressive way of life. This guide to the treasures of the Prairie School at the Minneapolis Institute of Arts focuses not only on the museum's collection of early twentieth-century American design but also on the Institute's historic Purcell-Cutts house, one of the most significant examples of Prairie School architecture in the country. With its historic photographs, many never before published, Progressive Design in the Midwest is a combination of history, house tour, and museum guide." "The many objects in the Institute's Prairie school collection including works by Louis Sullivan, Frank Lloyd Wright, William Gray Purcell, and George Grant Elmslie, among others, are described in detail. Along with each piece is a list of relevant texts, exhibitions, and the historical background of the piece, as well as information about the designer."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
A reexamination of overlooked Midwestern architectural styles
This first-ever encyclopedia of the Midwest seeks to embrace this large and diverse area, to give it voice, and help define its distinctive character. Organized by topic, it encourages readers to reflect upon the region as a whole. Each section moves from the general to the specific, covering broad themes in longer introductory essays, filling in the details in the shorter entries that follow. There are portraits of each of the region's twelve states, followed by entries on society and culture, community and social life, economy and technology, and public life. The book offers a wealth of information about the region's surprising ethnic diversity -- a vast array of foods, languages, styles, religions, and customs -- plus well-informed essays on the region's history, culture and values, and conflicts. A site of ideas and innovations, reforms and revivals, and social and physical extremes, the Midwest emerges as a place of great complexity, signal importance, and continual fascination.
The houses of William Gray Purcell and George Grant Elmsliebuilt mainly in the Midwest and Northeastare the embodiment of the early 20th century marriage of fine craftsmanship and modern technology. Masterpieces of the Prairie Style, each home was designed with the groundbreaking idea that comfort and utility could harmonize with grace and style. Characterized by open plans and site-specific designs, Purcell and Elmslie residences are tied to the land by local materials and low, spreading forms. Their signature use of nature-based ornament and brilliant color further distinguished them from their contemporaries, Frank Lloyd Wright's houses among them. In 24 residential profiles and gorgeous new photographs, Prairie Style expert Dixie Legler and photographer Christian Korab vividly bring to life the pair's enduring dedication to simple elegance and honest design. At Home on the Prairie is the deluxe treatment that this ingenious duo deserves.
"In this new expanded edition, Susan J. Bandes adds descriptions of additional buildings and discusses projects by ten additional architects"--
Beyond the Bungalow, the newest book from renowned designer and Arts & Crafts expert Paul Duchscherer, celebrates the larger members of the Arts & Crafts family, and pays tribute to their remarkable artistic beauty, craftsmanship, and diversity of style. Widely acclaimed as America's favorite "Arts & Crafts Home," the term "bungalow" may bring a specific image to mind, but it really is one part of a much larger family. This extended family also includes an entire genre of larger-scale Craftsman-period homes, much like those created by architect brothers Charles and Henry Greene.
Thoroughly researched and meticulously written, this guidebook features more than 250 architectural wonders of wide-ranging styles in one of the lovliest neighborhoods in the Twin Cities.
Sullivanesque offers a visual and historical tour of a unique but often overlooked facet of modern American architecture derived from Louis Sullivan.Highly regarded in architecture for inspiring the Chicago School and the Prairie School, Sullivan was an unwilling instigator of the method of facade composition--later influenced by Frank Lloyd Wright, William Gray Purcell, and George G. Elmslie--that came to be known as Sullivanesque. Decorative enhancements with botanical and animal themes, Sullivan's distinctive ornamentation mitigated the hard geometries of the large buildings he designed, coinciding with his "form follows function" aesthetic.Sullivan's designs offered solutions to problems presented by new types and scales of buildings. Widely popular, they were also widely copied, and the style proliferated due to a number of Chicago-based interests, including the Radford Architectural Company and several decorative plaster and terra-cotta companies. Stock replicas of Sullivan's designs manufactured by the Midland Terra Cotta Company and others gave distinction and focus to utilitarian buildings in Chicago's commercial strips and other confined areas, such as the downtown districts of smaller towns. Mass-produced Sullivanesque terra cotta endured as a result of its combined economic and aesthetic appeal, blending the sophistication of high architectural art with the pragmatic functionality of building design.Masterfully framed by the author's photographs of Sullivanesque buildings in Chicago and throughout the Midwest, Ronald E. Schmitt's in-depth exploration of the Sullivanesque tells the story of its evolution from Sullivan's intellectual and aesthetic foundations to its place as a form of commercial vernacular. The book also includes an inventory of Sullivanesque buildings.Honorable Mention recipient of the 2002 PSP Awards for Excellence in Professional/Scholarly Publishing