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The World According to Girls At a time when the U.K. and parts of the U.S. are turning their backs on immigrants fleeing from hardship and danger, this inspiring book will appeal to Canadian teens and their mothers who feel proud to live in a country that still opens its doors to the world. There is a deep well of caring in Canada about the plight of refugees and of girls in developing countries who are denied the opportunity for an education. This beautifully designed and photographed book taps into that national interest by portraying, in vivid pictures and words, the lives of over a dozen courageous teenage girls of Kakuma Refugee Camp in northwestern Kenya. The girls, who travelled to Kakuma from five different African countries, talk about what it?s like to escape from violence, build a new life, go to high school and dream big for the future. They have to deal with the risk of assault and the gritty boredom of life in a refugee camp, and yet they delight in the same things as girls everywhere. The 17-year-old author will participate in a national PR campaign, including national newspapers, magazines, television and radio, discussing the friendship between the girls in her high school and the girls in Kakuma, as expressed through their touching correspondence.
Sudanese leaders and the repatriation gamePerspectives of non-Sudanese refugees on the coming repatriation; Conclusion; Conclusion; Humanitarian urbanism; Resources; Notes; Index.
Kenya’s Kakuma refugee camp is one of the world’s largest, home to over 100,000 people drawn from across east and central Africa. Though notionally still a ‘temporary’ camp, it has become a permanent urban space in all but name with businesses, schools, a hospital and its own court system. Such places, Bram J. Jansen argues, should be recognised as ‘accidental cities’, a unique form of urbanization that has so far been overlooked by scholars. Based on extensive ethnographic fieldwork, Jansen’s book explores the dynamics of everyday life in such accidental cities. The result is a holistic socio-economic picture, moving beyond the conventional view of such spaces as transitory and desolate to demonstrate how their inhabitants can develop a permanent society and a distinctive identity. Crucially, the book offers important insights into one of the greatest challenges facing humanitarian and international development workers: how we might develop more effective strategies for managing refugee camps in the global South and beyond. An original take on African urbanism, Kakuma Refugee Camp will appeal to practitioners and academics across the social sciences interested in social and economic issues increasingly at the heart of contemporary development.
SPLA SPLIT IN 1991
Anthropology of the state, migration, mobility, stateness, refugee camps, Kenya.
What Is the What is the story of Valentino Achak Deng, a refugee in war-ravaged southern Sudan who flees from his village in the mid-1980s and becomes one of the so-called Lost Boys. Valentino’s travels bring him in contact with enemy soldiers, with liberation rebels, with hyenas and lions, with disease and starvation, and with deadly murahaleen (militias on horseback)–the same sort who currently terrorize Darfur. Eventually Deng is resettled in the United States with almost 4000 other young Sudanese men, and a very different struggle begins. Based closely on true experiences, What Is the What is heartbreaking and arresting, filled with adventure, suspense, tragedy, and, finally, triumph.
How do people whose entire way of life has been destroyed and who witnessed horrible abuses against loved ones construct a new future? How do people who have survived the ravages of war and displacement rebuild their lives in a new country when their world has totally changed? In Making Refuge Catherine Besteman follows the trajectory of Somali Bantus from their homes in Somalia before the onset in 1991 of Somalia’s civil war, to their displacement to Kenyan refugee camps, to their relocation in cities across the United States, to their settlement in the struggling former mill town of Lewiston, Maine. Tracking their experiences as "secondary migrants" who grapple with the struggles of xenophobia, neoliberalism, and grief, Besteman asks what humanitarianism feels like to those who are its objects and what happens when refugees move in next door. As Lewiston's refugees and locals negotiate coresidence and find that assimilation goes both ways, their story demonstrates the efforts of diverse people to find ways to live together and create community. Besteman’s account illuminates the contemporary debates about economic and moral responsibility, security, and community that immigration provokes.