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Handscroll; Ink on silk; 420cm(width)*22cm(height) The painting depicts a procession of Daoist gods, with deities of the highest rank making their way to pay homage to the "primordial," or Dao. In the painting, celestial generals open the way, with the emperor wearing a halo among them. Numerous other gods and goddesses hold banners and umbrellas attending to the emperor, marching from right to left. Although there are numerous characters in the painting, it is not at all chaotic. Its lines are smooth and the clothing flows, fluttering in the wind as if the gods truly float on air. The figures are in high spirits, each with a different bearing and wearing different headgear and guards of honor, thoroughly expressing the majesty of the emperor, the might of the celestial generals, and the grace of the fairies.
The pompa circensis, the procession which preceded the chariot races in the arena, was both a prominent political pageant and a hallowed religious ritual. Traversing a landscape of memory, the procession wove together spaces and institutions, monuments and performers, gods and humans into an image of the city, whose contours shifted as Rome changed. In the late Republic, the parade produced an image of Rome as the senate and the people with their gods - a deeply traditional symbol of the city which was transformed during the empire when an imperial image was built on top of the republican one. In late antiquity, the procession fashioned a multiplicity of Romes: imperial, traditional, and Christian. In this book, Jacob A. Latham explores the webs of symbolic meanings in the play between performance and itinerary, tracing the transformations of the circus procession from the late Republic to late antiquity.
Preliminary material /CHARLOTTE R. LONG -- CATALOGUE OF REPRESENTATIONS /CHARLOTTE R. LONG -- GREEK AND LATIN TEXTS AND TRANSLATIONS /CHARLOTTE R. LONG -- INTRODUCTION /CHARLOTTE R. LONG -- THE ORIGINS OF THE TWELVE GODS THE NEAR EAST AND GREECE TO CA. 350 B.C. /CHARLOTTE R. LONG -- THE GREEK EXPANSION CA. 350-200 B.C. /CHARLOTTE R. LONG -- THE EXPANSION OF ROME /CHARLOTTE R. LONG -- THE ZENITH OF THE ROMAN EMPIRE /CHARLOTTE R. LONG -- THE LATER ROMAN EMPIRE /CHARLOTTE R. LONG -- CONCLUSIONS /CHARLOTTE R. LONG -- THE EGYPTIAN MONTH GODS /CHARLOTTE R. LONG -- GROUPS OF GODS OTHER THAN THE TWELVE /CHARLOTTE R. LONG -- THE ALEXANDER AND DARIUS VASES /CHARLOTTE R. LONG -- ADDENDUM /CHARLOTTE R. LONG -- INDEX /CHARLOTTE R. LONG -- ILLUSTRATIONS AND PHOTOGRAPHIC SOURCES /CHARLOTTE R. LONG -- PLATES I-CI /CHARLOTTE R. LONG.
A celebration of Taoist art traces the influence of philosophy on the visual arts in China.
This volume offers the transliteration, translation and selected copies of over 600 administrative documents on the textile industry in the Ebabbar temple at Neo-Babylonian Sippar. The documents are mostly divided in accordance with the former discussion presented in OBO 218. The aim of the new publication is to enlarge the data base for future studies and to create the possibility of checking and discussing the observations made in the first volume. Indices provide the names of garments and fabrics, and the paleography will allow the reader easy comparison when identifying new texts in the future.
We’ve completely misunderstood the purpose of the pyramids. They weren’t built primarily as tombs, instead they were intended to be used by Pharaoh while he was still alive. In very ancient times, the king was only allowed to rule for 30 years––then he’d be ritually killed! They didn’t want an old man in charge. One day, a Pharaoh was nearing his 30th year and decided he didn’t want to die, so came up with a set of rituals that would enable him to live on. It was called ‘Heb Sed’. This sacred ceremony was more than just a life-saver though, it also enabled the king to merge with the Sun-god. After death, Egyptian kings were believed to board the Sun-boat where they would shine down on their subjects for all eternity. However, many things could go awry in this process, particularly under the eyes of a successor. What if they bungled the funeral? What if they were a rival? Heb Sed enabled all this to occur while the king was still alive so that he could preside over proceedings, ensuring its success. And the bonus of being able to do this while alive is that some part of the Pharaoh would board the Sun-boat and in doing so, the king would become a divinity––the Pharaoh became a living God-king! But all this could only happen if they built a strange, pyramid-shaped structure to enable this potent magic to take place. So they built pyramids. And they got bigger and more magnificent with the passing of each King. This madness came to a head with Pharaoh Snefru who built two massive pyramids; the two biggest man-made structures in the World! How do you outdo this? While his son ‘Khufu’ only managed to build one pyramid, it was the most impressive structure ever built by humans. Still is, in my book. And yes, it might have functioned as his tomb, although Strabo and Diodorus swear black and blue that it wasn’t, however, it was entirely geared to the Sun-god, as you will find out... it was entirely geared for the King's Heb Sed. This book is the sequel to Architecture of Ra, but can be read independently of it. It also delves into the myths of Egypt as well as those of other cultures (Jason & the Argonauts, Icarus, Jonah, Thor, Hercules…). I don’t like calling these stories 'myths' because they actually belonged to living religions and to make that grade, the stories had to include information seminal to that culture. And if the texts contain this knowledge, then so did their religious buildings. The knowledge encoded in Egyptian legends is also encoded in their pyramids!
This study examines the visual and textual evidence for free-standing images of gods which functioned ceremonially in order to determine the distinct formats, the defining characteristics, and in which ceremony or ceremonies each type functioned.
The Trinity in History is the first volume in a new series by Robert M. Doran that uses the thought of Bernard Lonergan to develop a unified field structure for systematic work in theology. Building on his successful and thought-provoking Theology and the Dialectics of History and What Is Systematic Theology?, Doran works out a starting point for a contemporary theology of history and proposes a new application of the ‘psychological analogy’ for understanding the Christian doctrine of the Trinity. Advancing the work of Lonergan, Augustine, and Thomas Aquinas, The Trinity in History also enters into conversation with contemporary philosophical emphases, especially with the mimetic theory of noted anthropological philosopher René Girard. Doran suggests several refinements of Lonergan’s notion of functional specialization – developing a perspective for including the data of various religious traditions in theological construction, and establishing this theory’s relevance for contemporary interreligious dialogue.
This book is a comprehensive survey of the structure, organization and institutionalization of local community religious traditions in north China villages in the twentieth century. These traditions have their own forms of leaders, deities and beliefs. Despite much local variation one everywhere finds similar temples, images, offerings and temple festivals, all supported by practical concerns for divine aid to deal with the problems of everyday life. These local traditions are a structure in the history of Chinese religions; they have a clear sense of their own integrity and rules, handed down by their ancestors. There are Daoist, Buddhist and government influences on these traditions, but they must be adapted to the needs of local communities. It is the villagers who build temples and organize festivals, in which all members of the community are expected to participate and contribute. With chapters on such topics as historical origins and development, leadership and organization, temple festivals, temples and deities, and beliefs and values.
The Trinity in History is the first volume in a new series by Robert M. Doran that uses the thought of Bernard Lonergan to develop a unified field structure for systematic work in theology. Building on his successful and thought-provoking Theology and the Dialectics of History and What Is Systematic Theology?, Doran works out a starting point for a contemporary theology of history and proposes a new application of the 'psychological analogy' for understanding the Christian doctrine of the Trinity. Advancing the work of Lonergan, Augustine, and Thomas Aquinas, The Trinity in History also enters into conversation with contemporary philosophical emphases, especially with the mimetic theory of noted anthropological philosopher René Girard. Doran suggests several refinements of Lonergan's notion of functional specialization – developing a perspective for including the data of various religious traditions in theological construction, and establishing this theory's relevance for contemporary interreligious dialogue.