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The papers in this volume derive from the proceedings of the nineteenth International Bronze Congress, held at the Getty Center and Villa in October 2015 in connection with the exhibition Power and Pathos: Bronze Sculpture of the Hellenistic World. The study of large-scale ancient bronzes has long focused on aspects of technology and production. Analytical work of materials, processes, and techniques has significantly enriched our understanding of the medium. Most recently, the restoration history of bronzes has established itself as a distinct area of investigation. How does this scholarship bear on the understanding of bronzes within the wider history of ancient art? How do these technical data relate to our ideas of styles and development? How has the material itself affected ancient and modern perceptions of form, value, and status of works of art? www.getty.edu/publications/artistryinbronze
The Handbook of Greek Sculpture aims to provide a detailed examination of current research and directions in the field. Bringing together an international cast of contributors from Greece, Italy, France, Great Britain, Germany, and the United States, the volume incorporates new areas of research, such as the sculptures of Messene and Macedonia, sculpture in Roman Greece, and the contribution of Greek sculptors in Rome, as well as important aspects of Greek sculpture like techniques and patronage. The written sources (literary and epigraphical) are explored in dedicated chapters, as are function and iconography and the reception of Greek sculpture in modern Europe. Inspired by recent exhibitions on Lysippos and Praxiteles, the book also revisits the style and the personal contributions of the great masters.
The ancient Greek world consisted of approximately 1,000 autonomous polities scattered across the Mediterranean basin, and each one developed its own, unique set of socio-political institutions and social practices. The Oxford History of the Archaic Greek World offers twenty-one detailed studies of key sites from across the Greek world between c. 750 and c. 480 BCE--a crucial period when much of what is now seen as distinctive about Greek culture emerged. All the studies in this seven-volume series use the same structure and methodology so that readers can easily compare a wide range of Greek communities. The series thus offers a new and unique resource for the study of ancient Greece that will transform how we study and think about a crucial era in ancient Greek history. Volume IV contains detailed and up-to-date studies of Cyrene, Delphi, Macedonia, Massalia, and Metapontion.
As touchable objects, figurines have potential for a potent agency in relation to those who use them. This volume considers the figurine as a key conceptual and material problematic in the art history of antiquity through comparative juxtaposition and deep art-historical engagement with Chinese, pre-Columbian Mesoamerican, and Greco-Roman cultures.
What do forgeries do? Forgery Beyond Deceit: Fabrication, Value, and the Desire for Ancient Rome explores that question with a focus on forgery in ancient Rome and of ancient Rome. Its chapters reach from antiquity to the twentieth century and cover literature and art, the two areas thatpredominate in forgery studies, as well as the forgery of physical books, coins, and religious relics. The book examines the cultural, historical, and rhetorical functions of forgery that extend beyond the desire to deceive and profit. It analyses forgery in connection with related phenomena likepseudepigraphy, fakes, and copies; and it investigates the aesthetic and historical value that forgeries possess when scholarship takes seriously their form, content, and varied uses within and across cultures. Of particular interest is the way that forgeries embody a desire for the ancient and forthe recovery of the fragmentary past of ancient Rome.
With a focus on the underwater context of sculptures retrieved from beneath the sea, this volume examines where, when, why and how sculptures were transported on the Mediterranean Sea during Classical Antiquity through the lenses of both maritime and classical archaeology.
Bringing together expert voices and key case studies from well-known and newly excavated sites, this book calls attention to the importance of western Anatolia as a legitimate, local context in its own right. The study of Early Bronze Age cultures in Europe and the Mediterranean has been shaped by a focus on the Levant, Europe, and Mesopotamia. Geographically, western Anatolia lies in between these regions, yet it is often overlooked because it doesn't fit neatly into existing explanatory models of Bronze Age cultural development and decline. Instead, the tendency has been to describe western Anatolia as a bridge between east and west, a place where ideas are transmitted and cultural encounters among different groups occur. This narrative has foregrounded discussions of outside innovations in the prehistory of the region while diminishing the role of local, endogenous developments and individual agency. The contributors to this book offer a counternarrative, ascribing a local impetus for change rather than a metanarrative of cultural diffusion. In doing so, they offer fresh observations about the chronology and delineation of regional cultural groups in western Anatolia; the architecture, settlement, and sociopolitical organization of the Early Bronze Age; and the local characteristics of material culture assemblages. Offering multiple authoritative studies on the archaeology of western Anatolia, this book is an essential resource for area research in western Anatolia, a key reference for comparative studies, and essential reading for college courses in the archaeology and anthropology of sociopolitical complexity, European and Mediterranean prehistory, and ancient Anatolia.