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Byzantine Rome and the Greek Popes examines the scope and extent to which the East influenced Rome and the Papacy following the Justinian Reconquest of Italy in the middle of the sixth century through the pontificate of Zacharias and the collapse of the exarchate of Ravenna in 752. A combination of factors resulted in the arrival of significant numbers of easterners in Rome, and those immigrants had brought with them a number of eastern customs and practices previously unknown in the city. Greek influence became apparent in art, religious ceremonial and liturgics, sacred music, the rhetoric of doctrinal debate, the growth of eastern monastic communities, and charitable institutions, and the proliferation of the cults of eastern saints and ecclesiastical feast days and, in particular, devotion to the Theotokos or Mother of God. From the late seventh to the middle of the eighth century, eleven of the thirteen Roman pontiffs were the sons of families of eastern provenance. While conceding that over the course of the seventh century Rome indeed experienced the impact of an important Greek element, some scholars of the period have insisted that the degree to which Rome and the Papacy were 'orientalized' has been exaggerated, while others argue that the extent of their 'byzantinization' has not been fully appreciated. The question has also been raised as to whether Rome's oriental popes were responsible for sowing the seeds of separatism from Byzantium and laying the foundation for a future papal state, or whether they were loyal imperial subjects ever steadfast politically, although not always so in matters of the faith, to the reigning sovereign in Constantinople. Finally, there is the important issue of whether one could still speak of a single and undivided imperium Roman christianum in the seventh and early eighth centuries or whether the concept of imperial unity in the epoch following Gregory the Great was a quaint and fanciful fiction as East and West, ignoring and misunderstanding one another, began to go their separate ways. Byzantine Rome and the Greek Popes provides a guide through this complicated and often contradictory history.
This is a comprehensive comparative view of the way the phenomenon of Byzantium has been treated by the historiographies of the polities that have emerged from its remains – Bulgaria, Greece, Romania, Serbia and Turkey – from the Enlightenment to the present day. Synthesising a sprawling mass of material largely unknown to academic audiences, it highlights the important place Byzantium's representations occupy in the identity building and historical consciousness in that part of Europe. The diverse interpretations of the Byzantine phenomenon across and within these historiographic traditions are scrutinised against the backdrop of shifting geopolitical and cultural contexts, in constant dialogue and competition with each other and in communication with extra-regional, western and Russian, academic currents. The book will be of value to medieval historians, Byzantinists and historians of historiography as well as students of and specialists in modern politics, cultural and intellectual history.
The Armenian Apocalyptic Tradition: A Comparative Perspective comprises a collection of essays on apocalyptic literature in the Armenian tradition. This collection is unprecedented in its subject and scope and employs a comparative approach that situates the Armenian apocalyptic tradition within a broader context. The topics in this volume include the role of apocalyptic literature and apocalypticism in the conversion of the Armenians to Christianity, apocalyptic ideology and holy war, the significance of the Book of Daniel in Armenian thought, the reception of the Apocalypse of Ps.-Methodius in Armenian, the role of apocalyptic literature in political ideologies, and the expression of apocalypticism in the visual arts.
This book represents an attempt to depict the late Roman and Byzantine monetary economy in its fullest possible social, economic and administrative context, with the aim of establishing the basic dynamics behind the production of the coinage, the major mechanisms affecting its distribution, and the general characteristics of its behaviour once in circulation. The book consists of four main sections, on economy and society, on finance, and on the circulation and production of coinage, and has made an unrivalled contribution in the field of late classical, Byzantine and medieval economic history. The text is fully supported by the extensive quotation of translated sources, and by maps, tables and plates.
Comparative studies of medieval chant traditions in western Europe, Byzantium and the Slavic nations illuminate music, literacy and culture. Gregorian chant was the dominant liturgical music of the medieval period, from the time it was adopted by Charlemagne's court in the eighth century; but for centuries afterwards it competed with other musical traditions, local repertories from the great centres of Rome, Milan, Ravenna, Benevento, Toledo, Constantinople, Jerusalem, and Kievan Rus, and comparative study of these chant traditions can tell us much about music, liturgy, literacy and culture a thousand years ago. This is the first book-length work to look at the issues in a global, comprehensive way, in the manner of the work of Kenneth Levy, the leading exponent of comparative chant studies. It covers the four most fruitful approaches for investigators: the creation and transmission of chant texts, based on the psalms and other sources, and their assemblage into liturgical books; the analysis and comparison of musical modes and scales; the usesof neumatic notation for writing down melodies, and the differences wrought by developmental changes and notational reforms over the centuries; and the use of case studies, in which the many variations in a specific text or melodyare traced over time and geographical distance. The book is therefore of profound importance for historians of medieval music or religion - Western, Byzantine, or Slavonic - and for anyone interested in issues of orality and writing in the transmission of culture. PETER JEFFERY is Professor of Music History, Princeton University. Contributors: JAMES W. McKINNON, MARGOT FASSLER, MICHEL HUGLO, NICOLAS SCHIDLOVSKY, KEITH FALCONER, PETER JEFFERY, DAVID G.HUGHES, SYSSE GUDRUN ENGBERG, CHARLES M. ATKINSON, MILOS VELIMIROVIC, JORGEN RAASTED+, RUTH STEINER, DIMITRIJE STEFANOVIC, ALEJANDRO PLANCHART.
This book is an authoritative survey of the history of southeastern Europe from 500 to 1250.