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The first comprehensive global history of the discipline of paleopathology
These essays summarize the results of new excavation and survey research at Bandelier National Monument, with special attention to determining why larger sites appear when and where they do, and how life in these later villages and towns differed from life in the earlier small hamlets that first dotted the Pajarito in the mid-1100s.
This important catalogue presents the collection in its entirety, before the looting and destruction of war. It is an invaluable tool in the fight against illicit trafficking and the preservation of Afghanistan's cultural heritage. Situated at the crossroads of the world's oldest trade routes and populated by a mosaic of cultures, Afghanistan has been the theatre of repeated conflicts over its long and complex history. In the midst of the warfare and civil unrest that ravaged this ancient land during the last two decades of the twentieth century, hundreds of precious artefacts were plundered from the collections of the National Museum of Afghanistan in Kabul, which was founded in the early 1930s. The destruction of these irreplaceable treasures like the much-publicized Bamiyan Buddhas that were brutally destroyed in 2001 represents a tremendous loss not only for the people of Afghanistan but for all of humanity.With the aim of keeping alive the memory of the museum's scattered collections, specialist Francine Tissot has compiled a systematic listing of the holdings as they were conserved, in their intact state, in the museum's showcases and reserve collections until 1985. This comprehensive catalogue, is illustrated with over 1,600 photographs and drawings.
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.