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The Antebellum Press: Setting the Stage for Civil War reveals the critical role of journalism in the years leading up to America’s deadliest conflict by exploring the events that foreshadowed and, in some ways, contributed directly to the outbreak of war. This collection of scholarly essays traces how the national press influenced and shaped America’s path towards warfare. Major challenges faced by American newspapers prior to secession and war are explored, including: the economic development of the press; technology and its influence on the press; major editors and reporters (North and South) and the role of partisanship; and the central debate over slavery in the future of an expanding nation. A clear narrative of institutional, political, and cultural tensions between 1820 and 1861 is presented through the contributors’ use of primary sources. In this way, the reader is offered contemporary perspectives that provide unique insights into which local or national issues were pivotal to the writers whose words informed and influenced the people of the time. As a scholarly work written by educators, this volume is an essential text for both upper-level undergraduates and postgraduates who study the American Civil War, journalism, print and media culture, and mass communication history.
Tracing the sectionalization of American politics in the 1840s and 1850s, Michael Morrison offers a comprehensive study of how slavery and territorial expansion intersected as causes of the Civil War. Specifically, he argues that the common heritage of the American Revolution bound Americans together until disputes over the extension of slavery into the territories led northerners and southerners to increasingly divergent understandings of the Revolution's legacy. Manifest Destiny promised the literal enlargement of freedom through the extension of American institutions all the way to the Pacific. At each step--from John Tyler's attempt to annex Texas in 1844, to the Kansas-Nebraska Act, to the opening shots of the Civil War--the issue of slavery had to be confronted. Morrison shows that the Revolution was the common prism through which northerners and southerners viewed these events and that the factor that ultimately made consensus impossible was slavery itself. By 1861, no nationally accepted solution to the dilemma of slavery in the territories had emerged, no political party existed as a national entity, and politicians from both North and South had come to believe that those on the other side had subverted the American political tradition.
In The Last Fire-Eater, renowned historian of the American South William A. Link examines the life of Roger A. Pryor, a Virginia secessionist, Confederate general, and earnest proponent of postwar sectional reconciliation whose life involved a series of remarkable transformations. Pryor’s journey, Link reveals, mirrored that of the South. At times, both proved puzzling and contradictory. Pryor recast himself during a crucial period in southern history between the 1850s and the close of the nineteenth century. An archetypical southern-rights advocate, Pryor became a skilled practitioner in the politics of honor. As a politician and newspaper editor, he engaged in duels and viewed the world through the cultural prism of southern honor, assuming a more militant and aggressive stance on slavery than most of his regional peers. Later, he served in the Confederate army during the Civil War, rising to the rank of brigadier general and seeing action across the Eastern Theater. Captured late in the conflict, Pryor soon after abandoned his fiery persona and renounced extremism. He then moved to New York City, where he emerged as a prominent lawyer and supporter of the sort of intersectional detente that stood as a central facet of what southern boosters labeled the “New South.” Dramatic change characterized Pryor’s long life. Born in 1828, he died four months after the end of World War I. He witnessed fundamental shifts in the South that included the destruction of slavery, the defeat of the Confederacy, and the redefinition of manhood and honor among elite white men who relied less on violence to resolve personal grievances. With Pryor’s lifetime of remakings as its focus, The Last Fire-Eater serves as a masterful history of transformation in the South.