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Proceedings of the Battle Conference 1993
Papers on a very wide range of subjects include, for the first time, one on music, on changes in English chant repertories in the eleventh century; book migrations are examined over the same period, and one of the two papers on the Bayeaux Tapestry looks at changing representations of the `burgheat'. There are important papers on law and church administration and the relations of Normandy and England with other regions. The development of Rouen is compared with that of Paris; William the Conqueror's relations with Blois and Champagne are discussed; papers on the frontier with the Scots and on Rhys ap Teudur, king of Deheubarth are included. Domesday studies, chronicles and poetry are also represented with new research. Contributors W.M. AIRD, ROBERT BABCOCK, PAUL BRAND, SHIRLEY ANN BROWN, MICHAEL HERREN, EDOARDO D'ANGELO, DAVID DUMVILLE, JEAN DUNBABIN, BERNARD GAUTHIEZ, DAVID HILEY, B.R. KEMP, DEREK RENN, MARY FRANCES SMITH, BENJAMIN THOMPSON, SALLY VAUGHN, JOHN BRYAN WILLIAMS. 16. 1993: St Cuthbert, the Scots and the Normans; Rhys ap Tewdwr; 13c Litigation; Bayeaux Tapestry; Falco of Benevento's Chronicle; Anglo-Saxon Books on Norman Hands; Geoffrey of Chaumont, Thibaud of Blois and William the Conqueror; Paris, un Rouen capetien? 11c English Chant Repertories; Appointment of Parochial Incumbents in 12c England; Burgheat and Gonfanon; Archbishop Stigand; Free Alms Tenure in 12c; Anselm in Italy 1097-1100; Judhael of Totnes.
The Latin liturgical music of the medieval church is the earliest body of Western music to survive in a more or less complete form. It is a body of thousands of individual pieces, of striking beauty and aesthetic appeal, which has the special quality of embodying, of giving voice to, the words of the liturgy itself. Plainchant is the music that underpins essentially all other music of the middle ages (and far beyond), and is the music that is most abundantly preserved. It is a subject that has engaged a great deal of research and debate in the last fifty years and the nature of the complex issues that have recently arisen in research on chant are explored here in an overview of current issues and problems.
St Anselm's archiepiscopal career, 1093-1109, spanned the reigns of two kings: William Rufus and the early years of Henry I. As the second archbishop of Canterbury after the Norman Conquest, Anselm strove to extend the reforms of his teacher and mentor at Bec, and his predecessor at Canterbury, Archbishop Lanfranc. Exploring Anselm's thirty years as Prior and Abbot of the large, rich, Norman monastery of Bec, and teacher in its school, this book notes the wealth of experiences which prepared Anselm for his archiepiscopal career--in particular Bec's missionary attitude toward England. Sally Vaughn examines Anselm's intellectual strengths as a teacher, philosopher and theologian: exploring his highly regarded theological texts, including his popular Prayers and Meditations, and how his statesmanship was influenced as he dealt with conflict with the antagonistic King William Rufus. Vaughn argues that Rufus's death influenced Anselm's rivalry with King Henry I and fostered a more subdued and civil conflict between Anselm and Henry which ended with cooperation between king and archbishop at the end of Anselm's life. King and archbishop became’yoked together as two oxen pulling the plow of the church through the land of England’. Anselm’s final years at the pinnacle of power reveal a superb administrator over Canterbury and Primate over the churches of all Britain, in which position his followers described him as 'Pope of another world'. The final section includes a selection of original source material including archiepiscopal letters drawn primarily from Lambeth Palace Library.
Taking up questions and issues in early chant studies, this volume of essays addresses some of the topics raised in James McKinnon's The Advent Project: The Later Seventh-Century Creation of the Roman Mass, the last book before his untimely death in February 1999. A distinguished group of chant scholars examine the formation of the liturgy, issues of theory and notation, and Carolingian and post-Carolingian chant. Special studies include the origins of musical notations, nuances of early chant performance (with accompanying CD), musical style and liturgical structure in the early Divine Office, and new sources for Old-Roman chant. Western Plainchant in the First Millenium offers new information and new insights about a period of crucial importance in the growth of the liturgy and music of the Western Church.