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This book is a printed edition of the Special Issue "Between Religion and Ethnicity: Twentieth-Century Jewish Émigrés and the Shaping of Postwar Culture" that was published in Religions
Bringing together 16 articles by renowned scholars from around the globe, this volume offers a multi-dimensional view of comparative and world literature. Drawing on the scope of these scholars’ collective intellects and insights, it connects disparate research contexts to illuminate the multi-dimensional views of related areas as we step into the third decade of the 21st century. The book will be of particular interest to scholars working in comparative literary and cultural studies, and to readers interested in the future of literary studies in a cross-culturized world.
The essays in Rethinking Bakhtin: Extensions and Challenges extend Bakhtin's concepts in important new directions and challenge Bakhtin's own use of his most cherished ideas. Four sets of paired essays explore the theory of parody, the relation of de Man's poetics to Bakhtin's dialogics, Bakhtin's approach to Tolstoy and ideological literature generally, and the dangers of dialogue, not only in practice but also as an ideal.
World Literature is an increasingly influential subject in literary studies, which has led to the re-framing of contemporary ideas of ‘national literatures’, language and translation. World Literature: A Reader brings together thirty essential readings which display the theoretical foundations of the subject, as well as showing its conceptual development over a two hundred year period. The book features: an illuminating introduction to the subject, with suggested reading paths to help readers navigate through the materials texts exploring key themes such as globalization, cosmopolitanism, post/trans-nationalism, and translation and nationalism writings by major figures including J. W. Goethe, Karl Marx, Friedrich Engels, Longxi Zhao, David Damrosch, Gayatri Chakravorty Spivak, Pascale Casanova and Milan Kundera. The early explorations of the meaning of ‘Weltliteratur’ are introduced, while twenty-first century interpretations by leading scholars today show the latest critical developments in the field. The editors offer readers the ideal introduction to the theories and debates surrounding the impact of this crucial area on the modern literary landscape.
She discusses the current state of comparative literary studies and the renewed role of comparative literature in a world that is at once more plural and more globalized, as well as some of the debates now taking place within literary criticism as a whole, including the interchange between comparative literature and cultural studies, the re-envisaging of the Renaissance, the work of Northrop Frye, myth and literature at the end of the twentieth century, modern drama, and post-colonialism. To play an important role in the human sciences, comparative literature had first to free itself of a number of restrictive habits, such as an insufficiently critical literary history. In order to do this, it had to think theoretically, but without yielding to the temptation of letting theory become an end in itself. Kushner demonstrates that, while under strong pressures to be a more rigourous science, comparative literature has realized that in the human sciences the validation of knowledge has to seek its own tests and criteria, becoming increasingly more open to individuality, difference, and life situations and controlling its tendency to universalize. With its emphasis on whether literary history is possible and the problems it raises for literary theory and for comparative literature in particular, The Living Prism adds an important dimension to the ongoing debate about criticism and comparative literary studies.
The humor of Sherlock Holmes, Donald Westlake, Agatha Christie, Michael Innes, and Edmund Crispin are just a few of those discussed. A major point highlighted by this book is simply that wit, slapstick. laughter, and an anything-can-happen motif appear in a significant amount of fiction about crime.