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Between 1800 and the Civil War, the American West evolved from a region to territories to states. This book depicts the development of the antebellum West from the perspective of a resident of the Western frontier. What happened in the West in the lead-up to and during the American Civil War? The Civil War and the West: The Frontier Transformed provides a clear and complete answer to this question. The work succinctly overviews the West during the antebellum period from 1800 to 1862, supplying thematic chapters that explain how key elements and characteristics of the West created conflict and division that differed from those in the East during the Civil War. It looks at how these issues influenced the military, settlement, and internal territorial conflicts about statehood in each region, and treats the Cherokee and other Indian nations as important actors in the development of a national narrative.
Seamus Heaney’s Mythmaking examines Seamus Heaney’s poetic engagement with myth from his earliest work to the posthumous publication of Aeneid Book VI. The essays explore the ways in which Heaney creates his own mythic outlook through multiple mythic lenses. They reveal how Heaney adopts a demiurgic role throughout his career, creating a poetic universe that draws on diverse mythic cycles from Greco-Roman to Irish and Norse to Native American. In doing so, this collection is in dialogue with recent work on Heaney’s engagement with myth. However, it is unique in its wide-ranging perspective, extending beyond Ancient and Classical influences. In its focus on Heaney’s personal metamorphosis of several mythic cycles, this collection reveals more fully the poet’s unique approach to mythmaking, from his engagement with the act of translation to transnational influences on his work and from his poetic transformations to the poetry’s boundary-crossing transitions. Combining the work of established Heaney scholars with the perspectives of early-career researchers, this collection contains a wealth of original scholarship that reveals Heaney’s expansive mythic mind. Mythmaking, an act for which Heaney has faced severe criticism, is reconsidered by all contributors, prompting multifaceted and nuanced readings of the poet’s work.