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"Defining what is the strategic culture of the Islamic Republic of Iran since 1979 is challenging. Its nature is often contradictory and paradoxical and its meaning elusive. It is framed in large part by Tehran's stratagem to confront its adversaries. The foreign policy of the "strategically lonely" Islamic Republic of Iran (IRI) is a byproduct of competition between Islamic universalism and Iranian nationalism. Iran, while feeling threatened by a number of states, including the United States, has ambitions beyond the size of its conventional forces. To address both its perceived threats and satisfy its grand strategic ambitions, Iran relies on armed surrogates, large volunteer forces, a "guerrilla navy", strategic rockets and missiles, and soft power. In the first issue of the MES Monograph Series, the author notes that "strategic culture of the IRI has had profound impact on its approach to statecraft, strategy, and war." Through an examination of Iran's "way of war," the author offers specific suggestions for the United States to better engage or deal with Iran."--Back cover.
Coding, Shaping, Making combines inspiration from architecture, mathematics, biology, chemistry, physics and computation to look towards the future of architecture, design and art. It presents ongoing experiments in the search for fundamental principles of form and form-making in nature so that we can better inform our own built environment. In the coming decades, matter will become encoded with shape information so that it shapes itself, as happens in biology. Physical objects, shaped by forces as well, will begin to design themselves based on information encoded in matter they are made of. This knowledge will be scaled and trickled up to architecture. Consequently, architecture will begin to design itself and the role of the architect will need redefining. This heavily illustrated book highlights Haresh Lalvani’s efforts towards this speculative future through experiments in form and form-making, including his work in developing a new approach to shape‐coding, exploring higher‐dimensional geometry for designing physical structures and organizing form in higher-dimensional diagrams. Taking an in-depth look at Lalvani’s pioneering experiments of mass customization in industrial products in architecture, combined with his idea of a form continuum, this book argues for the need for integration of coding, shaping and making in future technologies into one seamless process. Drawing together decades of research, this book will be a thought-provoking read for architecture professionals and students, especially those interested in the future of the discipline as it relates to mathematics, science, technology and art. It will also interest those in the latter fields for its broader implications.
Diplomacy is conventionally understood as an authentic European invention which was internationalised during colonialism. For Indians, the moment of colonial liberation was a false dawn because the colonised had internalised a European logic and performed European practices. Implicit in such a reading is the enduring centrality of Europe to understanding Indian diplomacy. This Eurocentric discourse renders two possibilities impossible: that diplomacy may have Indian origins and that they offer un-theorised potentialities. Abandoning this Eurocentric model of diplomacy, Deep Datta-Ray recognises the legitimacy of independent Indian diplomacy and brings new practices He creates a conceptual space for Indian diplomacy to exist, forefronting civilisational analysis and its focus on continuities, but refraining from devaluing transformational change.