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MEET THIRTY-ONE CONTEMPORARY ARTISTS PUSHING THE BOUNDARIES OF A CLASSIC CRAFT.They are from different parts of the world but share a common passion: turning wood into sculptural forms of self-expression. You'll see each artist at work--in their studios, homes, and at the lathe--and discover why their stunning work is considered to be preeminent in the respective fields of woodtruning and modern art. A gallery of beautiful photographs is included. New Masters of Woodturning looks beyond the surface of the wood and into the vision and mind of the artist, providing insights that offer a captivating and important perspective of turn-of-the-century art and craft.
Comprising more than 125 extraordinary works by 43 craft artists, the Jane and Arthur Mason Collection is one of the world's premier collections of lathe-turned wooden objects. This sumptuously illustrated book features illuminating essays by two of the artists as well as by Arthur Mason himself. 141 illustrations, 130 in full color.
Excerpt from Art and Education in Wood-Turning: A d104book and Problem Book for the Use of Students Acknowledgments are hereby given to my wife for her untiring assistance in compiling the text of the book. I gratefully acknowledge, also, the willing attitude of my students in helping to work out the models, in posing for the photographic illustrations and in cooperating in the working out of a higher type of wood - turning. For the working out of the tea wagon wheel, acknowledgment is made to Samuel E. Wardell of the Central High School, Newark, N. J. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.