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Of late, the fields of astroparticle physics, particle physics and nuclear physics have been developing at a dramatic speed. This book constitutes the proceedings of a symposium intended to highlight some of the main directions being pursued in these related areas, and to seek a commonality among them. The symposium was held to honor the many achievements of Professor Adrian Melissinos, who has contributed to most of the developments addressed at the meeting.
This book is devoted to the broad subject of flavor physics, embracing the question of what distinguishes one type of elementary particles from another. The articles range from the forefront of formal theory (treating the physics of extra dimensions) to details of particle detectors. Although special emphasis is placed on the physics of kaons, charmed and beauty particles, top quarks, and neutrinos, the articles also dealing with electroweak physics, quantum chromodynamics, supersymmetry, and dynamical electroweak symmetry breaking. Violations of fundamental symmetries such as time reversal invariance are discussed in the context of neutral kaons, beauty particles, electric dipole moments, and parity violation in atoms. The physics of the Cabibbo-Kobayashi-Maskawa matrix and of quark masses are described in some detail, both from the standpoint of present and future experimental knowledge and from a more fundamental viewpoint, where physicists are still searching for the correct theory.
^ 74 GeV and |y| 2.4; the b jets must contain a B hadron. The measurement has significant statistics up to p T ∼ O(TeV). Advanced methods of unfolding are performed to extract the signal. It is found that fixed-order calculations with underlying event describe the measurement well.
Experimental Techniques in High-Energy Nuclear and Particle Physics is a compilation of outstanding technical papers and reviews of the ingenious methods developed for experimentation in modern nuclear and particle physics. This book, a second edition, provides a balanced view of the major tools and technical concepts currently in use, and elucidates the basic principles that underly the detection devices. Several of the articles in this volume have never been published, or have appeared in relatively inaccessible journals. Although the emphasis is on charged-particle tracking and calorimetry, general reviews of ionization detectors and Monte Carlo techniques are also included.This book serves as a compact source of reference for graduate students and experimenters in the fields of nuclear and particle physics, seeking information on some of the major ideas and techniques developed for modern experiments in these fields.
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program for monographs. Visit www.luminosoa.org to learn more. How do keyboards make music playable? Drawing on theories of media, systems, and cultural techniques, Keys to Play spans Greek myth and contemporary Japanese digital games to chart a genealogy of musical play and its animation via improvisation, performance, and recreation. As a paradigmatic digital interface, the keyboard forms a field of play on which the book’s diverse objects of inquiry—from clavichords to PCs and eighteenth-century musical dice games to the latest rhythm-action titles—enter into analogical relations. Remapping the keyboard’s topography by way of Mozart and Super Mario, who head an expansive cast of historical and virtual actors, Keys to Play invites readers to unlock ludic dimensions of music that are at once old and new.
This book examines how video game mechanics and narratives can teach players skills associated with increased psychological well-being. It integrates research from psychology, education, ludology, media studies, and communication science to demonstrate how game play can teach skills that have long been associated with increased happiness and prolonged life satisfaction, including flexible thinking, openness to experience, self-care, a growth mindset, solution-focused thinking, mindfulness, persistence, self-discovery and resilience. The chapters in this volume are written by leading voices in the field of game studies, including researchers from academia, the video gaming industry, and mental health practitioners paving the way in the field of “geek therapy.” This book will advance our understanding of the potential of video games to increase our psychological well-being by helping to mitigate depression, anxiety, and stress and foster persistence, self-care, and resilience.
An overview of the optical effects in solids, this book addresses the physics of materials and their response to electromagnatic radiation--back cover.
Archaeologists in Print is a history of popular publishing in archaeology in the nineteenth and twentieth centuries, a pivotal period of expansion and development in both archaeology and publishing. It examines how British archaeologists produced books and popular periodical articles for a non-scholarly audience, and explores the rise in archaeologists’ public visibility. Notably, it analyses women’s experiences in archaeology alongside better known male contemporaries as shown in their books and archives. In the background of this narrative is the history of Britain’s imperial expansion and contraction, and the evolution of modern tourism in the Eastern Mediterranean and Middle East. Archaeologists exploited these factors to gain public and financial support and interest, and build and maintain a reading public for their work, supported by the seasonal nature of excavation and tourism. Reinforcing these publishing activities through personal appearances in the lecture hall, exhibition space and site tour, and in new media – film, radio and television – archaeologists shaped public understanding of archaeology. It was spadework, scripted. The image of the archaeologist as adventurous explorer of foreign lands, part spy, part foreigner, eternally alluring, solidified during this period. That legacy continues, undimmed, today. Praise for Archaeologists in Print This beautifully written book will be valued by all kinds of readers: you don't need to be an archaeologist to enjoy the contents, which take you through different publishing histories of archaeological texts and the authors who wrote them. From the productive partnership of travel guide with archaeological interest, to the women who feature so often in the history of archaeological publishing, via closer analysis of the impact of John Murray, Macmillan and Co, and Penguin, this volume excavates layers of fascinating facts that reveal much of the wider culture of the late nineteenth and twentieth centuries. The prose is clear and the stories compulsive: Thornton brings to life a cast of people whose passion for their profession lives again in these pages. Warning: the final chapter, on Archaeological Fictions, will fill your to-be-read list with stacks of new titles to investigate! This is a highly readable, accessible exploration into the dynamic relationships between academic authors, publishers, and readers. It is, in addition, an exemplar of how academic research can attract a wide general readership, as well as a more specialised one: a stellar combination of rigorous scholarship with lucid, pacy prose. Highly recommended!' Samantha Rayner, Director of UCL Centre for Publishing; Deputy Head of Department and Director of Studies, Department of Information Studies, UCL
'The content of the Saulson’s book remains valid and offers a versatile introduction to gravitational wave astronomy. The book is appropriate for undergraduate students and can be read by graduate students and researchers who want to be involved in either the theoretical or the experimental traits of the study of gravitational waves.'Contemporary PhysicsLIGO's recent discovery of gravitational waves was headline news around the world. Many people will want to understand more about what a gravitational wave is, how LIGO works, and how LIGO functions as a detector of gravitational waves.This book aims to communicate the basic logic of interferometric gravitational wave detectors to students who are new to the field. It assumes that the reader has a basic knowledge of physics, but no special familiarity with gravitational waves, with general relativity, or with the special techniques of experimental physics. All of the necessary ideas are developed in the book.The first edition was published in 1994. Since the book is aimed at explaining the physical ideas behind the design of LIGO, it stands the test of time. For the second edition, an Epilogue has been added; it brings the treatment of technical details up to date, and provides references that would allow a student to become proficient with today's designs.
Beyond the range of optical perception--and of ordinary imaginings--a new and violent universe lay undetected until the advent of space exploration. Supernovae, black holes, quasars and pulsars--these were the secrets of the highenergy world revealed when, for the first time, astronomers attached their instruments to rockets and lofted them beyond the earth's x-ray-absorbing atmosphere. The X-Ray Universe is the story of these explorations and the fantastic new science they brought into being. It is a first-hand account: Riccardo Giacconi is one of the principal pioneers of the field, and Wallace Tucker is a theorist who worked closely with him at many critical periods. The book carries the reader from the early days of the Naval Research Laboratory through the era of V-2 rocketry, Sputnik, and the birth of NASA, to the launching of the Einstein X-Ray Observatory. But this is by no means just a history. Behind the suspenseful, sometimes humorous details of human personality grappling with high technology lies a sophisticated exposition of current cosmology and astrophysics, from the rise and fall of the steady-state theory to the search for the missing mass of the universe.