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This history of the Saltire Society Literary Awards demonstrates the significance the awards have had within Scottish literary and cultural life. The book explores how the prizes have influenced understandings of Scottish literature over eight decades and explores what they reveal about the wider mechanisms of how literary prize culture functions in the UK today.
Shortlisted for the Booker Prize and an international bestseller: a brilliant meditation on truth, power, and (in)sanity. A BBC Radio 4 Book Club pick The year is 1869. A brutal triple murder in a remote community in the Scottish Highlands leads to the arrest of a young man by the name of Roderick Macrae. A memoir written by the accused makes it clear that he is guilty, but it falls to the country’s finest legal and psychiatric minds to uncover what drove him to commit such merciless acts of violence. Was he insane? Only the persuasive powers of his advocate stand between Macrae and the gallows. Graeme Macrae Burnet tells an irresistible and original story about the provisional nature of truth, even when the facts seem clear. His Bloody Project is a mesmerising literary thriller set in an unforgiving landscape where the exercise of power is arbitrary.
WINNER OF THE BOOKER PRIZE WINNER OF 'BOOK OF THE YEAR' AND 'DEBUT OF THE YEAR' AT THE BRITISH BOOK AWARDS THE MILLION-COPY BESTSELLER 'An amazingly intimate, compassionate, gripping portrait of addiction, courage and love.' – The judges of the Booker Prize 'Douglas Stuart has written a first novel of rare and lasting beauty.' – The Observer 'Shuggie Bain means so much to me. It is such a powerfully written story . . . I love a heartbreak book but there is so much love within this one, particularly between Shuggie and his mother Agnes.' – Dua Lipa It is 1981. Glasgow is dying and good families must grift to survive. Agnes Bain has always expected more from life, dreaming of greater things. But Agnes is abandoned by her philandering husband, and as she descends deeper into drink, her children try their best to save her, yet one by one they must abandon her to save themselves. It is her son Shuggie who holds out hope the longest. Shuggie is different, he is clearly no’ right. But Shuggie believes that if he tries his hardest, he can be normal like the other boys and help his mother escape this hopeless place. Shuggie Bain lays bare the ruthlessness of poverty, the limits of love, and the hollowness of pride. For readers of A Little Life and Angela's Ashes, it is a heartbreaking novel by a brilliant writer with a powerful and important story to tell. 'A heartbreaking novel' – The Times 'Tender and unsentimental . . . The Billy Elliot-ish character of Shuggie . . . leaps off the page.' – Daily Mail
Can Scotland be considered an English colony? Is its experience and literature comparable to that of overseas postcolonial countries? Or are such comparisons no more than patriotic victimology to mask Scottish complicity in the British Empire and justify nationalism? These questions have been heatedly debated in recent years, especially in the run-up to the 2014 referendum on independence, and remain topical amid continuing campaigns for more autonomy and calls for a post-Brexit “indyref2.” Gaelic Scotland in the Colonial Imagination offers a general introduction to the emerging field of postcolonial Scottish studies, assessing both its potential and limitations in order to promote further interdisciplinary dialogue. Accessible to readers from various backgrounds, the book combines overviews of theoretical, social, and cultural contexts with detailed case studies of literary and nonliterary texts. The main focus is on internal divisions between the anglophone Lowlands and traditionally Gaelic Highlands, which also play a crucial role in Scottish–English relations. Silke Stroh shows how the image of Scotland’s Gaelic margins changed under the influence of two simultaneous developments: the emergence of the modern nation-state and the rise of overseas colonialism.
WINNER OF THE 2020 PAUL TORDAY MEMORIAL PRIZE. A powerful, beautiful novel, set across two decades, in the wake of a devastating maritime tragedy. “Full of memorable images and singing lines of prose.” Sarah Waters Tormod Morrison was on board HMY Iolaire on the terrible night as 1919 dawned, when the ship smashed into rocks and sank: some 200 servicemen drowned on the very last leg of their long journey home from war. For Tormod—a man unlike others, with artistry in his fingertips—the disaster would mark him indelibly. And for the stunned islanders, who had so joyfully anticipated the return of their sons, brothers and sweethearts, no shock could have been greater or more difficult to live with. Two decades later, Alasdair and Rachel are sent to the windswept Isle of Lewis to live with Tormod in his traditional blackhouse home, a world away from the Glasgow of their earliest years. Their grandfather is kind, compassionate, but still deeply affected by the Iolaire shipwreck—by the selfless heroism and desperate tragedy he witnessed. A deeply moving novel about passion constrained, coping with loss and a changing world, As the Women Lay Dreaming explores how a single event can so dramatically impact communities, individuals and, indeed, our very souls.
Modern Irish and Scottish Literature: Connections, Contrasts, Celticisms explores the ways Irish and Scottish literatures have influenced each other from the 1760s onwards. Although an early form of Celticism disappeared with the demise of the Celtic Revivals of Ireland and Scotland, the 'Celtic world' and the 'Celtic temperament' remained key themes in central texts of Irish and Scottish literature well into the twentieth century. Richard Barlow examines the emergence, development, and transformation of Celticism within Irish and Scottish writing and identifies key connections between modern Irish and Scottish authors and texts. By reading works from figures such as James Macpherson, Walter Scott, Sydney Owenson, Augusta Gregory, W. B. Yeats, Fiona Macleod, James Joyce, Samuel Beckett, Hugh MacDiarmid, Sorley MacLean, and Seamus Heaney in their political and cultural contexts, Barlow provides a new account of the characteristics and phases of literary Celticism within Romanticism, Modernism, and beyond.
Published anonymously in 1824, this gothic mystery novel was written by Scottish author James Hogg. The Private Memoirs and Confessions of a Justified Sinner was published as if it were the presentation of a century-old document. The unnamed editor offers the reader a long introduction before presenting the document written by the sinner himself.
'Vivid, funny, exciting and inventive' Philip Pullman 'Has a magic all of its own' Bernardine Evaristo 'What an inspiration. The future just got so much better' Benjamin Zephaniah FIGHT CRIME, ACROSS TIME! Leaplings, children born on the 29th of February, are very rare. Rarer still are Leaplings with The Gift – the ability to leap through time. Elle Bíbi-Imbelé Ifíè has The Gift, but she’s never used it. Until now. On her twelfth birthday, Elle and her best friend Big Ben travel to the Time Squad Centre in 2048. Elle has received a mysterious warning from the future. Other Leaplings are disappearing in time – and not everyone at the centre can be trusted. Soon Elle’s adventure becomes more than a race through time. It’s a race against time. She must fight to save the world as she knows it – before it ceases to exist . . .
WINNER OF THE SCOTTISH TEENAGE BOOK PRIZE 2022 Fin Whittle is sixteen and he likes guys. A fact which seems to be complicating his life. One minute Fin's kissing the godlike Jesse; the next he s been cruelly outed. His family's response? To up sticks in search of a 'fresh start'. A fresh start won't change the truth of who Fin is. Obviously. But it does introduce him to the best squad in town: kick-ass Poppy, her on-off girlfriend June and the super cute, super irresistible Rye. Fin soon has a serious crush. And Rye might just feel the same way. But Fin's parents aren't happy. If their son won't change his 'lifestyle', they ll force him onto the straight and narrow . . . by way of 'conversion therapy'. An outrageous plan is needed to face down the haters and to give Fin and Rye (and their fireflies) a chance at the happy-ever-after their story deserves . . . From moonlit meet-ups to vintage diners, pride parades to a passion for old vinyl, Fin & Rye & Fireflies is a gloriously upbeat tale of being true to yourself no matter what. 'A big-hearted queer romance' - Abdi Nazemian, author of Like a Love Story 'Charming. Sweet. Engaging. Important. Characters you will fall in love with and an author you will as well.' - Greg Howard, author of The Whispers 'All the Love, Simon feelings and then some. As cute and queer as it can get.' - Kai Spellmeier, YA Blogger
This Guide examines the critical construction of the genre of 'contemporary Scottish literature' and assesses the critical responses to a wide range of contemporary Scottish fiction, poetry and drama. The Guide is structured thematically with each chapter addressing a specific area of debate within the field of contemporary Scottish Studies.