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"SURPRISINGLY FUN . . . The heroic trio lead strenuous lives, ER-style, all with an eye for the Nobel Prize." --Kirkus Reviews Now from the bestselling author of Love Story and Doctors comes a powerful and moving saga of three extraordinary individuals as they compete for the ultimate glory: the Nobel Prize. Erich Segal takes us inside the research labs and clinics, the homes and hearts, of the world's most elite doctors and scientists--two men and one woman--whose genius, dedication, and passion cannot always win for them the love and recognition they so desperately seek. Loyalty and betrayal, disappointment and loss, scandal and secrets--all will play roles in the personal and professional lives of these gifted scientists who hold the key to life and death for so many. And through it all the Nobel Prize beckons with its seductive promise. Two will be selected for this highest honor; one of them will not live to receive it. Yet all will discover the enduring truth: that life has many prizes to offer, and many come to us in the most unexpected ways. . . . "COMPELLING . . . It is reward in itself to follow the chronicle of three trailblazing scientists, each out to better the world while conquering his own personal demons." --West Coast Review of Books A MAIN SELECTION OF THE LITERARY GUILD(c)
British education is regarded as being in a state of meltdown. Throughout the system, from nursery classes to degree courses, the relationship between teacher and pupil has been undermined, and the idea that children should be taught a body of rules at all, whether in maths or grammar, is now taboo in many schools. Systematic instruction has given way to approximations and guesswork, resulting in a rising tide of illiteracy. This text aims to present the inside story of a social debacle. The collapse of education is not viewed in isolation; according to the author, at the heart of the problem lies cultural and moral relativism, the doctrine that no values can be judged to be any better or worse than any others. She regards the primary effect of this, particularly in the last 20 years, to be the collapse of the authority of institutions. Sounding a warning, she offers a blueprint to restore authority and meaning to society.
This volume describes the fascinating and sometimes amazing story of the prestigeous Pulitzer Prizes in all journalistic award categories. On the basis of the confidential and unpublished jury reports it was made possible to reconstruct the decision-making discussions within the committees to confirm or prevent prize-winners by majority votings. The book also makes clear that Pulitzer awards during more than eight decades went to a broad spectrum of American newspapers.
This is a book about one of the great untold stories of modern cultural life: the remarkable ascendancy of prizes in literature and the arts. Such prizes and the competitions they crown are almost as old as the arts themselves, but their number and power--and their consequences for society and culture at large--have expanded to an unprecedented degree in our day. In a wide-ranging overview of this phenomenon, James F. English documents the dramatic rise of the awards industry and its complex role within what he describes as an economy of cultural prestige. Observing that cultural prizes in their modern form originate at the turn of the twentieth century with the institutional convergence of art and competitive spectator sports, English argues that they have in recent decades undergone an important shift--a more genuine and far-reaching globalization than what has occurred in the economy of material goods. Focusing on the cultural prize in its contemporary form, his book addresses itself broadly to the economic dimensions of culture, to the rules or logic of exchange in the market for what has come to be called "cultural capital." In the wild proliferation of prizes, English finds a key to transformations in the cultural field as a whole. And in the specific workings of prizes, their elaborate mechanics of nomination and election, presentation and acceptance, sponsorship, publicity, and scandal, he uncovers evidence of the new arrangements and relationships that have refigured that field.
In this groundbreaking and controversial critique of the selections of Nobel Peace Prize winners, an eminent Norwegian lawyer and peace activist calls for its return to legal and moral compliance with the will of Alfred Nobel who wished to support disarmament to prevent war. The Nobel Peace Prize is the world's most coveted award, galvanizing the world's attention for 110 years. In recent decades, it has also become the world's most reviled award, as heads of militarized states and out-and-out warmongers and terrorists have been showered with peace prizes. Delving into previously unpublished primary sources, Fredrik Heffermehl reveals the history of the inner workings of the Norwegian Nobel Committee as it has come under increasing political, geopolitical, and commercial pressures to make inappropriate awards. As a Norwegian lawyer, Heffermehl makes the case that the Norwegian politicians entrusted with the Nobel peace awards have brushed aside the legal requirements in Scandinavian estate law using the prize to promote their own political and personal interests instead of the peace ideas Alfred Nobel had in mind. Evaluating each of the 119 Nobel Peace Prizes awarded between 1901 and 2009, the author tracks the ever-widening divergence of the committee's selections from Nobel's intentions and concludes that all but one of the last ten prizes are illegitimate under the law.
The World's Most Prestigious Prize: The Inside Story of the Nobel Peace Prize is a fascinating, insider account of the Nobel peace prize. Drawing on unprecedented access to the Norwegian Nobel Institute's vast archive, it offers a gripping account of the founding of the prize, as well as its highs and lows, triumphs and disasters, over the last one-hundred-and-twenty years. But more than that, the book also draws on the author's unique insight during his twenty-five years as Director of the Norwegian Nobel Institute and Secretary of the Norwegian Nobel Committee. It reveals the real story of all the laureates of that period - some of them among the most controversial in the history of the prize (Gorbachev, Arafat, Peres and Rabin, Mandela and De Klerk, Obama, and Liu Xiaobo) - and exactly why they came to receive the prize. Despite all that has been written about the Nobel Peace Prize, this is the first-ever account written by a prominent insider in the Nobel system.
Marina Frolova-Walker's fascinating history takes a new look at musical life in Stalin's Soviet Union. The author focuses on the musicians and composers who received Stalin Prizes, awarded annually to artists whose work was thought to represent the best in Soviet culture. This revealing study sheds new light on the Communist leader's personal tastes, the lives and careers of those honored, including multiple-recipients Prokofiev and Shostakovich, and the elusive artistic concept of "Socialist Realism," offering the most comprehensive examination to date of the relationship between music and the Soviet state from 1940 through 1954.