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Private Stories is a collection of unique monologues that validate the real experiences of young people today while addressing the universal themes of love, betrayal, and friendship.
(Limelight). This collection of monologues is accompanied by seven key questions that help young actors to create unique, well-rounded characters directly from their imagination. The monologues can also be used to stimulate creativity in children and help them deal with daily issues of tolerance, self-acceptance, belonging, and self-expression. Topics include loss of love and friendship, jealousy, life changes, and secrets.
Are you a jock? A geek? A ladies’ man? A slob? Doesn’t matter. This book covers everything! To make your search for the right monologue easy, we’ve created this series of one- to two- minute monologues. Follow several very different characters through various scenarios (friends, family, school, strangers, siblings, etc.) with both dramatic and hilarious results
Kids of today face a different world – and a different set of challenges – then did the children of even 15 years ago. Playing with a Purpose features a collection of monologues that reflects these new attitudes and circumstances. Highly diversified in its view of the family and the child's place in the world, the monologues have been chosen from several sources: from contemporary playwrights and screenwriters; from YouthPlays, a new company that specializes in publishing cutting-edge plays for the youth market; and from such conservatories for young actors as The Playground, the Los Angeles-based training center run by Gary Spatz, the leading acting coach for performers ages 6 to 16. “Playing with a purpose” is an idea that arose from Fife's work with young actors over the course of several decades. The included monologues have been chosen and arranged to allow for a young actor's development. From “Getting Started: Simple Situations and Circumstances” to “Intermediate: Adding Elements of Character” to “Advanced: Character Counts ” each chapter includes pieces that will test the young actor's ability, while making use of the lessons presented in each.
Well, learning to drive and going to the prom and opening college envelopes-this book deals with your issues. This is a surefire way to find the one- to two-monologues that are right for you. Inside, follow several very different characters through various scenarios (friends, family, school, strangers, siblings, and more) with both dramatic and hilarious results!
As professional directors and teachers who work with young and adult actors at the Tony Award-Winning American Conservatory Theater, Slaight and Sharrar have years of experience helping actors uncover the dynamics of the monologue, as acting exercise and as audition material. Now in their impressive third volume of age-appropriate monologues, culled from plays by substantial playwrights from an international field, the editors have assembled an impressive collection to take the actor/director/teacher to new levels of sophistication and breadth. The volume's introduction is a concise guide to today's audition obstacles and how to overcome them. As in their other award-winning collections, Slaight and Sharrar have selected character speeches from the finest dramatic literature. In addition, they have included a special section on the use of the song lyric as an exciting and useful exercise in solo work. Some of the writers included are: Edward Albee, Lee Blessing, Constance Congdon, Kia Corthron, Bob Dylan, Horton Foote, Timothy Mason, Sharman Macdonald, Lynn Nottage, Adam Rapp, George Bernard, Shaw Shakespeare, Sam Shepard, John M. Synge
In professional and student theater alike, a good monlogue can often mean the difference between a "Thank you . . . Next!" and a call-back. But sometimes it's hard for an aspiring actor to find the absolutely right audition piece that suits his or her personal style, type or age group. Monologues For Young Actors is a unique and invaluable collection of dramatic speeches from some of the world's greatest plays -- chosen specifically for actors in their teens and early twenties. Whether you're looking for something comedic or tragic, contemporary or classic, unorthodox or naturalistic, this superb compilation has the monologue you need -- an indispensible tool to help you hone you craft . . . and land that role.
Contemporary Monologues for Young Actors features 54 original monologues created specifically for actors and acting students ages 7-14 and for the teachers, directors and acting coaches who work with them. Written by award-winning New York City playwright Douglas M. Parker, these refreshing monologues encompass a broad range of circumstances and emotions perfect for young actors seeking new material to explore - some of which will appeal to slightly younger actors and others of which will excite slightly older actors. Here are some of the features of this book: A broad range of circumstances and emotions, from comedic to heartfelt to quirky Emotional arcs and strong endings to challenge actors and keep audiences engaged Modern day topics with contemporary language Convenient organization from "younger" to "older" as the book progresses Ideal for auditions, as short performance pieces or for use in the classroom Below are sample monologues from the book: SHARING Some people think I don't like sharing, but that isn't true at all. I love sharing. I mean, what's not to love about being able to go up to someone and say, "Hey, can I have some of that candy?" And then they give you some! Or, "Can I ride your bike for a while?" And then you get to ride their bike! Sharing is awesome. Sometimes you have to be careful, though. Like if someone comes up to me and says, "Can I have one of your cookies?" Well, if I gave them a cookie, then I might not have any cookies left to share with other people and that would be, like, the opposite of sharing. So I have to say no. Because sharing is really important. SCOUT Before we moved here, we had this big dog named Scout. Mom always said he was a total mutt, but I think he was also part collie. And maybe part golden retriever. But he was definitely at least half mutt. Scout was supposed to be the whole family's dog, but he was really mine. I mean, after school, it was me he would be waiting for. And when anyone threw his ball, I'm the one he always brought it back to. And at night, it was always my bed he slept in. But before we moved here, my Mom found out we weren't allowed to have any pets, so we had to give him away to my cousins. I don't really talk about it, but sometimes I dream about Scout. He's got his ball in his mouth and he's looking for me. And I'm saying, "Here, Scout. I'm right here." But he doesn't hear me, and he can't see me, and I'm saying, "I'm right here. Scout. I'm right here." And then, I don't know, I guess I wake up . . . I don't know if Scout dreams about me. UNIVERSE I saw on the Discovery Channel where a long time ago, before the beginning of time, the entire universe was as small as the head of a pin. And everything was inside it. Stars, planets, houses, people, cars - other pins. Everything in the universe. And then one day, this head of a pin just exploded and everything came out at like a million degrees hot and a million miles an hour. And all the stars and planets and people and cars just kept getting bigger and bigger, until they filled up all of space and all of time, just burning and melting and spinning. And as soon as I heard that, I knew that I was just like that pin, and that one day I'm gonna explode too. And when I do, fire and stars and whole worlds will come out of me and they'll be a million degrees hot and they'll travel so far and so fast that I'll never have to come back here again. Not ever...Not ever.
"For auditions, class, or practice, this series of books delivers exactly what it promises: a whole lot of engaging one-minute monologues for teen characters." KLIATTThis latest edition in Smith and Kraus's best-selling Ultimate Audition Series for Teens captures the exciting, unique, and active voice of M. Ramirez.A casting director's number one gripe is usually that young actors don't choose age-appropriate material. Teens need to play teenagers.Ramirez's characters talk like teenagers do: girls and boys aged 13-19. These original monologues will wake up judges, teachers, and casting directors. They're active. They pop like nobody's business. They're funny and poignant. But, best of all, these are stories only teens could tell, stories that allow their ability to really shine through.Some scenarios included are:? caught throwing a party? telling ghost stories? newcomer in town? in love with the video store guy? home after curfew? first earthquake experience? great movie idea? first parental betrayal? too old for the treehouse? approached by a homeless person? dreamer? first time shavingM. RAMIREZ is a playwright from Miami, Florida. He holds a degree in Dramatic Writing from NYU's Tisch School of the Arts, and he is currently working on another series of monologue books for Smith and Kraus. He's also working on a play about a giant.
By the author of the best-selling Contemporary Monologues for Young Actors! Contemporary Scenes for Young Actors features 34 fun, instantly involving scenes written specifically for actors aged 8-16, and for the teachers, directors and acting coaches who work with them. Written by award-winning New York City playwright Douglas M. Parker, Contemporary Scenes provides young actors with the material they need to have fun while exploring a full spectrum of emotions, situations and relationships, ranging from the humorous to the heartfelt. With appealing, accessible scenes - written in contemporary language that doesn't talk down to student actors - Contemporary Scenes for Young Actors lets young performers connect with, have fun with and be challenged by every moment, line, character and situation. Suitable for classroom work and performance. This book contains: 34 scenes to challenge and excite acting students A broad variety of two and three-person scenes Gender-neutral characters to provide ultimate flexibility Emotional arcs and strong endings to challenge actors and keep audiences engaged A broad range of circumstances and emotions, from comedic to heartfelt to whimsical Material that is ideal as short performance pieces and for use in the classroom At Beat by Beat Press we're passionate about raising the bar on the quality of resources that are available for young actors and you'll find this book to be no exception. Our resources are used in over 60 countries, bringing joy and rewarding experiences to thousands of young performers every day.