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Een gescheiden echtpaar ontmoet elkaar weer na vijf jaar, terwijl zij beiden op huwelijksreis zijn met hun nieuwe partner.
The New York Times–bestselling biography of Manet, Cezanne, Degas, and others—a “revealing group portrait . . . lively, required reading” (People). Though they were often ridiculed or ignored by their contemporaries, their paintings are now revered around the world. Their dazzling works are familiar to even the most casual art lovers—but how well do we know the Impressionists as people? The first book to offer an intimate and lively biography of the world’s most popular group of artists, including Manet, Monet, Pissarro, Cézanne, Renoir, Degas, Sisley, Morisot, and Cassatt. Sue Roe’s Private Lives of the Impressionists, follows an extraordinary group of artists into their Paris studios, down the rural lanes of Montmartre, and into the rowdy riverside bars of a city undergoing monumental change. Vivid and deeply researched, it casts a brilliant light on this unparalleled society of genius colleagues who lived and worked together for twenty years—and transformed the art world with their breathtaking depictions of ordinary life.
Worried that his wife Veronica will not return home from an art class, Julian imagines his stepdaughter Daniela's future without her mother and tells her an improvisional bedtime story.
A book to help the ordinary birdwatcher appreciate the fascinating songs, stories, and science of common birds Jack Gedney's studies of birds provide resonant, affirming answers to the questions: Who is this bird? In what way is it beautiful? Why does it matter? Masterfully linking an abundance of poetic references with up-to-date biological science, Gedney shares his devotion to everyday Western birds in fifteen essays. Each essay illuminates the life of a single species and its relationship to humans, and how these species can help us understand birds in general. A dedicated birdwatcher and teacher, Gedney finds wonder not only in the speed and glistening beauty of the Anna's hummingbird, but also in her nest building. He acclaims the turkey vulture's and red-tailed hawk's roles in our ecosystem, and he venerates the inimitable California scrub jay's work planting acorns. Knowing that we hear birds much more often than we see them, Gedney offers his expert's ear to help us not only identify bird songs and calls but also understand what the birds are saying. The crowd at the suet feeder will never look quite the same again. Join Gedney in the enchanted world of these not-so-ordinary birds, each enlivened by a hand-drawn portrait by artist Anna Kus Park.
A political leader's decisions can determine the fate of a nation, but what determines how and why that leader makes certain choices? William H. Chafe, a distinguished historian of twentieth century America, examines eight of the most significant political leaders of the modern era in order to explore the relationship between their personal patterns of behavior and their political decision-making process. The result is a fascinating look at how personal lives and political fortunes have intersected to shape America over the past fifty years. One might expect our leaders to be healthy, wealthy, genteel, and happy. In fact, most of these individuals--from Franklin Delano Roosevelt to Martin Luther King, Jr., from John F. Kennedy to Bill Clinton--came from dysfunctional families, including three children of alcoholics; half grew up in poor or only marginally secure homes; most experienced discord in their marriages; and at least two displayed signs of mental instability. What links this extraordinarily diverse group is an intense ambition to succeed, and the drive to overcome adversity. Indeed, adversity offered a vehicle to develop the personal attributes that would define their careers and shape the way they exercised power. Chafe probes the influences that forged these men's lives, and profiles the distinctive personalities that molded their exercise of power in times of danger and strife. The history of the United States from the Depression into the new century cannot be understood without exploring the dynamic and critical relationship between personal history and political leadership that these eight life stories so poignantly reveal.
"As the sixteenth century opened, members of the patriciate were increasingly withdrawing from trade, desiring to be seen as "gentlemen in fact" as well as "gentlemen in name." The author considers why this was so and explores such wide-ranging themes as attitudes toward wealth and display, the articulation of family identity, the interplay between the public and the private, and the emergence of characteristically Venetian decorative practices and styles of art and architecture. Brown focuses new light on the visual culture of Venetian women - how they lived within, furnished, and decorated their homes; what spaces were allotted to them; what their roles and domestic tasks were; how they dressed; how they raised their children; and how they entertained. Bringing together both high arts and low, the book examines all aspects of Renaissance material culture."--BOOK JACKET.
Drawing on many revealing and sometimes colorful court cases of the past two centuries, Private Lives offers a lively short history of the complexities of family law and family life--including the tensions between the laws on the books and contemporary arrangements for marriage, divorce, adoption, and child rearing.
A BEHIND THE SCENES GLIMPSE INTO THE LIVES OF HENRY VIII, ANNE BOLEYN, ELIZBAETH I AND MORE, FROM BESTSELLING HISTORIAN TRACY BORMAN Readers LOVE The Private Lives of the Tudors: 'A truly informative and thoroughly enjoyable read.' ⭐⭐⭐⭐⭐ 'It was an absolutely delight, and I read it in record time' ⭐⭐⭐⭐⭐ 'I found this book riveting and took it on holiday!' ⭐⭐⭐⭐⭐ ---- 'I do not live in a corner. A thousand eyes see all I do.' Elizabeth I The Tudor monarchs were constantly surrounded by an army of attendants, courtiers and ministers. Even in their most private moments, they were accompanied by a servant specifically appointed for the task. A groom of the stool would stand patiently by as Henry VIII performed his daily purges, and when Elizabeth I retired for the evening, one of her female servants would sleep at the end of her bed. These attendants knew the truth behind the glamorous exterior. They saw the tears shed by Henry VII upon the death of his son Arthur. They knew the tragic secret behind 'Bloody' Mary's phantom pregnancies. And they saw the 'crooked carcass' beneath Elizabeth I's carefully applied makeup, gowns and accessories. It is the accounts of these eyewitnesses, as well as a rich array of other contemporary sources that historian Tracy Borman has examined more closely than ever before. With new insights and discoveries, and in the same way that she brilliantly illuminated the real Thomas Cromwell - The Private Life of the Tudors will reveal previously unexamined details about the characters we think we know so well. ---- Critical acclaim for The Private Lives of the Tudors: 'Borman approaches her topic with huge enthusiasm and a keen eye for entertaining...this is a very human story of a remarkable family, full of vignettes that sit long in the mind.' Dan Jones, The Sunday Times 'Tracy Borman's eye for detail is impressive; the book is packed with fascinating courtly minutiae... this is a wonderful book.' The Times 'Borman is an authoritative and engaging writer, good at prising out those humanising details that make the past alive to us.' The Observer 'Fascinating, detailed account of the everyday reality of the royals... This is a book of rich scholarship.' Daily Mail 'Tracy Borman's passion for the Tudor period shines forth from the pages of this fascinatingly detailed book, which vividly illuminates what went on behind the scenes at the Tudor court.' Alison Weir
Private Lives, Public Deaths draws on classical studies, Hegel, and modern philosophical analyses to describe how Sophocle's tragedy Antigone expresses a key concern of ancient Greek culture: the value of a living individual.
This book asks why contemporary African American literature--particularly that produced by black women--is continually concerned with issues of respectability and propriety. The author argues that this preoccupation has its origins in recurrent ideologies about African American sexuality, and that it expresses a fundamental aspect of the racial self--an often unarticulated link between the intimate and the political in black culture. In a counterpoint to her paradigmatic reading of Nella Larsen’s Passing, her analysis of black women’s narratives--including Ann Petry’s The Street,Toni Morrison’s Sula and Paradise, Alice Walker’s The Color Purple, and Gayl Jones’ Eva’s Man--offers a theory of black subjectivity. She describes middle-class attempts to rescue the black community from accusations of sexual and domestic deviance by embracing bourgeois respectability, and asserts that behind those efforts there is the ?doubled vulnerability? of the black intimate subject. Rather than reflecting a DuBoisian tension between race and nation, to Jenkins this vulnerability signifies for the African American an opposition between two poles of potential exposure : racial scrutiny and the proximity of human intimacy. Scholars of African American culture acknowledge that intimacy and sexuality are taboo subjects among African Americans precisely because black intimate character has been pathologized.