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Poetry. Art. "'I'm dressed like a Jamestown cannibal / In a city of mistake babies with e-cash, ' writes Amling in an astute and challenging debut collection that's both deeply poignant and darkly humorous. Like a deadpan oracle or font of offbeat wisdom you didn't know you needed to know, Amling acts as a guide through the ersatz Epicureanism of contemporary America, where 'freedom still remains monetary.' He opens with a brief series of poems that are composed of cuts and outtakes 'Like a polygraph of a satellite' that serves as a junkyard ars poetica. A visual artist adept in the medium of collage, he expresses these poems as social critique delivered through a signal scrambler. But his critique often extends to the practice of making art itself: 'I know many people living lives of artistic practice / that cannot take care of themselves, / and not out of paraplegic circumstance. // Art has not refined them.' Reading through 'Ill Estates, ' 'Rare and Special Interests, ' and 'Liquid Assets, ' one encounters characteristically playful statements such as 'It is not so hard / To accept meaninglessness / Acceptance is very meaningful.' Amling has designed a gallery installation of poetry that one returns to for the pleasure of its unsolvable mysteries, 'A collection of space / That I curate / Where I forgive myself.'" Publishers Weekly "'Poetry, like cat urine, can ruin the integrity of a room, ' writes Eric Amling, but 'it can also be a stealthy dominatrix.' It is and does both in these startled, subversive poems, which churn up a disordered glee. But it's reassuring to know that 'All of these works will be filed in a custom matrix / Approved by third-tier analysts / In a hall of dueling national anthems.'" John Ashbery"
“The Hamptons” is synonymous with luxury. Simply mentioning the name conjures images of poolside soirées, grandiose waterfront estates and endless days on the beach socializing with the upper echelon. But before this famed peninsula became the summer haunt of the glitterati, its forty miles of rolling sand dunes provided the perfect landscape for English settlers. Once New York high society caught wind of the charming hamlets and salty air, its members—from the Fords to the Vanderbilts—soon turned The Hamptons into a summer oasis. Next came the creatives seeking solitude, a place to write and sketch, away from the urban cacophony. John Steinbeck in Sag Harbor. Jackson Pollock in the Springs. And Andy Warhol in Montauk. Now, Jay-Z and Beyoncé, Calvin Klein, Madonna, Alec Baldwin and Martha Stewart all enjoy Hamptons homes. They may come from different realms, but what’s one thing all Hamptonites, honorary or official, can agree on? The locale boasts a unique allure—one that morphs to meet the desires of its next seasonal guest or lifelong dweller.
From the ancient Greek, Roman, Persian, and Byzantine eras to the Ottoman Empire to the present day, the Bosphorus strait is a storied and scenic region of Turkey. As the crossroads of the country’s European and Asian subsections, it is home to rich culture, incredible people, delicious food, unique architecture, and unmistakable style. Countless creatives have been awed and inspired here, including Tommy Hilfiger, Christian Louboutin, Nicky Haslam, and Cher. Turkish denizens and visitors alike are thrilled by the skyline, a breathtaking view of calming waters and magnificent bridges. But some of the best places to discover the style of the Bosphorus are within the private homes of its welcoming residents, who are always gracious and ready to entertain, and who know just the right balance of old and new to both pay homage to their country’s glorious past and herald its future. These vibrant personalities each have a story to tell, something that tethers them to this enchanted slice of the world. Bosphorus Private, showcasing twenty homes, is the melding of two continents, countless creative influences, and millennia of history.
Annotation 2005 Book News, Inc., Portland, OR (booknews.com).
The Instant New York Times Bestseller! A Good Morning America* Book Club Pick! Named a Best Book of the Year by NPR! Named a Notable Book of the Year by the Washington Post! “Historical fiction at its best!”* A remarkable novel about J. P. Morgan’s personal librarian, Belle da Costa Greene, the Black American woman who was forced to hide her true identity and pass as white in order to leave a lasting legacy that enriched our nation, from New York Times bestselling authors Marie Benedict and Victoria Christopher Murray. In her twenties, Belle da Costa Greene is hired by J. P. Morgan to curate a collection of rare manuscripts, books, and artwork for his newly built Pierpont Morgan Library. Belle becomes a fixture in New York City society and one of the most powerful people in the art and book world, known for her impeccable taste and shrewd negotiating for critical works as she helps create a world-class collection. But Belle has a secret, one she must protect at all costs. She was born not Belle da Costa Greene but Belle Marion Greener. She is the daughter of Richard Greener, the first Black graduate of Harvard and a well-known advocate for equality. Belle’s complexion isn’t dark because of her alleged Portuguese heritage that lets her pass as white—her complexion is dark because she is African American. The Personal Librarian tells the story of an extraordinary woman, famous for her intellect, style, and wit, and shares the lengths she must go to—for the protection of her family and her legacy—to preserve her carefully crafted white identity in the racist world in which she lives.