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China's ascent to the ranks of the world's second largest economic power has given its revolution a better image than that of its Russian counterpart. Yet the two have a great deal in common. Indeed, the Chinese revolution was a carbon copy of its predecessor, until Mao became aware, not so much of the failures of the Russian model, but of its inability to adapt to an overcrowded third-world country. Yet, instead of correcting that model, Mao decided to go further and faster in the same direction. The aftershock of an earthquake may be weaker, but the Great Leap Forward of 1958 in China was far more destructive than the Great Turn of 1929 in the Soviet Union. It was conceived with an idealistic end but failed to take all the possibilities into account. China's development only took off after--and thanks to--Mao's death, once the country turned its back on the revolution. Lucien Bianco's original comparative study highlights the similarities: the all-powerful bureaucracy; the over-exploitation of the peasantry, which triggered two of the worst famines of the 20th century; control over writers and artists; repression and labor camps. The comparison of Stalin and Mao that completes the picture, leads the author straight back to Lenin and he quotes the observation by a Chinese historian that, "If at all possible, it is best to avoid revolutions altogether."
The New Asian Renaissance provides the first comprehensive history of today's East Asia, tracing the essential stages in the rise of the region from its birth under colonial rule to the post Cold War era. Recounting the evolution of China, Japan, North and South Korea, Malaysia, Singapore, Burma, the Philippines, Thailand, Vietnam, Francois Godement outlines the major forces that have shaped East Asia into its present economic shape. Originally published in French, this work is an essential tool for understanding the past, present and future of a region that has become a significant actor in the international political economy.
The Lost Generation is a vital component to understanding Maoism. The book provides a comprehensive account of the critical movement during which seventeen million young "educated" citydwellers were supposed to transform themselves into peasants, potentially for life. Bonnin closely examines the Chinese leadership's motivations and the methods that they used over time to implement their objectives, as well as the daytoday lives of those young people in the countryside, their difficulties, their doubts, their resistance and, ultimately, their revolt. The author draws on a rich and diverse array of sources, concluding with a comprehensive assessment of the movement that shaped an entire generation, including a majority of today's cultural, economic, and political elite.
Much has been written about the laogai (sometimes likened to the Soviet gulag) in the People's Republic of China. Depending on the source, the prisons are described as nonexistent, enlightened institutions, or hellish places that subject the inmates to degradation and misery. The system is commonly thought of (by admirers and critics alike) as having a measurable impact on the national economy and providing significant resources to the state. Based on research in classified documents and extensive interviews with former prisoners, judicial personnel, and other insiders, and featuring case studies dealing with the three northwestern provinces, this book examines such assertions on the basis of the facts about this underexamined subject in order to arrive at a detailed, objective, and realistic picture of the situation. In the case of each province under study, the authors discuss the history of the provincial prison system and the impact that each has had at the macro, meso, and micro levels.
[While acknowledging that the development of France's homosexual communities was influenced by America, Martel highlights the differences arising from the fact that homosexuality has not been criminalised in France as in the United States] -- back cover.
This is a major new account of how modern humanitarian action was shaped by transformations in the French intellectual and political landscape from the 1950s to the 1980s. Eleanor Davey reveals how radical left third-worldism was displaced by the 'sans-frontiériste' movement as the dominant way of approaching suffering in what was then called the third world. Third-worldism regarded these regions as the motor for international revolution, but revolutionary zeal disintegrated as a number of its regimes took on violent and dictatorial forms. Instead, the radical humanitarianism of the 'sans-frontiériste' movement pioneered by Médecins Sans Frontières emerged as an alternative model for international aid. Covering a period of major international upheavals and domestic change in France, Davey demonstrates the importance of memories of the Second World War in political activism and humanitarian action, and underlines the powerful legacies of Cold War politics for international affairs since the fall of the Iron Curtain.
Cinema has been long associated with France, dating back to 1895, when Louis and Auguste Lumi_re screened their works, the first public viewing of films anywhere. Early silent pioneers Georges MZli_s, Alice Guy BlachZ and others followed in the footsteps of the Lumi_re brothers and the tradition of important filmmaking continued throughout the 20th century and beyond. In Encyclopedia of French Film Directors, Philippe Rège identifies every French director who has made at least one feature film since 1895. From undisputed masters to obscure one-timers, nearly 3,000 directors are cited here, including at least 200 filmmakers not mentioned in similar books published in France. Each director's entry contains a brief biographical summary, including dates and places of birth and death; information on the individual's education and professional training; and other pertinent details, such as real names (when the filmmaker uses a pseudonym). The entries also provide complete filmographies, including credits for feature films, shorts, documentaries, and television work. Some of the most important names in the history of film can be found in this encyclopedia, from masters of the Golden Age_Jean Renoir and RenZ Clair_to French New Wave artists such as Fran_ois Truffaut and Jean-Luc Godard.
An award-winning biography of one of the greats. Simon Leys is the pen-name of Pierre Ryckmans, who was born in Belgium and settled in Australia in 1970. He taught Chinese literature at the Australian National University and was Professor of Chinese Studies at the University of Sydney from 1987 to 1993. He died in 2014. Writing in three languages – French, Chinese and English – he played an important political role in revealing the true nature of the Cultural Revolution. His writing on China and on varied literary and cultural topics appeared regularly in the New York Review of Books, Le Monde, Le Figaro Littéraire, Quadrant and the Monthly, and his books include The Hall of Uselessness, The Death of Napoleon, Other People’s Thoughts and The Wreck of the Batavia & Prosper. In 1996 he delivered the ABC’s Boyer Lectures. His many awards include the Prix Renaudot, the Prix Mondial Cino Del Duca, the Prix Guizot and the Christina Stead Prize for fiction. This substantial biography – recently published by Gallimard in France to wide acclaim and winning an award from the Académie Francaise – draws on extensive correspondence with Ryckmans, as well as his unpublished writings. It has been translated by an internationally renowned French translator Julie Rose (based in Sydney).
Service offers a history of communism, drawing the uncomfortable conclusion that the poverty and injustice that enabled its rise are still dangerously alive. Unsettling and compelling, this is a comprehensive study of one of the most important movements of the modern world.