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PROSE Award Finalist for Psychology This book synthesizes scholarly reflections with personal accounts from prison administrators and inmates to show the harsh reality of life on death row.
IN 12 YEARS, MICHELLE LYONS WITNESSED NEARLY 300 EXECUTIONS. First as a reporter and then as a spokesperson for the Texas Department of Criminal Justice, Michelle was a frequent visitor to Huntsville's Walls Unit, where she recorded and relayed the final moments of death row inmates' lives before they were put to death by the state. Michelle was in the death chamber as some of the United States' most notorious criminals, including serial killers, child murderers and rapists, spoke their last words on earth, while a cocktail of lethal drugs surged through their veins. Michelle supported the death penalty, before misgivings began to set in as the executions mounted. During her time in the prison system, and together with her dear friend and colleague, Larry Fitzgerald, she came to know and like some of the condemned men and women she saw die. She began to query the arbitrary nature of the death penalty and ask the question: do executions make victims of all of us? An incredibly powerful and unique look at the complex story of capital punishment, as told by those whose lives have been shaped by it, Death Row: The Final Minutes is an important take on crime and punishment at a fascinating point in America's political history.
With virtually every poll in America citing crime as one of the public's biggest concerns, in late 1994 and early 1995, the Dallas Morning News sent a questionnaire to every man and woman in the country on Death Row, asking some 75 questions about their crimes, their experiences, their attitudes, etc. The survey was drafted by the News with input from a veteran capital murder prosecutor, a Death Row appeals lawyer, a criminologist, a forensic psychiatrist, a Death Row warden and a former Death Row inmate. The paper received received more than 700 responses.The result is the first in-depth, comprehensive national survey of Death Row inmates. This book is an expansion of the paper's four-installment series that appeared in 1997.
I don't know when we will stop murdering people whether randomly on the streets or systematically in our death chambers. The only way to prevent continuation of the suffering and grief murder occasions in to prevent murder. I have worked with eighteen people who have been executed and five of those I'm convinced were innocent--the words of Joe Ingle, said to be a 1988 Nobel Peace Prize nominee, from Part I (which looks at those who are involved with the fight against the death sentence).The guy I am convicted of killing shot me three times before I fired at him, ...When I look back on life and think about it, I wonder why those thirteen people can decide if I should die. ...Society does not feel our pain, the horror of knowing the exact hour and day that they will set us in the chair and kill us--Mr. D., one of the 11 death row inmates interviewed in Part II. Part III interviews family members.This thought-provoking collection provides much insight on this controversial issue. The United States stand on the death penalty, in light of U.S. leadership in human rights, appears to be a contradiction to the rest of the world. The methods of execution are sometimes extremely painful and not quick. An overwhelming percentage of those on death row are impoverished and would not be there if they had other resources besides desultory and ineffective court-appointed counsel. These and other important issues are poignantly addressed.
NEW YORK TIMES EDITORS’ CHOICE • A deeply reported, searingly honest portrait of the death penalty in Texas—and what it tells us about crime and punishment in America “If you’re one of those people who despair that nothing changes, and dream that something can, this is a story of how it does.”—Anand Giridharadas, The New York Times Book Review WINNER OF THE J. ANTHONY LUKAS AWARD In 1972, the United States Supreme Court made a surprising ruling: the country’s death penalty system violated the Constitution. The backlash was swift, especially in Texas, where executions were considered part of the cultural fabric, and a dark history of lynching was masked by gauzy visions of a tough-on-crime frontier. When executions resumed, Texas quickly became the nationwide leader in carrying out the punishment. Then, amid a larger wave of criminal justice reform, came the death penalty’s decline, a trend so durable that even in Texas the punishment appears again close to extinction. In Let the Lord Sort Them, Maurice Chammah charts the rise and fall of capital punishment through the eyes of those it touched. We meet Elsa Alcala, the orphaned daughter of a Mexican American family who found her calling as a prosecutor in the nation’s death penalty capital, before becoming a judge on the state’s highest court. We meet Danalynn Recer, a lawyer who became obsessively devoted to unearthing the life stories of men who committed terrible crimes, and fought for mercy in courtrooms across the state. We meet death row prisoners—many of them once-famous figures like Henry Lee Lucas, Gary Graham, and Karla Faye Tucker—along with their families and the families of their victims. And we meet the executioners, who struggle openly with what society has asked them to do. In tracing these interconnected lives against the rise of mass incarceration in Texas and the country as a whole, Chammah explores what the persistence of the death penalty tells us about forgiveness and retribution, fairness and justice, history and myth. Written with intimacy and grace, Let the Lord Sort Them is the definitive portrait of a particularly American institution.
Now in a new edition, condemned men and women speak for themselves about the reality behind bars on death row.
"In this disturbing book, Lezin puts a human face on the debate about capital punishment." -- Publishers Weekly
Upon receiving his execution date, one of the thousands of men living on death row in the United States had an epiphany: “All there ever is, is this moment. You, me, all of us, right here, right now, this minute, that's love.” Right Here, Right Now collects the powerful, first-person stories of dozens of men on death rows across the country. From childhood experiences living with poverty, hunger, and violence to mental illness and police misconduct to coming to terms with their executions, these men outline their struggle to maintain their connection to society and sustain the humanity that incarceration and its daily insults attempt to extinguish. By offering their hopes, dreams, aspirations, fears, failures, and wounds, the men challenge us to reconsider whether our current justice system offers actual justice or simply perpetuates the social injustices that obscure our shared humanity.
A riveting, behind-the-bars look at one of America's most feared prisons: San Quentin-- by a minister to the lost souls sitting on death row. Himself a former criminal, Smith shares the most important lessons he's learned from years of helping inmates discover God's plan for them. Their stories show us that it is still possible to find God's grace and mercy from behind bars, and that it's never too late to turn our lives around.
Ken Light and his camera were permitted unparalleled access to Texas death row. His stark, powerful images show where and how the condemned live. In the year he took these pictures, fourteen men were executed in Texas. Suzanne Donovan's essay draws upon her interviews with the condemned men and with prison authorities, family members, and members of victims' families. Whoever opens this book will want to look away, for the pictures and words force us to gaze intimately into the eye of death. Light's photographs make us ask what we have done in sanctioning execution. With ninety percent approval, no other place in America has approved the death sentence so overwhelmingly as Texas. Ken Light's raw, austere photographs and the accompanying text reveal what we have created in the hopeless world of court-ordered death. Who are the men who exist there? What do they look like? How do they survive, and what are the rhythms of their daily lives? While outsiders focus on the final act of execution, the real drama unfolds each day in this arcane world.