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Imagine that your house spans six by nine feet, your mattress is just two inches thick, you are known to your neighbors by an identification number, and items most consider crucial to everyday existence are outlawed. How do inmates in prisons like this throughout the United States make such lives bearable? In 2001, the artists' collective Temporary Services asked an incarcerated artist named Angelo to share with them the ways in which inmates adapt to their confinement. Angelo responded with over one hundred pages of meticulously detailed ink drawings and text. The resulting compilation, Prisoners' Inventions, is a unique guide to prison life, covering subjects ranging from how to cook a grilled cheese sandwich in a locker to how to chill a soda using a toilet. Many of the documented items--such as cigarette lighters, condoms, even alarm clocks--are considered contraband, and Angelo includes anecdotes describing their creation and use. Already featured in Playboy, Harper's, Le Monde, and on This American Life, Prisoners' Inventions provides powerful testimony to life "on the inside" as it is endured by over two million individuals in the United States alone.
A collection of Jackson's letters from prison, "Soledad Brother" is an outspoken condemnation of the racism of white America and a powerful appraisal of the prison system that failed to break his spirit but eventually took his life. Jackson's letters make palpable the intense feelings of anger and rebellion that filled black men in America's prisons in the 1960s. But even removed from the social and political firestorms of the 1960s, Jackson's story still resonates for its portrait of a man taking a stand even while locked down.
Nine remarkable men produced inventions that changed the world. The printing press, the telephone, powered flight, recording and others have made the modern world what it is. But who were the men who had these ideas and made reality of them? As David Angus shows, they were very different quiet, boisterous, confident, withdrawn but all had a moment of vision allied to single-minded determination to battle through numerous prototypes and produced something that really worked. It is a fascinating account for younger listeners.
Pulitzer Prize-winning author Richard Rhodes delivers a remarkable story of science history: how a ravishing film star and an avant-garde composer invented spread-spectrum radio, the technology that made wireless phones, GPS systems, and many other devices possible. Beginning at a Hollywood dinner table, Hedy's Folly tells a wild story of innovation that culminates in U.S. patent number 2,292,387 for a "secret communication system." Along the way Rhodes weaves together Hollywood’s golden era, the history of Vienna, 1920s Paris, weapons design, music, a tutorial on patent law and a brief treatise on transmission technology. Narrated with the rigor and charisma we've come to expect of Rhodes, it is a remarkable narrative adventure about spread-spectrum radio's genesis and unlikely amateur inventors collaborating to change the world.
A bold statement for those living within the industrial prison complex, realized in block prints of the Universal Declaration of Human Rights. Inside prisons across the U.S., incarcerated people struggle everyday for their basic rights, claiming again and again their status as human beings. Here, within the largest democracy in the world (conditional though it may be), incarcerated people suffer indignities from terrible living conditions to physical and sexual violence, all under the aegis of justice. As a tool to discuss the limits and ideals of human rights within a carceral state, artists at Stateville Prison, who struggle daily for their own human rights, created block prints of each article in the Universal Declaration of Human Rights. The process of drawing, carving, and inking each print created the time and space for artists to critique and reflect on the ways the declaration is simultaneously aspirational, strategic, and fraught with the legacy of the violence of its founding states. For universal human rights to be relevant, it is essential that the most impacted people be heard and their vision of human rights centered. This book features the 30 brilliantly crafted prints presented alongside the corresponding articles from the declaration. The artists and authors ask essential questions of what it means to build a culture of human rights from below rather than institute rights from above. What happens when people denied their rights, begin to reimagine and carve them out once again? This project was inspired by Meredith Stern's Universal Declaration of Human Rights print project and developed in a class taught by Aaron Hughes through the Prison + Neighborhood Arts/Education Project.
An orphan and thief, Hugo lives in the walls of a busy train station. He desperately believes a broken automaton will make his dreams come true. But when his world collides with an eccentric girl and a bitter old man, Hugo's undercover life are put in jeopardy. Turn the pages, follow the illustrations and enter an unforgettable new world!
Hunt's novel is a wondrous imagining of an unlikely friendship between theeccentric inventor Nikola Tesla and a young chambermaid in the Hotel New Yorker, where Tesla lived out his last days.
Fredric Jameson's survey of Structuralism and Russian Formalism is, at the same time, a critique of their basic methodology. He lays bare the presuppositions of the two movements, clarifying the relationship between the synchronic methods of Saussurean linguistics and the realities of time and history.
From Columbus' voyages to the New World through today's prison expansion movements, incarceration has played an important, yet disconcerting, role in American history. In this sweeping examination of imprisonment in the United States over five centuries, Scott Christianson exposes the hidden record of the nation's prison heritage, illuminating the forces underlying the paradox of a country that sanctifies individual liberty while it continues to build and maintain a growing complex of totalitarian institutions. Based on exhaustive research and the author's insider's knowledge of the criminal justice system, With Liberty for Some provides an absorbing, well-written chronicle of imprisonment in its many forms. Interweaving his narrative with the moving, often shocking, personal stories of the prisoners themselves and their keepers, Christianson considers convict transports to the colonies; the international trade in captive indentured servants, slaves, and military conscripts; life under slavery; the transition from colonial jails to model state prisons; the experience of domestic prisoners of war and political prisoners; the creation of the penitentiary; and the evolution of contemporary corrections. His penetrating study of this broad spectrum of confinement reveals that slavery and prisons have been inextricably linked throughout American history. He also examines imprisonment within the context of the larger society. With Liberty for Some is a thought-provoking work that will shed new light on the ways in which imprisonment has shaped the American experience. As the author writes, "Prison is the black flower of civilization -- a durable weed that refuses to die."
NATIONAL BESTSELLER A powerful, in-depth look at the imprisonment of immigrants, addressing the intersection of immigration and the criminal justice system, with a new epilogue by the author “Argues compellingly that immigrant advocates shouldn’t content themselves with debates about how many thousands of immigrants to lock up, or other minor tweaks.” —Gus Bova, Texas Observer For most of America’s history, we simply did not lock people up for migrating here. Yet over the last thirty years, the federal and state governments have increasingly tapped their powers to incarcerate people accused of violating immigration laws. Migrating to Prison takes a hard look at the immigration prison system’s origins, how it currently operates, and why. A leading voice for immigration reform, César Cuauhtémoc García Hernández explores the emergence of immigration imprisonment in the mid-1980s and looks at both the outsized presence of private prisons and how those on the political right continue, disingenuously, to link immigration imprisonment with national security risks and threats to the rule of law. Now with an epilogue that brings it into the Biden administration, Migrating to Prison is an urgent call for the abolition of immigration prisons and a radical reimagining of who belongs in the United States.