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The Russian oil mogul and activist offers reflections on his decades-long incarceration under Putin in this “illuminating and brave” prison memoir (The Washington Post). Mikhail Khodorkovsky was Russia’s most successful businessman—and an outspoken critic of the Kremlin. As his oil company Yukos revived the Russian oil industry, Khodorkovsky began sponsoring programs to encourage civil society and fight corruption. Then he was arrested at gunpoint. Sentenced to ten years in a Siberian penal colony on fraud and tax evasion charges in 2003, Khodorkovsky was put on trial again in 2010 and sentenced to fourteen years on new charges that contradicted the previous ones. While imprisoned, Khodorkovsky fought for the rights of his fellow prisoners, going on hunger strike four times. After he was pardoned in 2013, he vowed to continue fighting for prisoners’ rights, and this book is dedicated to that work. A moving portrait of the prisoners Khodorkovsky met, My Fellow Prisoners is an eye-opening account of Russia’s brutal prison system. “Vivid, humane and poignant” —Financial Times
Autobiographical memoir by Menachem Begin, the sixth Prime Minister of Israel, describing his imprisonment in the Soviet gulag labour camps during 1940-1942. Along with a description of the author's own harrowing experiences in the camps, the book contains various observations on the real-life operation of the Soviet system and the psychology of some of its minions.
As the central figure in Russian literature, Alexander Pushkin (17991837) has been claimed by nearly every political faction, right and left, in Russian cultural politics over the past two centuries, culminating in his official canonization under the Soviet regime. In Prisoner of Russia, Yuri Druzhnikov analyzes the distortions and misrepresentations of Pushkin's cultural appropriation by focusing on Pushkin's attempts at emigration and his attitudes toward Russia and Western Europe. Druzhnikov's semi-biographical narrative concentrates on Pushkin's attempts to leave Russia after his graduation from the Lyceum, through his period of exile, until his early death in a duel in 1837. The matter of emigration from Russia was a politically charged issue well before 1917; witness the hostile reception of all of Turgenev's novels from Fathers and Sons on. The emigr artist's cultural context is often used to assess his authenticity and stature as seen in the Western examples of Henry James, T.S. Eliot, or James Joyce. Druzhnikov sharply criticizes the omnipresent and reductive tendency in Russia (and the West) to define Russian cultural figures in terms of absolute essences and ideologies and to ignore the ambivalences that in fact help to define a writer's singularity. In the larger view, he argues, it is these that explain the variety and complexity of Russian culture. Druzhnikov's multidisciplinary approach combines literary and political history, with critical commentary arranged in chronological sequence. His interpretive apparatus ranges widely through nineteenth- and twentieth-century history, and provides the necessary intellectual context for nonspecialist readers. He also avoids the massive accumulation of trivial detail characteristic of so much Pushkinology. This accessible, valuable exercise in cultural history will be of interest to Slavic scholars and students, cultural historians, and general readers interested in Russian literature and culture. Yuri Druzhnikov is professor of Russian literature at the University of California, Davis. As a Moscow dissident, he was blacklisted in Russia for fifteen years. He continues to serve as vice president of the International PEN club, for writers in exile.
This book reconstructs the fate of Italian prisoners of war captured by the Red Army between August 1941 and the winter of 1942-43. On 230.000 Italians left on the Eastern front almost 100.000 did not come back home. Testimonies and memoirs from surviving veterans complement the author's intensive work in Russian and Italian archives. The study examines Italian war crimes against the Soviet civilian population and describes the particularly grim fate of the thousands of Italian military internees who after the 8 September 1943 Armistice had been sent to Germany and were subsequently captured by the Soviet army to be deported to the USSR. The book presents everyday life and death in the Soviet prisoner camps and explains the particularly high mortality among Italian prisoners. Giusti explores how well the system of prisoner labor, personally supervised by Stalin, was planned, starting in 1943. A special focus of the study is antifascist propaganda among prisoners and the infiltration of the Soviet security agencies in the camps. Stalin was keen to create a new cohort of supporters through the mass political reeducation of war prisoners, especially middle-class intellectuals and military élite. The book ends with the laborious diplomatic talks in 1946 and 1947 between USSR, Italy, and the Holy See for the repatriation of the surviving prisoners.
What do Russian prisons look like? Who is sent to prison in Russia? How is punishment allocated and administered? This pioneering book aims to answer these and other questions by embarking on a journey that begins by exploring how the prisons have survived the collapse of the USSR, and ends with a discussion of global penal politics. It is the first book to have been written in English on penal practices in the contemporary Russian prison system. Surviving Russian Prisons focuses in particular on the reality of work and labour within Russian prisons, exploring its changing function. From being for much of the twentieth century a major activity as well as an ideological justification for prison regimes, its main function now has been to enable prisoners to survive through participating in a barter economy. In exploring the microworlds of the Russian prison this book at the same time presents new evidence and offers fresh insight into how prisons are governed in societies undergoing turbulent social and political transformation; it explores how current practices in relation to prisoners' work comply with international regulations designed to promote humane containment and positive custody; and debates the nature of knowledge on penal discourse in transitional states.
In July 2003 young Englishman Tig Hague was on a routine business trip to Moscow when he was arrested at the airport. Within hours he was accused of a major crime. Next, he was tried and transported hundreds of miles to the remote, forsaken wastes of Mordovia.And prison camp Zone 22. Sentenced to spend the next four years there, every day was a struggle against disease, freezing temperatures, malnutrition, the unpredictable, sometimes terrifying behaviour of the camp guards and his fellow prisoners.But, most of all, it was a fight to ensure his own psychological survival. Only the thought of his girlfriend Lucy, fighting Russia's corrupt and labyrinthine legal system, kept Tig sane - and gave him a reason to see each day to its end. The English Prisoner is an extraordinary story of endurance, as one man - plucked from his normal, everyday life - is forced to reach deep inside himself to survive life in one of the bleakest outposts in the world: Russia's vast and unforgiving 'forgotten zone'.
Consisting Of Reprints Of Documents By Political Prisoners In Soviet Prisons, Prison Camps And Exile, And Reprints Of Affidavits Concerning Political Persecution In Soviet Russia, Official Statements By Soviet Authorities, Excerpts From Soviet Laws Pertaining To Civil Liberties, And Other Documents. Introductory Letters Include Those By: Einstein, Emma Goldman, Sinclair Lewis, Upton Sinclair, Bertrand Russell, Harold Laski, Karl Capek, Maeterlinck, H. G. Wells, Rebecca West, Others.
The true story of Greenpeace activists imprisoned in Russia—and the fight to free them: “A gripping story of tremendous courage that reads like a thriller” (Naomi Klein). “The most important prison motto is hope for the better, but every moment, literally every moment, be prepared for the worst. Don’t hope, don’t fear, don’t beg.” —Roman Dolgov, one of the Arctic 30 With rising temperatures, a military arms race, and a multi-national rush to exploit resources at any cost, the Arctic is now the stage on which our future will be decided. As the ice melts, Vladimir Putin orders Russia’s oil rigs to move further north. But one early September morning in 2013, thirty men and women from eighteen countries—the crew of Greenpeace’s Arctic Sunrise—decided to draw a line in the ice and protest Arctic drilling. Thrown together by a common cause, they are determined to stop Putin and the oligarchs. But their protest is met with brutal force as Russian commandos seize the Arctic Sunrise. Held under armed guard by masked men, they are charged with piracy and face fifteen years in Russia’s nightmarish prison system. Journalist and activist Ben Stewart spearheaded the campaign to release the Arctic 30. Now he tells their astonishing story—a tale of passion, courage, brutality, and survival. With wit, verve, and candor, Stewart chronicles the extraordinary friendships the activists made with their often murderous cellmates, their battle to outwit the prison guards, and the struggle to stay true to the cause that brought them there. “With its colorful dialogue, moral dilemmas, and scenes of physical danger, Stewart’s book would make a great movie . . . the prison life the book reveals is eye-opening, and Stewart describes it with great verve.” —Foreign Affairs
For centuries, Russian prison inmates forcibly initiated newcomers with tattoos. Gradually, prisoners developed a secret form of communication with their tattoos, allowing them to establish rank among the other inmates and maintain a clandestine hierarchy. This book explores the grisly reality of Russian prisons and the people who inhabit them. Over 190 black and white and color photographs expose the different tattoos and their meanings, ranging from churches, crosses, Christs, Madonnas, military symbols, cats, dolphins, bears, hawks, and other startling images. Documentary filmmaker Alix Lambert traveled around modern Russia to film these sinister environments, collected stories to identify the dying art of tattooing in Russian prisons, and detailed the lives of the heavily marked inmates, past and present. This fascinating, spine-tingling book provides an entirely new outlook on tattoos and what they can represent!
Father Walter Ciszek, S.J., author of the best-selling He Leadeth Me, tells here the gripping, astounding story of his twenty-three years in Russian prison camps in Siberia, how he was falsely imprisoned as an "American spy", the incredible rigors of daily life as a prisoner, and his extraordinary faith in God and commitment to his priestly vows and vocation. He said Mass under cover, in constant danger of death. He heard confession of hundreds who could have betrayed him; he aided spiritually many who could have gained by exposing him. This is a remarkable story of personal experience. It would be difficult to write fiction that could honestly portray the heroic patience, endurance, fortitude and complete trust in God lived by Fr. Walter Ciszek, S.J.