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Written with a touch of humor, Prison Clown sheds light on the reason the United States leads the world in numbers of incarcerated people. As Richard Keith explains, murky cases with questionable witnesses can lead to average citizens serving time as inmates. Keith exposes the myths and inhumane treatment of those we so easily ship off to prison.
Goosebumps now on Disney+! Ray Gordon really likes the circus. His uncle, Theo, is a performer in Koko's Klown Academy and he invites Ray to come join him for the summer. At first, Ray's parents are reluctant-they know their son has a habit of getting himself into strange situations. But Ray manages to convince them that he'll be on his best behavior. The circus itself is very cool. The clowns stay in their makeup all day and only go by their clown names. Ray becomes a clown-in-training named Mr. Belly-Bounce. But the longer he's there, the scarier things become. There are whisperings about a place called Clown Street and nobody, including Murder the Clown, wants to go there. Will Ray be able to survive the dark secrets of the circus?
Bad clowns—those malicious misfits of the midway who terrorize, haunt, and threaten us—have long been a cultural icon. This book describes the history of bad clowns, why clowns go bad, and why many people fear them. Going beyond familiar clowns such as the Joker, Krusty, John Wayne Gacy, and Stephen King’s Pennywise, it also features bizarre, lesser-known stories of weird clown antics including Bozo obscenity, Ronald McDonald haters, killer clowns, phantom-clown abductors, evil-clown panics, sex clowns, carnival clowns, troll clowns, and much more. Bad Clowns blends humor, investigation, and scholarship to reveal what is behind the clown’s dark smile.
Survivor of the Nazi camps and Ceausescu's Romania, winner of the National Book Award, recipient of a MacArthur Award and a Guggenheim Fellowship, Norman Manea, an extraordinary man of letters, "gives us a taste of something beyond the scope of even our twentieth-century imagination. . . . Manea is too profound a witness to place his gift for observation in the service of another sensualist account. . . . What matters for him is the phenomenon of an entire nation's life under this simultaneously grotesque and terrifying rule." -- The New Republic
Clowns: In Conversation is a groundbreaking collection of interviews expanded in this second edition to include over 30 of the greatest clowns on earth. In discussion with clown aficionados Ezra LeBank and David Bridel, these legends of comedy reveal the origins, inspirations, techniques, and philosophies that underpin their remarkable odysseys. These artists speak candidly about their first encounters with clowning and circus, the crucial decisions that carved out the foundations of their style, and the role of teachers and mentors who shaped their development. Follow the twists and turns that changed the direction of their art and careers, as they explore the role of failure and originality in their lives and performances, and examine the development and evolution of the signature routines that became each clown’s trademark. This new edition has been fully updated and expanded, bringing in Lila Monti, Cristina Marti, Leo Bassi, Danise Payne, Bernice Collins, Ketch, Robert Dunn, Nina Conti, Hélène Gustin and Tanja Simma, Michelle Matlock, Shannan Calcutt, and Gardi Hutter. Clowns is a unique and definitive study on the art of the clown, exploring their role in the modern world – a fascinating series of discussions for students, scholars, and teachers of clowning.
The frightening yet comic clown is one of the best and most enduring characters in literature, theater, television, and film. Across the centuries, from Shakespeare's Porter in Macbeth to Edgar Allan Poe's "Hop-Frog," or Stephen King's Pennywise, horror and comedy have blended to create the perfect recipe for entertainment. This volume gives an in-depth analysis of the clown horror genre, including essays by revered horror scholars such as Kevin Wetmore, Dale Bailey, Kim Hester Williams, Jennifer K. Cox, and Joanna Parypinski. Their essays cover topics such as nostalgia, race, class, and new portrayals of the scary clown as zombies or phantoms. It also offers interviews with actors and directors working in the clown horror genre: Eoghan McQuinn (Stitches), Kevin Kangas (Fear of Clowns), and Jaysen Buterin (Kill Giggles). Some of fiction's most terrifying creations--like the Killer Klowns, Captain Spaulding, Art the Clown, Krusty, Frowny, the Joker, and Twisty--jig through these pages of analysis and deconstruction, asking what these many iterations of scary clowns have to say about our society and its fears.
The Complete Rags of Time: A Season in Prison (Parts 1 and 2) publishes for the first time all the prison narrative I wrote in the six-month period (January 1971–June 1971) after my release from Federal Prison in November 1970. Rags of Time: A Season in Prison (Beacon, 1972) was only part 1 of the narrative. It was published because it was complete in itself, and Beacon wanted it out as quickly as possible. Beacon had just published, in book form for the first time, The Pentagon Papers, and desired, I think, a more human face to put on their antiwar efforts. I think too they hoped I would promote both books on tour. I disappointed them in that effort. I was not ready for a book tour and would not participate in such a venture. The manuscript has gathered dust over the decades, for at the time, I held out hope that Beacon would publish it. But in the pre-Watergate days, when Rags was published, mainstream reviewers would not pick it up. It did receive some positive reviews in alternative press venues, had a wide library circulation, here and in Canada, and was taught in college and university courses on both coasts. Before I too turn to dust, I feel it necessary, not only to complete the record, but to complete the story of my friends, fellow prisoners of war, who took their stand against the war to prison. Now, for all the victims of our war without end, NSA surveillance, the fascist Homeland Security apparatus, and the unconscionable strip searches of the rights and bodies of old and young, I feel the need to throw yet another book to the barricade.
Theater and popular entertainment scholars interview clowns at the Family Pickle Circus and other clowns who have developed the same new kind of circus comedy over the last quarter of the 20th century. c. Book News Inc.