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Incarceron is a prison so vast that it contains not only cells and corridors, but metal forests, dilapidated cities, and wilderness. It has been sealed for centuries, and only one man has ever escaped. Finn has always been a prisoner here. Although he has no memory of his childhood, he is sure he came from Outside. His link to the Outside, his chance to break free, is Claudia, the warden's daughter, herself determined to escape an arranged marriage. They are up against impossible odds, but one thing looms above all: Incarceron itself is alive . . .
There was one partner the pretty young women who danced away the 1960s in Glasgow's Barrowlands were desperate to avoid: Bible John, so named because he quoted scripture to his victims. He was being hunted for three brutal unsolved sex murders, and each of his victims had been picked up after a night at the famous dance hall. Police were still investigating the first terrifying murder when Hannah Martin was raped on her way home from the Barrowlands. When Bible John struck twice more, Hannah confided to friends that his description matched that of her own attacker. The next shock came when Hannah discovered she was pregnant. Her distraught father banished her from the family home and forced her to give her child up for adoption. She would never see her daughter again, but in a bizarre twist three decades later, an investigation into the infamous World's End murder would result in Hannah's daughter discovering the identity of the mother she never knew. Tragically, the news came too late for them to be reunited, but it set her on a course to uncover the shocking secrets of her mother's life. Did Hannah know Bible John? What did Hannah Martin reveal of her baby's father? How did she then become a member of a multimillion-pound drug-smuggling gang? Why, after expecting a huge bounty, did she die in poverty? The answers are all here in Bible John's Secret Daughter.
Francis Morland was one of Britain's most brilliant young artists, a leading member of the 1960s 'New Generation' movement beside such future giants as David Hockney. At the same time he lived a remarkable secret life: as the first major drug trafficker in UK history. He stuffed his sculptures full of Lebanese cannabis to ship to the US, sailed hashish from Morocco to Europe and, years before Howard Marks, became the most important dope runner in the country. But the drug squad found him, arresting him in 1971, 1980, 1990 and 2000. Now 81, he teaches ceramic classes.
This thriller centering around a brutal murder in snowbound Vermont “is his best yet. A gripping story, told with skill and style” (Tony Hillerman). Becky should know better than to hitchhike, but there’s no other way to get home. She’s waiting by the highway when a skinny Vermont hick named Paul Conklin offers her a ride. He’s absent-minded and a little bit awkward, but comes off as harmless—until it’s too late. They’re deep in the woods when he rapes her, too far from town for anyone to hear her scream as he wraps his belt around her throat and slowly snuffs out her life. But he has made a mistake. Becky’s father is friends with the attorney general, and the law will come down hard on Paul Conklin. In rural Vermont, law takes the form of men like Lawrence St. Germain, a hulking man accustomed to rough winters and grisly crime. He will sacrifice everything to avenge Becky’s death, battling not just her killer, but the justice system itself.
The lush epic fantasy that inspired a generation with a single precept: Love As Thou Wilt The first book in the Kushiel's Legacy series is a novel of grandeur, luxuriance, sacrifice, betrayal, and deeply laid conspiracies. A world of cunning poets, deadly courtiers, deposed rulers and a besieged Queen, a warrior-priest, the Prince of Travelers, barbarian warlords, heroic traitors, and a truly Machiavellian villainess...all seen through the unflinching eyes of an unforgettable heroine. A nation born of angels, vast and intricate and surrounded by danger... a woman born to servitude, unknowingly given access to the secrets of the realm... Born with a scarlet mote in her left eye, Phédre nó Delaunay is sold into indentured servitude as a child. When her bond is purchased by an enigmatic nobleman, she is trained in history, theology, politics, foreign languages, the arts of pleasure. And above all, the ability to observe, remember, and analyze. Exquisite courtesan, talented spy...and unlikely heroine. But when Phédre stumbles upon a plot that threatens her homeland, Terre d'Ange, she has no choice. Betrayed into captivity in the barbarous northland of Skaldia and accompanied only by a disdainful young warrior-priest, Phédre makes a harrowing escape and an even more harrowing journey to return to her people and deliver a warning of the impending invasion. And that proves only the first step in a quest that will take her to the edge of despair and beyond. Phédre nó Delaunay is the woman who holds the keys to her realm's deadly secrets, and whose courage will decide the very future of her world. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Metaphors of Confinement: The Prison in Fact, Fiction, and Fantasy offers a historical survey of imaginings of the prison as expressed in carceral metaphors in a range of texts about imprisonment from Antiquity to the present as well as non-penal situations described as confining or restrictive. These imaginings coalesce into a 'carceral imaginary' that determines the way we think about prisons, just as social debates about punishment and criminals feed into the way carceral imaginary develops over time. Examining not only English-language prose fiction but also poetry and drama from the Middle Ages to postcolonial, particularly African, literature, the book juxtaposes literary and non-literary contexts and contrasts fictional and nonfictional representations of (im)prison(ment) and discussions about the prison as institution and experiential reality. It comments on present-day trends of punitivity and foregrounds the ethical dimensions of penal punishment. The main argument concerns the continuity of carceral metaphors through the centuries despite historical developments that included major shifts in policy (such as the invention of the penitentiary). The study looks at selected carceral metaphors, often from two complementary perspectives, such as the home as prison or the prison as home, or the factory as prison and the prison as factory. The case studies present particularly relevant genres and texts that employ these metaphors, often from a historical perspective that analyses development through different periods.
Maryam Rostampour and Marziyeh Amirizadeh knew they were putting their lives on the line. Islamic laws in Iran forbade them from sharing their Christian beliefs, but in three years, they’d covertly put New Testaments into the hands of twenty thousand of their countrymen and started two secret house churches. In 2009, they were finally arrested and held in the notorious Evin Prison in Tehran, a place where inmates are routinely tortured and executions are commonplace. In the face of ruthless interrogations, persecution, and a death sentence, Maryam and Marziyeh chose to take the radical—and dangerous—step of sharing their faith inside the very walls of the government stronghold that was meant to silence them. In Captive in Iran, two courageous Iranian women recount how God used their 259 days in Evin Prison to shine His light into one of the world’s darkest places, giving hope to those who had lost everything and showing love to those in despair.
Scarlett March lives to hunt the Fenris--the werewolves that took her eye when she was defending her sister Rosie from a brutal attack. Armed with a razor-sharp hatchet and blood-red cloak, Scarlett is an expert at luring and slaying the wolves. She's determined to protect other young girls from a grisly death, and her raging heart will not rest until every single wolf is dead. Rosie March once felt her bond with her sister was unbreakable. Owing Scarlett her life, Rosie hunts ferociously alongside her. But even as more girls' bodies pile up in the city and the Fenris seem to be gaining power, Rosie dreams of a life beyond the wolves. She finds herself drawn to Silas, a young woodsman who is deadly with an ax and Scarlett's only friend--but does loving him mean betraying her sister and all that they've worked for?