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This book is a visual feast, illustrating the richness and diversity of the African textile tradition, and providing designers at all levels with inspiration for their own work. Over 30 textiles from The British Museum's renowned collection are explored in detail: magnificent blue-and-white, indigo-resist-dyed cloths from West Africa; multi-coloured, tie-dyed and woven North African textiles; "mud cloths" from Mali; the unique wrap-striped weaves and ikats from Madagascar; "adinkra" block-print and painted "caligraphy" cloths from Ghana; and the "adire" cloths from Yorubaland
Traces a boy's journey across India as he searches for a sacred buffalo bell stolen from his tribe.
African Textiles Today illustrates how African history is read, told, and recorded in cloth. All artifacts or works of art hold within them stories that range far beyond the time of their creation or the lifetime of their creator, and African textiles are patterned with these hidden histories. In Africa, cloth may be used to memorialize or commemorate something - an event, a person, a political cause - which in other parts of the world might be written down in detail or recorded by a plaque or monument. History in Africa can be read, told, and recorded in cloth. Making and trading numerous types of cloth have been vital elements in African life and culture for at least two millennia, linking different parts of the continent with each other and the rest of the world. Africa's long engagement with the peoples of the Mediterranean and the islands of the Atlantic and Indian Oceans provides a story of change and continuity. African Textiles Today shows how ideas, techniques, materials, and markets have adapted and flourished, and how the dynamic traditions in African textiles have provided inspiration for the continent's foremost contemporary artists and photographers. With a concluding chapter discussing the impact of African designs across the world, the book offers a fascinating insight into the living history of Africa.
The cross-cultural usage of a particular cloth type called 'blueprint' is central to South African cultural history. Known locally as seshoeshoe or isishweshwe, among many other localized names, South African blueprint originated in the Far East and East Asia. Adapted and absorbed by the West, blueprint in Africa was originally associated with trade, coercion, colonisation, Westernisation, religious conversion, and even slavery, but residing within its hues and patterns was a resonance that endured. The cloth came to reflect histories of hardship, courage, and survival, but it also conveyed the taste and aesthetic predilections of its users, preferences often shared across racial and cultural divides. In its indigenisation, isishweshwe has subverted its former history and alien origins to come to reflect the authority of its users and their culture, conveying resilience, innovation, adaptation, and above all a distinctive South Africanness. In this beautifully illustrated book, Juliette Leeb-du Toit traces the origins of the cloth, its early usage and cultural adaptations, and its emerging regional, cultural, and aesthetic significance. In examining its usage and current national significance, she highlights some of the salient features associated with histories of indigenisation. An art historian who has a particular interest in African and South African art, Juliette Leeb-du Toit has also had a lifelong interest in design and textiles. She is currently engaged in the recovery of modernisms in design history, the impact of German modernism in South Africa, and the impact of China on the arts in South Africa. [Subject: History, African Studies, Art History, Textile Design]
Reveals the complex origins of African wax print textiles and traces the process of printing and dying the fabric, involving wax or indigo, to its West Indian roots. Also explores the differences of mass-produced and artisanally sourced fabrics, tracking where textiles go from the manufacturing centers to markets and cities throughout Africa and the world
Exotic! Exciting! Inspiring! African fabrics are sought after because of their rich histories and lavish designs, but they intimidate many sewers. Author and designer Ronke Luke-Boone helps to take the mystery out of these works of art and teaches sewers of all skill levels where to buy fabrics, how to choose the right ones, and the best techniques for sewing them. Besides covering the six most popular African fabrics -- mudcloth, Kuba cloth, Korhogo cloth, fancy prints, wax prints, and Kente clot -- this guide shows readers how they are produced and ways to incorporate them into contemporary designs for men, women, and children, as well as home décor. As an added bonus, Luke-Boone offers 14 original projects, including a tote bag, tunic, pillows, placemats, and a child's loom, three of which have full-size patterns. Features: Covers the six most popular African fabrics currently available; Excellent reference for sewers or anyone who is interested in fabrics, culture, and history; 14 step-by-step projects -- three with full-size patterns.