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Print and Politics offers a cultural history of a late Qing newspaper, Shibao, the most influential reform daily of its time. Exploring the simultaneous emergence of a new print culture and a new culture of politics in early-twentieth-century China, the book treats Shibao as both institution and text and demonstrates how the journalists who wrote for the paper attempted to stake out a “middle realm” of discourse and practice. Chronicling the role these journalists played in educational and constitutional organizations, as well as their involvement in major issues of the day, it analyzes their essays as political documents and as cultural artifacts. Particular attention is paid to the language the journalists used, the cultural constructs they employed to structure their arguments, and the multiple sources of authority they appealed to in advancing their claims for reform.
A lively portrait of Horace Greeley, one of the nineteenth century's most fascinating public figures. The founder and editor of the New-York Tribune, Horace Greeley was the most significant—and polarizing—American journalist of the nineteenth century. To the farmers and tradesmen of the rural North, the Tribune was akin to holy writ. To just about everyone else—Democrats, southerners, and a good many Whig and Republican political allies—Greeley was a shape-shifting menace: an abolitionist fanatic; a disappointing conservative; a terrible liar; a power-hungry megalomaniac. In Horace Greeley, James M. Lundberg revisits this long-misunderstood figure, known mostly for his wild inconsistencies and irrepressible political ambitions. Charting Greeley's rise and eventual fall, Lundberg mines an extensive newspaper archive to place Greeley and his Tribune at the center of the struggle to realize an elusive American national consensus in a tumultuous age. Emerging from the jangling culture and politics of Jacksonian America, Lundberg writes, Greeley sought to define a mode of journalism that could uplift the citizenry and unite the nation. But in the decades before the Civil War, he found slavery and the crisis of American expansion standing in the way of his vision. Speaking for the anti-slavery North and emerging Republican Party, Greeley rose to the height of his powers in the 1850s—but as a voice of sectional conflict, not national unity. By turns a war hawk and peace-seeker, champion of emancipation and sentimental reconciliationist, Greeley never quite had the measure of the world wrought by the Civil War. His 1872 run for president on a platform of reunion and amnesty toward the South made him a laughingstock—albeit one who ultimately laid the groundwork for national reconciliation and the betrayal of the Civil War's emancipatory promise. Lively and engaging, Lundberg reanimates this towering figure for modern readers. Tracing Greeley's twists and turns, this book tells a larger story about print, politics, and the failures of American nationalism in the nineteenth century.
An exciting interdisciplinary study based on new literary, historical, and bibliographical evidence, this book will appeal to students and scholars of the Italian Renaissance, the Reformation, and the history of the book.
Literary study of the popular radical press in England, 1800-1830.
How can a state be represented by Jesse Helms and John Edwards at the same time? Journalist Rob Christensen answers that question and navigates a century of political history in North Carolina, one of the most politically vibrant and competitive southern states, where neither conservatives nor liberals, Democrats nor Republicans, have been able to rest easy. It is this climate of competition and challenge, Christensen argues, that enabled North Carolina to rise from poverty in the nineteenth century to become a leader in research, education, and banking in the twentieth. In this new paperback edition, Christensen provides updated coverage of recent changes in North Carolina's political landscape, including the scandals surrounding John Edwards and Mike Easley, the defeat of U.S. senator Elizabeth Dole, the election of the state's first woman governor, and voters' approval of an African American candidate for president. The book provides an overview of the run-up to the 2010 elections and explains how North Carolina has become, arguably, the most politically competitive state in the South.
In Print the Legend: Politics, Culture, and Civic Virtue in the Films of John Ford, a collection of writers explore Ford's view of politics, popular culture, and civic virtue in some of his best films: Drums Along the Mohawk, The Searchers, The Man Who Shot Liberty Valance, Stagecoach, How Green Was My Valley, and The Last Hurrah. John Ford, more than most motion picture directors, invites his viewers into a serious discussion of these themes. For instance, one can consider Plato's timeless question 'What is justice?' in The Man Who Shot Liberty Valance, vengeance as classical Greek tragedy in The Searchers, or ethnic politics in The Last Hurrah. Ford's films never grow stale or seem dated because he continually probes the most important questions of our civic culture: what must we do to survive, prosper, pursue happiness, and retain our common decency as a regime? Further, viewing them from a distance of time, we are subtly invited to ask whether anything has been lost or gained since Ford celebrated the civic virtues of an earlier America. Is Ford's America an idealized America or a lost America?
This book assesses how print culture transformed the political nation, at the level of everyday political practices, habits and thought.
The Labottières were the largest printing and bookselling dynasty in eighteenth-century Bordeaux. From the 1680s to the sale of their business in 1794 three generations of this family acted as major cultural brokers in this booming Atlantic port, serving the rapidly expanding commercial and legal sectors with books, pamphlets, and newspapers. The lives and businesses of this family are heavily entwined with the histories of the Enlightenment, French colonialism in the West Indies, and the French Revolution. We find the final generation, welcoming the Revolution, printing a pro-revolutionary newspaper that framed the revolts in Haiti and Martinique in pro-revolutionary terms. They would come to establish their shop as a Jacobin centre and, along with their workers and journalists, navigated the forces of popular censorship and state control. However, despite these activities, the Labottière printing and bookselling enterprise would, eventually, be destroyed by the very Revolution it had supported. Through this lively microhistory of the Labottières, Jane McLeod presents the important role played by the flourishing Atlantic port economy in supporting the expansion of printing and bookselling. Furthermore, from McLeod's extensive archival research into over thirty members of the Labottière family, emerges a new understanding of the role played by printers and booksellers in the spreading of the ideas and concerns that underpinned some of the landmark social, cultural and political changes of the eighteenth century.
In The Politics of Print During the French Wars of Religion, Gregory Haake examines how, in late sixteenth-century France, authors and publishers used the printed text to control the terms of public discourse and determine history, or at least their narrative of it.
This book is the first full-length study of the development of Irish political print culture from the Glorious Revolution of 1688-9 to the advent of the Hanoverian succession in 1714. Based on extensive analysis of publications produced in Ireland during the period, including newspapers, sermons and pamphlet literature, this book demonstrates that print played a significant role in contributing to escalating tensions between tory and whig partisans in Ireland during this period. Indeed, by the end of Queen Anne’s reign the public were, for the first time in an Irish context, called upon in printed publications to make judgements about the behaviour of politicians and political parties and express their opinion in this regard at the polls. These new developments laid the groundwork for further expansion of the Irish press over the decades that followed.