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The origins of one the largest anarchist movements in history, told through its newspapers, pamphlets, books, and flyers. Print Culture and the Formation of the Anarchist Movement in Spain, 1890-1915 analyzes the formation of a mass anarchist movement in Spain spanning the turn of the twentieth century. This movement organized the largest body of anarchists in world history: the anarcho-syndicalist National Confederation of Labour (CNT). Anarchist cultural practices became ingrained in localities across the whole of Spain, laying foundations which maintained the movement's popular support until the end of the Spanish Civil War in 1939. This book shows that grassroots print culture was central to these developments: driving the development of ideology and strategy and providing an informal structure to a movement that shunned recognized leadership and bureaucracy. It offers a rich analysis of the cultural foundations of Spanish anarchism, while challenging claims that the movement was "exceptional" or "peculiar" in its formation, by situating it alongside other decentralized, bottom-up mobilizations across historical and contemporary contexts.
This book analyzes the formation of a mass anarchist movement in Spain over the turn of the twentieth century. In this period, the movement was transformed from a dislocated collection of groups and individuals into the largest organized body of anarchists in world history: the anarcho-syndicalist National Confederation of Labour (Confederación Nacional del Trabajo: CNT). At the same time, anarchist cultural practices became ingrained in localities across the whole of Spain, laying foundations which maintained the movement’s popular support until the end of the Spanish Civil War in 1939. The book shows that grassroots print culture was central to these developments: driving the development of ideology and strategy – broadly defined as terrorism, education and workplace organization – and providing an informal structure to a movement which shunned recognized leadership and bureaucracy. This study offers a rich analysis of the cultural foundations of Spanish anarchism. This emphasis also challenges claims that the movement was "exceptional" or "peculiar" in its formation, by situating it alongside other decentralized, bottom-up mobilizations across historical and contemporary contexts, from the radical pamphleteering culture of the English Civil War to the use of social media in the Arab Spring.
An expansive and accessible account of anarchism as a theory of practice. A new, in-depth look at the revolutionary strategy of anarchism in Europe and the United States between 1868 and 1939. Zoe Baker, creator of a popular Youtube series on radical history and political theory, brings her trademark clarity and accessibility to this debut book. Cutting through misperceptions and historical inaccuracies, she shows how the reasons anarchists gave for supporting or opposing particular strategies were grounded in a specific theoretical framework—a theory of practice. The consistent and coherent heart of anarchism, Baker shows, is the understanding that, as people engage in activity—political or otherwise—they simultaneously change the world and themselves. Put another way, the means that revolutionaries propose to achieve social change have to involve forms of activity through which people can become individuals capable of overthrowing capitalism and the state as well as building a better society. Behind this simple premise—that anarchist ends can only be achieved through anarchist means—lies a wealth of fascinating historical and theoretical detail that Baker presents clearly and engagingly.
This biography charts the life and fascinating long militant career of the French anarchist journalist, editor, theorist, writer, campaigner and educator Jean Grave (1854-1939), from the run up to the 1871 Paris Commune to the eve of the Second World War. Through Grave, it explores the history of the French and international anarchist communist movement over seven decades: its “heroic period” (1880-1890s), shaken by terrorist violence and intense repression, the emergence of syndicalism, national and international solidarity campaigns, the divisions over the First World War, and post-war division and relegation. Through Grave, a “sedentary transnationalist,” the study investigates the networked and transnational organisation of the anarchist movement, addressing the paradox of Grave’s international influence alongside his deep rootedness in Paris by emphasizing the movement’s global print culture and staggering circulations.
The Spanish Anarchists and the Russian Revolution, 1917–24 explores the impact of the Russian Revolution on the world’s most powerful anarchist movement, the Spanish National Confederation of Labour. The monograph traces the curve of euphoria followed by scepticism that characterized anarchist reactions to the Soviet experiment in 1917–24. This book unearths the interactions between anarchists and Bolsheviks, and assesses their significance for social conflict in Spain and for the foundation of international communism. The Spanish anarchists are a window to examine the global appeal of the Bolsheviks among diverse, non-Marxist militant groups at a time of cross-fertilization for the left internationally. Through the case study of the Spanish anarchists, this book highlights how identification with the victorious Russian Bolsheviks became a rousing device and a political asset at a time of intense social effervescence, when, in the eyes of many, world revolution seemed imminent. However, for heterodox, non-Marxist forces, such as the Spanish anarchists, the Soviet model had to be negotiated and adapted to local conditions and political traditions. This book later traces the ending of this phase of cross-fertilization at a time of defeat and demoralization for the labour movement in Spain and across Europe.
The Atlantic Ocean not only connected North and South America with Europe through trade but also provided the means for an exchange of knowledge and ideas, including political radicalism. Socialists and anarchists would use this “radical ocean” to escape state prosecution in their home countries and establish radical milieus abroad. However, this was often a rather unorganized development and therefore the connections that existed were quite diverse. The movement of individuals led to the establishment of organizational ties and the import and exchange of political publications between Europe and the Americas. The main aim of this book is to show how the transatlantic networks of political radicalism evolved with regard to socialist and anarchist milieus and in particular to look at the actors within the relevant processes—topics that have so far been neglected in the major histories of transnational political radicalism of the late nineteenth and early twentieth centuries. Individual case studies are examined within a wider context to show how networks were actually created, how they functioned and their impact on the broader history of the radical Atlantic.
This timely book introduces readers to anarchism's relationship to broader history, offering not only a history of anarchism in the modern period, but a critical introduction to debates on anarchist history. Attention thus far has been biased towards intellectual history and key thinkers such as Proudhon, Bakunin and Kropotkin, but these studies have neglected the social movements and spaces which have seen 'anarchy in action' and marginalised the role of women and voices beyond Europe and the United States. Debating Anarchism offers a different perspective, engaging with women's anarchist experiences and grounding recent historical work on anarchism in a global perspective. Interrogating anarchism as a concept, a movement and a social reality the author guides the reader through the origins of anarchism in the age of revolutions, assessing experiences of anarchy in Russia, Spain, India and beyond. Tracing the development of 'the beautiful idea' through the 20th century, Finn explores anarchism in the Cold War world through to postmodernity and the 21st century. This volume situates anarchism in the broader historiographies of the modern world, offering a unique starting point for students of history, politics and philosophy seeking to understand the abiding power of 'the beautiful idea' – a society without government.
This handbook unites leading scholars from around the world in exploring anarchism as a political ideology, from an examination of its core principles, an analysis of its history, and an assessment of its contribution to the struggles that face humanity today. Grounded in a conceptual and historical approach, each entry charts what is distinctive about the anarchist response to particular intellectual, political, cultural and social phenomena, and considers how these values have changed over time. At its heart is a sustained process of conceptual definition and an extended examination of the core claims of this frequently misunderstood political tradition. It is the definitive scholarly reference work on anarchism as a political ideology, and should be a crucial text for scholars, students, and activists alike.
Anarchism and the Avant-Garde: Radical Arts and Politics in Perspective contributes to the continuing debate on the encounter of the classical anarchisms (1860s−1940s) and the artistic and literary avant-gardes of the same period, probing its dimensions and limits. Case studies on Dadaism, decadence, fauvism, neo-impressionism, symbolism, and various anarchisms explore the influence anarchism had on the avant-gardes and reflect on avant-garde tendencies within anarchism. This volume also explores the divergence of anarchism and the avant-gardes. It offers a rich examination of politics and arts, and it complements an ongoing discourse with theoretical tools to better assess the aesthetic, social, and political cross-pollination that took place between the avant-gardes and the anarchists in Europe.
Both Britain and the United States have had a long history of harbouring foreign political exiles, who often set up periodicals which significantly contributed to community-building and political debates. However, this varied and complex journalism has received little attention to date, particularly regarding the languages in which it was produced. This wide-ranging edited volume brings together for the first time interdisciplinary case studies of the exile foreign-language press (in French, German, Italian, Spanish, Russian, Flemish, Polish, among other languages) across Britain and the US, establishing a useful comparative framework to explore how periodicals tackled key political, linguistic and literary issues from the 19th century to the present day. Building on the existing literature on the exile foreign-language press in the United States and developing the study of this phenomenon in the British context, Immigration and Exile Foreign-Language Press in the UK and in the US offers fresh perspectives into how these marginalised periodicals influenced the political, economic and social contexts that brought them into existence. This is a major contribution to the burgeoning field of transnational periodicals and will be of interest to anyone studying the history of the Anglo-American press, the history of immigration and cultural history.