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This book has now been completely revised to include chapters dealing with film emulsions, the principles of colour cinematography and also with magnetic sound recording. Whilst the fundamental principles of all cinematographic processes, considerable portions of the book are devoted to the work of film laboratories, camera and projector mechanisms, the film in television and also to sound recording.
Introduction to Cinematography offers a practical, stage-by-stage guide to learning, combining and using the creative and technical aspects of cinematography. Building from a skills-based approach focused on professional practice, cinematographer and award-winning author Tania Hoser provides a step-by-step introduction for both cinematographers and camera assistants to the techniques, processes and procedures of working with cameras, lenses and light. Building on the success of the first book, this second edition adds all-new chapters on virtual production and extended reality, as well as a significant increase in low-budget examples and case studies, to accommodate every reader. Richly illustrated, the book incorporates exercises and sample scripts throughout, exploring light, color, movement and the language of the lens. The principles and techniques of shaping and controlling light are applied to working with natural light and film lamps and, as with all areas of cinematography, show both high-end and low-budget options. This makes the second edition of Introduction to Cinematography the most up-to-date and essential resource for anyone aiming to acquire the full range of cinematography skills, allowing seamless progression from exercises through to full feature shoots. Assessment rubrics also provide a framework to measure progress as the reader’s ability to visually interpret scripts and enhance the director's vision develops.
Most video and film editors understand that the story is central to their work and that editing choices need to serve the telling of that story in the best way possible. What they may not know, however, are all the valuable techniques to making this craft appear seamless and part of the busy editor's normal workflow. This book takes an approach to editing that both beginners and intermediate editors will find refreshing. While other books approach the topic of editing by teaching the functions of the editing software, this book explains how you can make smart choices and use those functions to affect the story. In the book you'll learn workflow tips, time saving techniques, linear and non-linear theory, cutting techniques, enhancing emotion through music and sound effects, leveling and mastering audio, color correction, and most importantly, the role editing can have on the telling of the story. Additional techniques are shown through multiple step-by-step videos available on the author's site as well as clips from a documentary the author created on editing.
With an abundance of information on how to create motion graphics already available, Design in Motion focuses on the why of moving image and less about the how. By unpacking the reasons behind screen designer's production choices, each chapter deconstructs examples of motion graphics by drawing on case studies of both familiar examples from contemporary cinema and unseen work from postgraduate motion graphic designers. It examines the value of image, text, motion, camera and transitions, explaining in detail why some methods work, while others fail. Whether you work in info-graphics, documentary or design, this book is structured to follow the production process and, together with its multimedia companion website, will be a by-your-side companion to guide you through your next project.
Cinematography is the art and craft of visualizing and recording the moving image. The cinematographer therefore has to use their technical and creative skills to photographically capture the mood of the film and the vision of the director. Done properly, they add the magic and depth to a film, giving it a defining edge. This practical book explains the principles behind cinematography, as well as the skills of the cinematographer. Having described the equipment, it looks at how to interpret the script and advises on how to find a visual style. Written by a respected cinematographer, it also explains the roles of the camera crew and the importance of working as a team. Fully illustrated with 128 colour photographs.
Filmmaking is an art, but, like so many art forms, there are basic underlying tools and techniques and a body theoretical knowledge that must be understood and mastered before artistic expression can flourish. This book is an invaluable resource for all aspiring DoPs. Practical Cinematography can be dipped into for quick reference - perhaps to answer a specific question or deal with practical problems relating to a shoot - or read from cover to cover. It discusses the principles of cinematography and the expertise which is unique to the Director of Photography (DoP). It deals with all the basic theory such as color temperature and sensitometry, and all the practical things a DoP needs to know, from the make-up of the crew to how to prepare an equipment list.