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"Designing a captivating creature simply for it to exist against a white background and going no further is a purely academic exercise. Designing a creature that can survive in a world, interact with its own and other species, and go on to make an impact, is designing with intent. This is the end goal of creature design and what you will witness in this latest book from industry expert Terryl Whitlatch. With decades of experience in the entertainment industry, developing creatures for Star Wars: Episode 1 -- The Phantom Menace and Beowulf, among other films, Whitlatch offers an abundance of valuable advice throughout the Principles of Creature Design. For Whitlatch, there's not limit to what can be imagined with an open mind, though the journey may not always be an easy one. It's what she calls "Chasing the unicorn." We will surely enjoy joining her on her journey, filled with creatures so vivid, whimsical, and elaborate that we will wish -- or wonder -- if they are real."--Back cover.
The book discusses whether animals are designed according to the same rules that engineers use in building machines.
Principles of Animal Research is the first publication to offer a broad look at animal research science for a student, early researcher, or technician. Offering guidance for all aspects of the research experience, including the research and development of a thesis, model selection, experimental design, IACUC protocol preparation, and animal husbandry and technical procedural needs, the book is a necessary addition to every student, technician, and researcher's education. - Provides background material for students to understand the broader backdrop against which animal research is undertaken - Includes ethical and regulatory information - Covers commonly used animal models and the process to choose a model for biomedical research
The world's best creature designers and concept artists provide a groundbreaking and unique insight into their creative processes and practices.
This volume presents a framework of general principles for animal research ethics together with an analysis of the principles' meaning and moral requirements. Tom L. Beauchamp and David DeGrazia's comprehensive framework addresses ethical requirements pertaining to societal benefit (the most important consideration in justifying the harming of animals in research) and features a thorough, ethically defensible program of animal welfare. The book also features commentaries on the framework of principles by eminent figures in animal research ethics from an array of relevant disciplines: veterinary medicine, biomedical research, biology, zoology, comparative psychology, primatology, law, and bioethics.
Are animals designed economically? The theory of symmorphosis predicts that the size of the parts in a system must be matched to the overall functional demand. Weibel shows how animals as different as shrews, pronghorns, dogs, goats--even humans--all develop from essentially the same blueprint by variation of design.
A provocative call for architects to remember and embrace the nonhuman lives that share our spaces. A spider spinning its web in a dark corner. Wasps building a nest under a roof. There’s hardly any part of the built environment that can’t be inhabited by nonhumans, and yet we are extremely selective about which animals we keep in or out. This book imagines new ways of thinking about architecture and the more-than-human and asks how we might design with animals and the other lives that share our spaces in mind. Animal Architecture is a provocative exploration of how to think about building in a world where humans and other animals are already entangled, whether we acknowledge it or not.
This book addresses how the general principles of biology influence the human capacity for locomotion, and, conversely, how understanding the nature of muscular activity might provide insights into the basic nature of living beings. Through a series of essays, the book relates the evolutionary basis of animal locomotion to recognizing the determinants of exercise capacity. While raising more questions than providing answers, the discussions will assume that without knowing the correct questions to ask, the answers will not be forthcoming. At the root of this book lies the central query: what is it that separates the principles governing the function of living beings from those that dictate the inanimate world? The discussions here address this issue from the expectation that clues to the answer can be obtained through understanding adaptations to the stresses imposed by physical exercise. As such, the book provides thought-provoking analyses of the biological basis of locomotion that will stimulate future efforts to understand these phenomena.
This book provides a clear foundation, based on physical biology and biomechanics, for understanding the underlying mechanisms by which animals have evolved to move in their physical environment. It integrates the biomechanics of animal movement with the physiology of animal energetics and the neural control of locomotion. The author also communicates a sense of the awe and fascination that comes from watching the grace, speed, and power of animals in motion. Movement is a fundamental distinguishing feature of animal life, and a variety of extremely effective mechanical and physiological designs have evolved. Common themes are observed for the ways in which animals successfully contend with the properties of a given physical environment across diversity of life forms and varying locomotor modes. Understanding the common principles of design that span a diverse array of animals requires a broad comparative and integrative approach to their study. This theme persists throughout the book, as various modes and mechanisms of animal locomotion are covered. Since an animal's size is equally critical to its functional design, the effects of scale on locomotor energetics and mechanics are also discussed. Biewener begins by examining the underlying machinery for movement: skeletal muscles used for force generation, skeletons used for force transmission, and spring-like elements used for energy savings. He then describes the basic mechanisms that animals have evolved to move over land, in and on the surface of the water, and in the air. Common fluid dynamic principles are discussed as background to both swimming and flight. In addition to discussing the locomotor mechanisms of complex animals, the locomotor movement of single cells is also covered. Common biochemical features of cellular metabolism are then reviewed before discussing the energetic aspects of various locomotor modes. Strategies for conserving energy and moving economically are again highlighted in this section of the book. Emphasis is placed on comparisons of energetic features across locomotor modes. The book concludes with a discussion of the neural control of animal locomotion. The basic neurosensory and motor elements common to vertebrates and arthropods are discussed, and features of sensori-motor organization and function are highlighted. These are then examined in the context of specific examples of how animals control the rhythmic patterns of limb and body movement that underlie locomotor function and stability.
Islamic Art and Visual Culture is a collection of primary sources in translation accompanied by clear and concise introductory essays that provide unique insights into the aesthetic and cultural history of one of the world's major religions. Collects essential translations from sources as diverse as the Qur'an, court chronicles, technical treatises on calligraphy and painting, imperial memoirs, and foreign travel accounts Includes clear and concise introductory essays Situates each text and explains the circumstances in which it was written--the date, place, author, and political conditions Provides a vivid window into Islamic visual culture and society An indispensable tool for teachers and students of art and visual culture